Chapter,  Paragraph

 1 Intro,  1|        successive phases of these two Vedic periods renders it
 2 Intro,  1|         of the inscription leaves two centuries for the separation
 3 Intro,  4|       some difference between the two groups, but the reason why
 4 Intro,  4|  arrangement is not followed. The two parts also differ in metre:
 5 Intro,  6|  Classical Sanskrit metres except two, have a, quantitative rhythm
 6 Intro,  6|          generally Gayatri, or of two stanzas in different mixed
 7 Intro,  7|        hymn is addressed to them. Two such belong to the celestial
 8 Intro,  7|         independent deity to whom two hymns (x. 81. 82) are addressed.
 9 Intro,  7|      occurring in the tenth book. Two hymns (83, 84) are addressed
10 Intro,  7|          Sarasvati, celebrated in two whole hymns (vi. 61; vii.
11 Intro,  7|     mentioned in the hymns are of two kinds. The higher and more
12 Intro,  8|           52. 86. 108), there are two in which both agents are
13 Intro,  8|    literature is noted.~Riddles.--Two of the hymns consist of
14 Intro,  8|      chief offerings to the gods. Two kinds of spirituous liquor
15 Intro,  9|         of compounds of more than two members. Considering their
16 Intro,  9|        the hymns addressed to the two ritual deities Agni and
17   1      |           lightning car, drawn by two or more ruddy and tawny
18   1      |         daily production from the two kindling sticks (aránis),
19   1      |      regarded as divided into the two divisions of heaven and
20   1      |         is sometimes said to have two origins, and indeed exclusively
21   1      |         epithet dvi-jánman having two births. As being kindled
22   2      |        are golden. It is drawn by two or more brown, white-footed
23   2      |       hardly possible to keep the two deities apart.~Savitr is
24   3      |        mountains to quake and the two worlds to tremble; they
25   4      |           the terrestrial spaces. Two of his steps are visible
26   4      |           69) is dedicated to the two gods conjointly. Through
27   5      |           mentioned as ródasi the two worlds more than 100 times.
28   5      |      importance in worship. These two deities are quite co-ordinate,
29   5      |        the other pairs one of the two greatly predominates.~
30   6      |     Having a golden car, drawn by two tawny steeds (hári), he
31   6      |          as having been born, and two whole hymns deal with the
32   6      |       asunder heaven and earth as two wheels are kept apart by
33   7      |          In this connexion be has two exclusive epithets, jálasa,
34   8      |            ii. 35), is invoked in two stanzas of a hymn to the
35   8      |         of as Apam napat. But the two are also distinguished;
36  10      |       eleven entire hymns, and in two others conjointly with Indra.
37  15      |        any individual traits, the two together have practically
38  17      |                      ASVÍNA~These two deities are the most prominent
39  17      |           and inseparable, though two or three passages suggest
40  17      |           and occult power. Their two most distinctive and frequent
41  17      |           Surya. They are Surya's two husbands whom she chose
42  17      |   suggested several theories. The two most probable are that the
43  17      |         Indo-European period. The two horsemen, sons of Dyaus,
44  17      |       sister, are parallel to the two famous horsemen of Greek
45  17      |    brothers of Helena; and to the two Lettic God's sons who come
46  17      |       daughter of the Sun. As the two Asvins wed the one Surya
47  17      |          wed the one Surya so the two Lettic God's sons wed the
48  18      |      around him; they observe the two worlds; they stimulate prayer.
49  18      |        world Varuna and Yama, the two kings who reign in bliss.~
50  21      |           fully dealt with in the two hymns iv. 26 and 27. Being
51  22      | especially in the presence of the two kings Yama and Varuna.~
52  23      |                           PITÁRAS~Two hymns (x. 15 and 54) are
53  28      |           his messengers, but the two four-eyed, broad-nosed,
54  29      |          of wind, is addressed in two short hymns. He is invoked