Chapter

 1 4|       determined by Jowo--a famous tea-master of the fifteenth century.
 2 4|           exists the host is not a tea-master. One of the first requisites
 3 4|          the first requisites of a tea-master is the knowledge of how
 4 4|            Young fool," chided the tea-master, "that is not the way a
 5 4|            the tea master, not the tea-master for the tea-room. It is
 6 5|         know how to impart it. The tea-master, Kobori-Enshiu, himself
 7 6| promiscuously into a vase. ~When a tea-master has arranged a flower to
 8 6|            adepts at it. Juko, the tea-master, was one of his pupils,
 9 6|            flower arrangement by a tea-master loses its significance if
10 6|         flower-arrangements of the tea-master rather than with those of
11 6|           Formalistic schools. The tea-master deems his duty ended with
12 6|            the air. Shoha, another tea-master, combined a poem on the
13 7|          approach beauty. Thus the tea-master strove to be something more
14 7|    painting owes its origin to the tea-master Honnami-Koyetsu, famed also
15 7|         the great warrior held the tea-master. But the friendship of a
16 7|           beverage prepared by the tea-master. With Hideyoshi suspicion