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On the Parts of Animals
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Of things constituted by nature some are ungenerated, imperishable, and eternal, while others are subject to generation and decay. The former are excellent beyond compare and divine, but less accessible to knowledge. The evidence that might throw light on them, and on the problems which we long to solve respecting them, is furnished but scantily by sensation; whereas respecting perishable plants and animals we have abundant information, living as we do in their midst, and ample data may be collected concerning all their various kinds, if only we are willing to take sufficient pains. Both departments, however, have their special charm. The scanty conceptions to which we can attain of celestial things give us, from their excellence, more pleasure than all our knowledge of the world in which we live; just as a half glimpse of persons that we love is more delightful than a leisurely view of other things, whatever their number and dimensions. On the other hand, in certitude and in completeness our knowledge of terrestrial things has the advantage. Moreover, their greater nearness and affinity to us balances somewhat the loftier interest of the heavenly things that are the objects of the higher philosophy. Having already treated of the celestial world, as far as our conjectures could reach, we proceed to treat of animals, without omitting, to the best of our ability, any member of the kingdom, however ignoble. For if some have no graces to charm the sense, yet even these, by disclosing to intellectual perception the artistic spirit that designed them, give immense pleasure to all who can trace links of causation, and are inclined to philosophy. Indeed, it would be strange if mimic representations of them were attractive, because they disclose the mimetic skill of the painter or sculptor, and the original realities themselves were not more interesting, to all at any rate who have eyes to discern the reasons that determined their formation. We therefore must not recoil with childish aversion from the examination of the humbler animals. Every realm of nature is marvellous: and as Heraclitus, when the strangers who came to visit him found him warming himself at the furnace in the kitchen and hesitated to go in, reported to have bidden them not to be afraid to enter, as even in that kitchen divinities were present, so we should venture on the study of every kind of animal without distaste; for each and all will reveal to us something natural and something beautiful. Absence of haphazard and conduciveness of everything to an end are to be found in Nature’s works in the highest degree, and the resultant end of her generations and combinations is a form of the beautiful.
If any person thinks the examination of the rest of the animal kingdom an unworthy task, he must hold in like disesteem the study of man. For no one can look at the primordia of the human frame-blood, flesh, bones, vessels, and the like-without much repugnance. Moreover, when any one of the parts or structures, be it which it may, is under discussion, it must not be supposed that it is its material composition to which attention is being directed or which is the object of the discussion, but the relation of such part to the total form. Similarly, the true object of architecture is not bricks, mortar, or timber, but the house; and so the principal object of natural philosophy is not the material elements, but their composition, and the totality of the form, independently of which they have no existence.
The course of exposition must be first to state the attributes common to whole groups of animals, and then to attempt to give their explanation. Many groups, as already noticed, present common attributes, that is to say, in some cases absolutely identical affections, and absolutely identical organs,-feet, feathers, scales, and the like-while in other groups the affections and organs are only so far identical as that they are analogous. For instance, some groups have lungs, others have no lung, but an organ analogous to a lung in its place; some have blood, others have no blood, but a fluid analogous to blood, and with the same office. To treat of the common attributes in connexion with each individual group would involve, as already suggested, useless iteration. For many groups have common attributes. So much for this topic.
As every instrument and every bodily member subserves some partial end, that is to say, some special action, so the whole body must be destined to minister to some Plenary sphere of action. Thus the saw is made for sawing, for sawing is a function, and not sawing for the saw. Similarly, the body too must somehow or other be made for the soul, and each part of it for some subordinate function, to which it is adapted.
We have, then, first to describe the common functions, common, that is, to the whole animal kingdom, or to certain large groups, or to the members of a species. In other words, we have to describe the attributes common to all animals, or to assemblages, like the class of Birds, of closely allied groups differentiated by gradation, or to groups like Man not differentiated into subordinate groups. In the first case the common attributes may be called analogous, in the second generic, in the third specific.
When a function is ancillary to another, a like relation manifestly obtains between the organs which discharge these functions; and similarly, if one function is prior to and the end of another, their respective organs will stand to each other in the same relation. Thirdly, the existence of these parts involves that of other things as their necessary consequents.
Instances of what I mean by functions and affections are Reproduction, Growth, Copulation, Waking, Sleep, Locomotion, and other similar vital actions. Instances of what I mean by parts are Nose, Eye, Face, and other so-called members or limbs, and also the more elementary parts of which these are made. So much for the method to be pursued. Let us now try to set forth the causes of all vital phenomena, whether universal or particular, and in so doing let us follow that order of exposition which conforms, as we have indicated, to the order of nature.