Part, Theme, Chapter
1 I,Intro | values expressed through the cinema~Repeatedly and in many places
2 I,Intro | particular case, of the cinema (cfr. AN, nos 13, 14 & 28).
3 I,Intro | audio-visual medium, of which the cinema is a part.~The catechetics
4 I, 1 | out on their own go to the cinema if they want to see a film.
5 I, 1 | greater part of today's cinema audience is made up of young
6 I, 1 | does not arise in circuit cinema, since films have approximately
7 I, 1 | class to see a film at the cinema or on video and discuss
8 I, 1 | by taking the class to a cinema and then getting them to
9 I, 2,Intro| exceptional clarity.~Since the cinema, however, can also be a
10 I, 2,Pre | television series and the cinema. Suggest they compare and
11 I, 3,1 | we take children to the cinema?~--What comics and magazines
12 I, 3,2 | eloquent and polished than in cinema films but is also closer
13 I, 3,2 | choice of TV, radio and cinema programmes which our children
14 I, 3,4 | of the Centenary of the Cinema.~II. CROSSWORD PUZZLES~Crossword
15 I, 3,6 | many times do you go to the cinema every month?~Leading questions:~
16 II, 1 | NOTES ON THE CINEMA AND TRANSCENDENCY~The cinema
17 II, 1 | CINEMA AND TRANSCENDENCY~The cinema world's realization of its
18 II, 1 | film industry. European cinema, in its most advanced forms,
19 II, 1 | phenomenon of the avant-garde cinema, closely related to the
20 II, 1 | same time, expressionist cinema flourished: in Russia, Sergei
21 II, 1 | the language and art of cinema. The film industry and art
22 II, 1 | The film industry and art cinema seemed, at least in theory,
23 II, 1 | masterpieces of expressionist cinema in Germany, moved to Hollywood,
24 II, 1 | passion, comedies), the cinema has always tried to tackle
25 II, 1 | the early history of the cinema. One scholar has counted
26 II, 1 | at this point, how the cinema expresses transcendency.
27 II, 1 | transcendency is manifested in the cinema by means of the indirect
28 II, 1 | transcendency with which the cinema has been imbued over its
29 II, 1 | grand old man of Portuguese cinema, Manoel de Oliveira, has
30 II, 1 | can be seen and heard, the cinema, in its state of grace,
31 II, 1 | was a period of Italian cinema, called Neorealism, when
32 II, 1 | recently come from the new cinema in China.~Then, of course,
33 II, 1 | so-called "independent" cinema. Totally or partially free
34 II, 1 | phenomena typical of modern cinema art, pervaded with metalinguistic
35 II, 1 | forms of the new American cinema, born on the Atlantic coast
36 II, 1 | measure of self-defence. The cinema is a form of culture now
37 II, 1 | asking for answers, the cinema is simply waiting to be
|