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Alphabetical    [«  »]
sake 15
sakha 1
sâkha 1
sâkhâ 15
sâkhâs 7
sakibhir 1
sâkiyanya 1
Frequency    [«  »]
15 rudras
15 sacrificed
15 sake
15 sâkhâ
15 serve
15 singing
15 speaks

Upanishads

IntraText - Concordances

sâkhâ

                                                                      bold = Main text
   Vol.,  Sect., Part, Chap., Par.                                    grey = Comment text
1 I, Intro, 0, 0, 4| possibly found in another Sâkhâ, and borrowed from there 2 I, Intro, 0, 0, 4| commentator explains that another Sâkhâ reads 'vigighatsa, and that 3 I, Intro, 0, 0, 4| Upanishad, as handed down in one Sâkhâ, do not prove that the same 4 I, Intro, 0, 0, 9| Upanishad belonged to the Sâkhâ of the Talavakâras.~All 5 I, Intro, 0, 0, 9| Gaiminîya-brâhmana,' after the Sâkhâ of the Sâma-veda which they 6 I, Intro, 0, 0, 9| described in a different Sâkhâ, see Taittirîya Samhitâ 7 I, Intro, 0, 0, 9| their rules to their own Sâkhâ only.~There are many legends 8 XV, 7 | a lost Brâhmana of that Sâkhâ, being preceded by the sacrificial ( 9 XV, 7 | Maitrâyanîyanâmnî yâgushî sâkhâ, and he mentions Maitra ( 10 XV, 7 | Maitrî) as the author of that Sâkhâ. (vv. 55,150).~In the Muktikâ-upanishad[ 11 XV, 7 | derives its name from the Sâkhâ of the Maitrâyanas, and 12 XV, 7 | Maitrâyana-sâkhâ. In that Sâkhâ final unaccented as and 13 XV, 7 | distinctive of the Maitrâyanî sâkhâ. Thus we read Maitr. Up. 14 XV, 7 | indicatory of that particular Sâkhâ, namely the Maitrâyanî.~ 15 XV, 7 | stranger peculiarity of our Sâkhâ is the change of a final


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