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   Vol.,  Sect., Part, Chap., Par.                                  grey = Comment text

 1        I, Pref                 |  original, when necessary, in a note. But this has been done
 2        I, Pref                 |        to apprehend one musical note without harmonics. With
 3        I, Intro,    0,   0,   4|     Sanskrit Literature, p. 155 note.~5. Indian Antiquary, II,
 4        I,   1,    1,   0,   2  |        choose the deep sounding note of the Saman as good for
 5        I,   1,    1,   0,   2  |         to Agni; the indefinite note belongs to Pragapati, the
 6        I,   1,    1,   0,   2  |         Pragapati, the definite note to Soma, the soft and smooth
 7        I,   1,    1,   0,   2  |       Soma, the soft and smooth note to Vayu, the smooth and
 8        I,   1,    1,   0,   2  |     Vayu, the smooth and strong note to Indra, the heron-like
 9        I,   1,    1,   0,   2  |        to Indra, the heron-like note to Brihaspati, the dull
10        I,   1,    1,   0,   2  |         to Brihaspati, the dull note to Varuna. Let a man cultivate
11       XV,   1                  |    Miscellaneous Essays, 1, 96, note) it is referred to the Sâma-veda
12       XV,   1                  |       Indian Literature, p. 93, note; p. 157.~2. Though it would
13       XV,   7                  |        commentator (see p. 331, note) a Vyâkhyâna, i.e. a fuller
14       XV,   7                  |   Sandhi which,~[1. See p. 303, note 1; p. 305. note 1; p. 312,
15       XV,   7                  |         p. 303, note 1; p. 305. note 1; p. 312, note 1.]~thanks
16       XV,   7                  |         p. 305. note 1; p. 312, note 1.]~thanks to the labours
17       XV,   7                  | abhibhûyamânay iva, see p. 295, note 2.~V, 2, asâ âtmâ (var.