Part,  Chapter, §

 1  Intro         |    especially to the frightening vision of hell, devotion to the
 2      1,    1   |            The first part is the vision of hell. ~Our Lady showed
 3      1,    1   |      black and transparent. This vision lasted but an instant. How
 4 Secret,    2   |          secret” was a prophetic vision, similar to those in sacred
 5 Secret,    2   |          her conviction that the vision of Fatima concerns above
 6 Secret,    2   |          principal figure in the vision the Pope?”, Sister Lucia
 7 Secret,    2   | immediately realized during the “vision”—who is struck dead and
 8 Secret,    3   |        text contains a prophetic vision similar to those found in
 9 Secret,    3   |          in a symbolic key. ~The vision of Fatima concerns above
10 Secret,    4   |         should we understand the vision? What are we to make of
11 Secret,    4, 1| questioning God or desiring some vision or revelation would be guilty
12 Secret,    4, 2|          forms of perception or “vision”: vision with the senses,
13 Secret,    4, 2|          perception or “vision”: vision with the senses, and hence
14 Secret,    4, 2|        perception, and spiritual vision (visio sensibilis - imaginativa -
15 Secret,    4, 2|         instance, as regards the vision of hell (described in the
16 Secret,    4, 2|     Fatima “secret”) or even the vision described in the third part
17 Secret,    4, 2|         it is not a matter of a “vision” in the mind, without images,
18 Secret,    4, 2|          the senses.   ~Interior vision does not mean fantasy, which
19 Secret,    4, 2|          Mt 21:16).   ~“Interior vision” is not fantasy but, as
20 Secret,    4, 2|    limitations. Even in exterior vision the subjective element is
21 Secret,    4, 2|          in the case of interior vision, especially when it involves
22 Secret,    4, 2|          In the case of interior vision, the process of translation
23 Secret,    4, 2|       extensive than in exterior vision, for the subject shares
24 Secret,    4, 2|         Not every element of the vision has to have a specific historical
25 Secret,    4, 2|      historical sense. It is the vision as a whole that matters,
26 Secret,    4, 2|        centre is found where the vision becomes a summons and a
27 Secret,    4, 3|        the children were given a vision of hell. They saw the fall
28 Secret,    4, 3|        that she had received the vision but not its interpretation.
29 Secret,    4, 3|    forged the flaming sword. The vision then shows the power which
30 Secret,    4, 3|           the whole point of the vision is to bring freedom onto
31 Secret,    4, 3|    direction. The purpose of the vision is not to show a film of
32 Secret,    4, 3|         circulation. Rather, the vision speaks of dangers and how
33 Secret,    4, 3|        symbolic character of the vision: God remains immeasurable,
34 Secret,    4, 3|      light which surpasses every vision of ours. Human persons appear
35 Secret,    4, 3|        in mind the limits in the vision itself, which here are indicated
36 Secret,    4, 3|         a compressed way. In the vision we can recognize the last
37 Secret,    4, 3|          In the “mirror” of this vision we see passing before us
38 Secret,    4, 3|       leads to the Cross. In the vision, the Pope too is killed
39 Secret,    4, 3|         faith. It is a consoling vision, which seeks to open a history
40 Secret,    4, 3|       the Church. Therefore, the vision of the third part of the “