Part,  Chapter, Paragraph

 1 II,2,3|            profound respect to all artists, irrespective of their religious
 2 II,2,3|        human person. ~In Christian artists, the Church finds extraordinary
 3 II,2,3|    continent has had its Christian artists, whose Christian inspiration
 4 II,2,3|        encouragement for Christian artists is an excellent way of reaching
 5 III,6 |           achievements of Catholic artists, writers, scientists, philosophers,
 6 III,9 |                            Art and artists ~36. Linking aesthetics
 7 III,9 |        times. Pastoral concern for artists requires sensitivity as
 8 III,9 |            John Paul II, Letter to Artists, 4 April, 1999). ~At an
 9 III,9 |           a fruitful dialogue with artists and the art world. Those
10 III,9 |  appropriate opportunities to meet artists and other professionals
11 III,9 |          culture and art, and many artists have found in her the place
12 III,9 |   religious music. By appealing to artists to become a part of her
13 III,9 |        confident relationship with artists, one which is built on listening
14 III,9 |         possibilities it offers to artists in all their individuality
15 III,9 |          character of the liturgy. Artists are urged to express these
16 III,9 |           made, therefore, to make artists feel that they are understood
17 III,9 |      pastoral attention to art and artists presupposes the right sort
18 III,9 | responsible for pastoral work with artists, since it is so important
19 III,9 |         and various. Associations, artists' and writers' guilds and
20 III,1 |            researchers, workers or artists. ~— Pilgrimage itineraries