Part, Chapter, Paragraph
1 Intro | INTRODUCTION ~New cultural situations, new fields of
2 Intro | comes into contact with cultural worlds which once lay beyond
3 Intro | Christian references are of a cultural nature. On the threshold
4 Intro | world is faced with new cultural situations, new fields of
5 I | man. She keeps in mind the cultural dimension of the person
6 I | transformation of authentic cultural values through their integration
7 I,1 | itself in the guise of a cultural package from which it is
8 I,1 | of faith which is also a cultural split and culminates with
9 I,1 | myself» (Jn 12,32). ~The cultural break with which Abraham'
10 I,2 | economic and political, cultural and social. The Church therefore
11 I,2 | in them, overcoming those cultural elements that are incompatible
12 I,3 | Bishops. The awareness of the cultural dimension of human existence
13 I,3 | gives rise to a Christian cultural project which gives Christ,
14 I,3 | analysis of contemporary cultural phenomena, whose weight
15 II,1 | factors in responses. ~In the cultural situation which prevails
16 II,1 | appear evanescent, lacking in cultural substance and relevance,
17 II,1 | John Paul II recalled: «Cultural adaptation also requires
18 II,1,1 | Galloping urbanization and cultural rootlessness ~8. Under various
19 II,1,1 | and culturally isolated. ~Cultural rootlessness, which has
20 II,1,1 | causes, shows how important cultural roots are. It contributes
21 II,1,1 | loss of people's social and cultural identity and dignity. People
22 II,1,1 | denying or forgetting God. Cultural fragmentation confines values
23 II,1,2 | information society is a real cultural revolution: television,
24 II,1,2 | radio can be a means of cultural formation and development,
25 II,1,3 | expresses and defends its cultural sovereignty. ~While the
26 II,1,3 | is a major priority in cultural education, given that pressure-groups
27 II,1,3 | cosmopolitanism as it is from cultural nationalism. Each culture
28 II,2,1 | scientific discipline; it is a cultural trend with political and
29 II,2,1 | respectful dialogue. This new cultural situation calls for a thorough
30 II,2,2 | African family. And material, cultural and moral misery can jeopardise
31 II,2,2 | the Creator is the best cultural contribution Christian families
32 II,2,2 | activity, at the religious and cultural levels as well as on the
33 II,2,2 | psychological, intellectual, cultural, moral and spiritual maturity. ~
34 II,2,3 | the Catholic Church's rich cultural heritage, in the form of
35 II,2,3 | heritage, in the form of its cultural assets, bears witness to
36 II,2,3 | permanent resource for a cultural education which is also
37 II,2,3 | to do so, the cultic and cultural treasures of the Church
38 II,2,3 | not be seen in exclusively cultural terms, or their meaning
39 II,2,3 | undeniably affects leisure and cultural activities. From the perennial
40 II,2,3 | self-fulfilment, on a par with cultural activities. Elsewhere, new
41 II,3 | Cultural diversity and religious
42 II,3 | today is the diversity of cultural situations which have developed
43 II,3 | Africa began, the positive cultural values of these religions
44 II,3 | to start from these rich cultural traditions, such as the
45 II,3 | world's social, economic, cultural and moral ailments serve
46 II,3 | Islam dominates are in a cultural world of their own, although
47 II,3 | of Muslims as a social, cultural or even religious challenge.
48 II,3 | difficulties as regards social and cultural integration. Furthermore,
49 II,3 | religious practices and to a cultural identity crisis. True collaboration
50 II,3 | acceleration and complexity of cultural changes have increased.
51 II,3 | 55), there is a serious cultural and spiritual crisis, one
52 II,3,1 | consequence of social and cultural upheavals which have uprooted
53 III,1 | their overall social and cultural background, what was offered
54 III,1 | and understood. With the cultural pluralism of the present,
55 III,1 | Bishops' Conferences find that cultural commissions (or committees) -
56 III,1 | in the various areas of cultural development, and foster
57 III,1 | particular Church should have a cultural project, as is already the
58 III,2 | Ecclesia in America, 73), whose cultural effects are closely linked
59 III,3 | also a knowledge of the cultural environment. When people
60 III,3 | these things are of good cultural and religious quality. ~
61 III,3 | position to respond to new cultural demands by implementing
62 III,4 | Gospel and the different cultural expressions. These institutions
63 III,4 | to a genuine formation in cultural values, which is an ideal
64 III,4 | by definition, places of cultural initiation and in certain
65 III,5 | message of salvation. In a cultural context characterized on
66 III,6 | Catholic cultural centres ~32. Wherever it
67 III,6 | to create them, Catholic cultural centres are an enormous
68 III,6 | Thess 5:21-22). Catholic cultural centres are a rich and varied
69 III,6 | is a question of names (Cultural centres or circles, academies,
70 III,6 | etc...), of chosen themes (cultural trends, values, intercultural
71 III,6 | libraries, artistic and cultural events, exhibitions etc...).
72 III,6 | very concept of a «Catholic cultural centre» brings together
73 III,6 | All these centres offer cultural activities with a constant
74 III,6 | They draw attention to the cultural projects and achievements
75 III,6 | faith in Christ. ACatholic cultural centres offer to the Church
76 III,6 | and action in the field of cultural change. They constitute
77 III,6 | international document on Catholic cultural centres should facilitate
78 III (25)| Consilium de Cultura, Catholic Cultural Centres, Vatican City, 1995.
79 III,7 | and they also stimulate cultural exchanges between Christian
80 III,7 | contribution Christians make to cultural life. This remarkable potential
81 III,7 | publishers with a broad cultural perspective and strong Christian
82 III,7 | organizers and methods of cultural and religious networks would
83 III,7 | on ethical, religious and cultural questions, and for days
84 III,9 | all show the important cultural role of Catholic men and
85 III,9 | world of art. The idea of cultural weeks has been very successful,
86 III,9 | along the lines of Christian cultural weeks, which are based on
87 III,9 | are based on a number of cultural events open to as wide a
88 III (27)| responsible for the Church's cultural heritage should be noted,
89 III (27)| Pontifical Commission for the Cultural Heritage of the Church,
90 III (27)| formation regarding the cultural heritage of the Church in
91 III,0 | Cultural heritage and religious tourism ~
92 III,0 | of the existing religious cultural heritage, and also pass
93 III,0 | constitute their spiritual and cultural heritage. — Making churches
94 III,0 | tourists with a high quality cultural service backed up with the
95 III,0 | the Christian and profane cultural heritage of a region, to
96 III (28)| Pontifical Commission for the Cultural Heritage of the Church,
97 III,1 | affecting Christian life. ~— Cultural associations or social clubs
98 III,1 | theatre, cine-clubs, etc. ~— Cultural collections - of books or
99 III,1 | videotapes - for Christian cultural information and formation,
100 Conclu | CONCLUSION ~Towards a cultural approach to culture ~renewed
101 Conclu | men and women from various cultural backgrounds - science, technology,
102 Conclu | Redemptoris Missio, 37) the cultural areas are so complex, that
103 Conclu | Academies(33) and Catholic cultural centres.(34) ~«Go, therefore,
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