bold = Main text
   Vol.,  Sect., Part, Chap., Par.                                   grey = Comment text

 1        I, Pref                 |         idam sarvam, tat satyam, sa âtmâ, tat tvam asi Svetaketo.'~
 2        I, Pref                 |           8, 7 should begin with sa ya esho 'nimâ, i. e. that
 3        I, Pref                 |          The change of gender in sa for tad is idiomatic. One
 4        I, Pref                 |        âtmâ, it is the Self, but sa âtmâ. By sa, he, the Sat,
 5        I, Pref                 |        the Self, but sa âtmâ. By sa, he, the Sat, that which
 6        I, Pref                 |          The commentary explains sa âtmâ by tat sat, and continues
 7        I, Intro,    0,   0,   5|         vadishya iti, instead of sa mene na vadishya iti. Sankara
 8        I, Intro,    0,   0,   5|     nâmâsy amâ hi te sarvam idam sa hi gyeshthah~II. Âmo 'sy
 9        I, Intro,    0,   0,   5|          Âmo 'sy âmam hi te mayi sa hi~III. âmamsy âmamhi te
10        I, Intro,    0,   0,   5|       III. âmamsy âmamhi te mahi sa hi~I. sreshtho râgâdhipatih
11        I, Intro,    0,   0,   5|         I. sreshtho râgâdhipatih sa mâ gyaishthyam srai-~II.
12        I, Intro,    0,   0,   5|     srai-~II. râgesâno 'dhipatih sa mâ râgesâno~III. râgesâno~
13        I,   1,    1,   0,   1  |      sung as resting on the Rik. Sa is this earth, ama is fire,
14        I,   1,    1,   0,   1  |      sung as resting on the.Rik. Sa is the sky, ama the air,
15        I,   1,    1,   0,   1  |      sung as resting on the.Rik. Sa is heaven, ama the sun,
16        I,   1,    1,   0,   1  |      sung as resting on the Rik. Sa is the stars, ama the moon,
17        I,   1,    1,   0,   1  |        as resting on the Rik.~6. Sa is the white light of the
18        I,   1,    1,   0,   1  |      sung as resting on the Rik. Sa is speech, ama is breath,
19        I,   1,    1,   0,   1  |      sung as resting on the Rik. Sa is the eye, ama the self
20        I,   1,    1,   0,   1  |      sung as resting on the Rik. Sa is the ear, ama the mind,
21        I,   1,    1,   0,   1  |      sung as resting on the Rik. Sa is the white light of the
22       XV,   7                  |         upeto 'ranyam nirgagâma. Sa tatra paramam tapa[1] âdityam
23       XV,   7                  | vrinîshveti râgânam abravît [3]. Sa tasmai punar namaskrityovâka,
24       XV,   7                  |        tattvavik khusrumo vayam; sa tvam no brûhity etad vratam
25       XV,   7                  |         karnâv apidhâya srinoti, sa yadotkramishyan[2] bhavati
26       XV,   7                  |       svayonâv upasâmyati. 9 [4]~Sa sivah so 'nte vaisvânaro
27       XV,   7                  |        so 'nte vaisvânaro bhûtvâ sa dagdhvâ sarvâni bhûtâni
28       XV,   7                  |         so antar is explained as sa u.~VII. Other irregularities:~
29       XV,  11,    1,   1,   3  |         and that is both speech (sa) and breath (ama)'. This
30       XV,  11,    3,   5,   5  |       syllables. One syllable is sa, another t(i), the third
31       XV,  11,    3,   6,   4  |     tasmat striyam adha upasita. Sa etam prankam gravanam atmana
32       XV,  11,    3,   6,   4  |          madhyatas, tau mushkau. Sa yavan ha vai vagapeyena
33       XV,  11,    3,   6,   4  |      vidvan adhopahasam karaty a sa strinam sukritam vrinkte '
34       XV,  11,    3,   6,   4  |         both become glorious.~9. Sa yam ikkhet kamayeta meti
35       XV,  11,    3,   6,   4  | sambhavasi hridayad adhi gayase, sa tvam angakashayo 'si digdhaviddham
36       XV,  11,    3,   6,   4  |        am Ama (breath), thou art Sa (speech ). Thou art Sa (
37       XV,  11,    3,   6,   4  |       art Sa (speech ). Thou art Sa (speech), I am Ama (breath).