Chapter

 1 2|       disturb the tone of the room, not a sound to mar the
 2 3|   essential. The reality of a room, for instance, was to be
 3 4|     pilgrimage, but a college room where the students congregate
 4 4|   practice of meditation. The room is bare except for a central
 5 4|       of honour in a Japanese room where paintings and flowers
 6 4| actualities of life. Thus the room, like the other equipments
 7 4|      disciples of Buddha in a room of this size,--an allegory
 8 4|   bend low and creep into the room through a small door not
 9 4|       host will not enter the room until all the guests have
10 4|      daytime the light in the room is subdued, for the low
11 4|       for the decoration of a room should be so selected that
12 4| suggestion of monotony in the room. ~Here again the Japanese
13 6|       of honour in a Japanese room. Nothing else will be placed
14 6|     disciples on entering the room will salute it with a profound
15 7|      Soon the host enters the room. Each in turn is served
16 7|   last farewell and leave the room. One only, the nearest and