Part,  Chapter, Paragraph

 1 II,2,3   |                                    Art and leisure ~17. In a world
 2 II,2,3   |         and centuries of Christian art magnificently illustrate
 3 II,2,3   |           this. Every true work of art is potentially a way into
 4 II,2,3   |      Recognizing the importance of art in the inculturation of
 5 II,2,3   |        convictions, since works of art bear an imprint of the invisible,
 6 II,2,3   |          the invisible, as it were Art, like every other human
 7 II,2,3   |           to the genuine beauty of art (cf. Sacrosanctum Concilium,
 8 III,3    |          and liturgy, feelings and art, and the recognition of
 9 III,6    | inter-religious dialogue, science, art etc...), or of the activities
10 III,9    |                                    Art and artists ~36. Linking
11 III,9    |       union between the Gospel and art will bring about new manifestations
12 III,9    |      dialogue with artists and the art world. Those local Churches
13 III,9    |          distanced themselves from art cannot fail to gain from
14 III,9    |         protectress of culture and art, and many artists have found
15 III,9    |            them to renew Christian art. She engages in a confident
16 III,9    |    relationships between faith and art must not be restricted to
17 III,9    |          spiritual values in their art. Creativity in sacred art
18 III,9    |          art. Creativity in sacred art should mean that iconography
19 III,9    |           Christian community. New art forms adapted to our time
20 III,9    |   formation, pastoral attention to art and artists presupposes
21 III,9    |        assessments of contemporary art.~The possible initiatives
22 III,9    |            Church and the world of art. The idea of cultural weeks
23 III,0    |             or Acatechesis through art», as an identifiable and
24 III,0    |       developing museums of sacred art and religious anthropology:
25 Conclu   |             technology, education, art - have revealed what is