17. Personalism of B. P. Bowne.

B. P. Bowne¹ says: They (phenomena) are not phantoms or illusions, nor are they masks of a back-lying reality which is trying to peer through them." "The antithesis," he continues,² "of phenomena and noumena rests on the fancy that there is something that rests behind phenomena which we ought to perceive but cannot, because the masking phenomena thrusts itself between the reality and us." Just so far we agree with Bowne, but we think he is mistaken in sharply distinguishing between body and self, saying³: "We ourselves are invisible. The physical organism is only an instrument for expressing and manifesting the inner life, but the living self is never seen." "Human form," he argues,⁴ "as an object in space apart from our experience of it as the instrument and expression of personal life, would have little beauty or attraction; and when it is described in anatomical terms, there is nothing in it that we should desire it. The secret of its beauty and its value lies in the invisible realm." "The same is true," he says

again, "of literature. It does not exist in space, or in time, or in books, or in libraries . . . all that could be found there would be black marks on a white paper, and collections of these bound together in various forms, which would be all the eyes could see. But this would not be literature, for literature has its existence only in mind and for mind as an expression of mind, and it is simply impossible and meaningless in abstraction from mind." "Our human history" -- he gives another illustration¹  -- "never existed in space, and never could so exist. If some visitor from Mars should come to the earth and look at all that goes on in space in connection with human beings, he would never get any hint of its real significance. He would be confined to integrations and dissipations of matter and motion. He could describe the masses and grouping of material things, but in all this be would get no suggestion of the inner life which gives significance to it all. As conceivably a bird might sit on a telegraph instrument and become fully aware of the clicks of the machine without any suspicion of the existence or meaning of the message, or a dog could see all that eye can see in a book yet without any hint of its meaning, or a savage could gaze at the printed score of an opera without ever suspecting its musical import, so this supposed visitor would be absolutely cut off by an impassable gulf from the real seat and significance of human history. The great drama of life, with its likes and dislikes, its loves and hates, its ambitions and strivings, and manifold ideas, inspirations, aspirations, is absolutely foreign to space, and could never in any way be discovered in space. So human history has its seat in the invisible."

In the first place, Bowne's conception of the physical organism as but an instrument for the expression of the inner, personal life, just as the telegraphic apparatus is the instrument for the expression of messages, is erroneous,

because body is not a mere instrument of inner personal life, but an essential constituent of it. Who can deny that one's physical conditions determine one's character or personality? Who can overlook the fact that one's bodily conditions positively act upon one's personal life? There is no physical organism which remains as a mere passive mechanical instrument of inner life within the world of experience. Moreover, individuality, or personality, or self, or inner life, whatever you may call it, conceived as absolutely independent of physical condition, is sheer abstraction. There is no such concrete personality or individuality within our experience.

In the second place, he conceives the physical organism simply as a mark or symbol, and inner personal life as the thing marked or symbolized; so he compares physical forms with paper, types, books, and libraries, and inner life, with literature. In so doing he overlooks the essential and inseparable connection between the physical organism and inner life, because there is no essential inseparable connection between a mark or symbol and the thing marked or symbolized. The thing may adopt any other mark or symbol. The black marks on the white paper, to use his figure, are not essential to literature. Literature may be expressed by singing, or by speech, or by a series of pictures. But is there inner life expressed, or possible to be expressed, in any other form save physical organism? We must therefore acknowledge that inner life is identical with physical organism, and that reality is one and the same as appearance.