Chapter,  Paragraph

 1 Intro,  4|        hand, Books i, viii, and x were not composed each by
 2 Intro,  6|      common are the Tristubh (4 x 11 syllables), the Gayatri (
 3 Intro,  6|      syllables), the Gayatri (3 x 8), and the Jagati (4 x
 4 Intro,  6|         x 8), and the Jagati (4 x 12), which together furnish
 5 Intro,  7|       as a goddess in one hymn (x. 75, 2. 4. 6), and the Vipas (
 6 Intro,  7|        deity to whom two hymns (x. 81. 82) are addressed.
 7 Intro,  7|         a late hymn of the RV. (x. 121) is kasmai devaya havisa
 8 Intro,  7|        Manyu, 'Wrath', and one (x. 161) to Sraddha, 'Faith'.
 9 Intro,  7|      others, and Vac, 'Speech' (x, 71. 125). With one hymn
10 Intro,  7|         v. 84), Ratri, 'Night' (x, 127, p. 203), and Aranyani, '
11 Intro,  7|         Goddess of the Forest' (x. 146). Others are only sporadically
12 Intro,  7|        powers, one entire hymn (x. 97) being devoted to their
13 Intro,  7|         deities in three hymns (x. 76. 94. 175): spoken of
14 Intro,  7|     vermin (i. 191) or disease (x. 163), against a demon destructive
15 Intro,  7|        destructive of children (x. 162), or enemies (x. 166),
16 Intro,  7|  children (x. 162), or enemies (x. 166), or rival wives (x.
17 Intro,  7|        x. 166), or rival wives (x. 145). A few are incantations
18 Intro,  7|  incantations to preserve life (x. 58. 60), or to induce sleep (
19 Intro,  7|        or to procure offspring (x. 183); while one is a panegyric
20 Intro,  8|       is the long wedding hymn (x. 85). There are also five
21 Intro,  8|        also five funeral hymns (x. 14-18). Four of these are
22 Intro,  8|      are divine beings (iv. 62; x. 51. 52. 86. 108), there
23 Intro,  8|      somewhat obscure colloquy (x. 95) between a mortal lover
24 Intro,  8|        Vikramorvasi. The other (x. 10) is a dialogue between
25 Intro,  8|        character. One of these (x. 34) is a striking poem,
26 Intro,  8|          or praise wise speech (x. 71), or the value of good
27 Intro,  8|        the value of good deeds (x. 117), anticipate the sententious
28 Intro,  8|     ordinary gods. One of them (x. 129, p. 207), which describes
29 Intro,  9|      demons who stole the cows (x. 108), and that between
30 Intro,  9|  primaeval twins Yama and Yami (x. 10). The Gambler's lament (
31 Intro,  9|           The Gambler's lament (x. 34) is a fine specimen
32 Intro,  9|       One of the funeral hymns (x. 18) expresses ideas connected
33 Intro,  9|        of the cosmogonic hymns (x. 129) illustrates how philosophical
34   1      |       body on the funeral pyre (x. 14). Another function of
35   6      |        of Soma. One whole hymn (x. 119) is a monologue in
36  11      |         elder sister, of Night (x. 127), and their names are
37  13      | ceremonial in the wedding hymn (x. 85). With his golden aerial
38  17      |      Hence in the wedding hymn (x. 85) the Asvins are invoked
39  22      | contains a group of five hymns (x. 14-18) concerned with death
40  23      |              PITÁRAS~Two hymns (x. 15 and 54) are addressed
41  24      |       HYMN OF THE GAMBLER~This [x. 34] is one, among the secular
42  26      |       invoked in only one hymn (x. 127). She is the sister
43  27      |        the ... cosmogonic poem [x. 129] the origin of the
44  28      |          There is also another (x. 10), which consists of