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   Book, Chapter                                grey = Comment text

 1    I, 11|     descended in a shower of gold, making use of the same figure with
 2   II, 2 |        WHAT WAS THE FIRST CAUSE OF MAKING IMAGES; OF THE TRUE LIKENESS
 3   II, 2 |            absent? For the plan of making likenesses was invented
 4   II, 9 |         the power of producing and making, then it has understanding,
 5   II, 9 |           insensible. The power of making anything cannot exist, except
 6   II, 9 |         foreseeing, and skilled in making. There is one assuredly,
 7   II, 9 |        because He has the means of making everything. But matter cannot
 8   II, 9 |      divine providence, and yet in making this admission I shall hold
 9   II, 10|            of God. And even in the making of these God had regard
10   II, 11|        first originated the art of making statues and images; inasmuch
11   II, 11|           the divine work. But the making of the true and living man
12   II, 13|            a multitude. But in the making of man himself He concluded
13  III, 15|         would think that they were making a public disclosure of their
14   IV, 5 |            there any difficulty in making these computations; for
15   IV, 5 |        books respecting the times, making their commencement from
16    V, 15| praiseworthy in a just man, but of making himself equal to others,
17   VI, 12|            this is the part of one making a comparison, and of two
18   VI, 15|           for which alone they are making a place. For if it is virtue
19  VII, 1 |           who discoursed about the making of the world, could neither
20  VII, 13|           one nature, that of man, making the same partly immortal,