Chapter

 1 1|        We have developed along different lines, but there is no reason
 2 2|     separate idiosyncrasies of different periods and nationalities
 3 4|      decoration being entirely different from those of the West. ~
 4 4|       The tea-room is not only different from any production of Western
 5 4| through the roji differed with different tea-masters. Some, like
 6 4|    Kobori-Enshiu, sought for a different effect. Enshiu said the
 7 4|    theme. One cannot listen to different pieces of music at the same
 8 4|       perfection, however, was different. The dynamic nature of their
 9 4|        tokonoma should be of a different kind of wood from the other
10 6|   goddess of mercy, under many different names. It was the shadow
11 6|   could count over one hundred different schools of flower arrangement.
12 6| treating a flower in its three different aspects, the Formal, the