Chap.,  §

 1   4,    1    |      entertain the parties (dialogue‑entertainment);~‑ when it seeks the collaboration
 2   4,    1    |             continuous in "dialogue‑ entertainment."~It is also complete in
 3   4      (14)|              investigation, dialogue‑entertainment has only a distant relationship
 4   4,    1    |          that of a fight.~ ~Dialogue‑entertainment ‑ Aims to inform, entertain,
 5   4      (16)|              forms (besides dialogue‑entertainment and dialogue‑investigation)
 6   4,    3    |            arguments for the sake of entertainment while maintaining all the
 7   4,    3    |           investigation and dialogue‑entertainment.~Thus the talismanic word "
 8   4,    3    |          Cordiality Invades Dialogue‑Entertainment and Dialogue‑investigation:
 9   4,    3    |            matters, and dialogues of entertainment about still others. These
10   4,    3    |       dialogues of investigation and entertainment more irenist, giving them
11   4,    3    |           distortion of dialogues of entertainment and investigation? In these
12   4,    3    | underestimate the natural purpose of entertainment and investigation and to
13   4,    3    |           warming of affections, and entertainment and investigation come to
14   4,    3    |            more and more in dialogue‑entertainment and dialogue‑investigation,
15   4,    3    |        irenistic influence, dialogue‑entertainment and dialogue‑investigation
16   4,    3    |         values is inverted. Dialogue‑entertainment and dialogue-investigation
17   4,    3    |       dialogues of investigation and entertainment) and begins to incite the
18   4,    3    |          these other forms (dialogue‑entertainment and dialogue‑investigation)
19   4,    3    |   opportunities for investigation or entertainment no longer seem to be restricted
20   4,    3    |  opportunities for investigation and entertainment now come to serve as mere
21   4,    3    |        irenic impregnation (dialogue‑entertainment, dialogue-investigation,
22   4,    3    |     predominance of the dialogues of entertainment and investigation over argument‑
23   4,    3    |              encompass only dialogue‑entertainment and dialogue‑investigation.~
24   4,    3    |        reduced to irenistic dialogue‑entertainment and dialogue‑investigation.~
25   4,    3    |       assuming the character of mere entertainment and investigation, dialogue
26   4      (25)|       positions (therefore, dialogue‑entertainment, dialogue‑investigation,
27 App1         |  dialogue-investigation and dialogue‑entertainment, which become dominant;
28 App1         |          investigation and dialogue‑ entertainment become the only forms of
29 App1         |            investigation and ialogue‑entertainment steeped in irenicism; argument‑
30 App1         |           investigation and dialogue‑entertainment steeped in irenicism; argument‑
31 App1         |           investigation and dialogue‑entertainment, which are placed on an
32 App1         |           investigation and dialogue‑entertainment steeped in irenicism; argument‑