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Pontifical Council for Social Communications
100 years of cinema

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  • TRAINING IN THE INTERPRETATION OF THE MOTION PICTURE MEDIUM
    • 3 THEME: A VEHICLE OF CULTURE AND VALUES
      • 3. For children from 11 to 14
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3. For children from 11 to 14

The value "friendship"

I. GENERAL THEME 2

Why this theme was chosen: The pre-adolescent is sensitive to this particular value, FRIENDSHIP, considered as an aspect of a spiritual value: GOOD.

Objective: To lead the pre-adolescent, according to his capacities, to an analysis of the image as a means of conveying messages and also as an affirmation or denial of values, by trying to awaken his critical attitude towards the "civilization of the image", in which he is called to live and in which, in fact, he is already living. 3

II. DEVELOPMENT

This catechetical activity is intended to be developed in three stages, each with a specific aim, but at the same time it should maintain a certain logical unity in keeping with the general theme.

a) First stage

Objective: to make it unambiguously clear to young people that THE IMAGE SPEAKS, it conveys a message.

Method: Direct analysis of two or three carefully chosen pictures which express or deny the value FRIENDSHIP (figures to be selected from a collection of photos, etc., previously taken by the teacher from magazines, etc.).

The figures must be analysed in five steps:

-Look at the image simply as a picture;
-Look at the image as something to stimulate ideas;
-Look at the expression of the image;
-Observe the effects of the image on oneself;
-Communicate all this to the group (cf. The Audio-visual and Faith, p. 143).

b) Second stage:

Objective: to make the group clearly aware that THROUGH THE IMAGE PEOPLE AFFIRM OR DENY CERTAIN VALUES.

Method: Divide the youngsters up into two groups. Ask each of these to make a "poster" with photographs taken from magazines, newspapers, etc. expressing their ideas of FRIENDSHIP. The photos used should be numbered. Under the guidance of the teacher the young people choose which ones they want to use and make their posters. These should then be displayed and compared, with each group giving its opinion of the other group's work and, in turn, explaining what they were trying to say with their own poster.

c) Third stage:

Objective: to make them realize beyond doubt that in daily life the image has a profound influence on one's own scale of values and consequently on one's own human and Christian personality.

Method: a critical study of the value FRIENDSHIP in a comic: 4 How is it affirmed or denied? What reaction does it usually provoke? What influence does it have on one's life as a Christian?

Teaching aids:

--Pictures plus photographs taken from magazines and other publications which the teacher considers useful and evocative.

--"Notes for the Teacher" (below), with guidelines and questionnaires to help in the analysis of the images, the comparison of the posters and the criticism of the comic.

III. NOTES FOR THE TEACHER

a) First stage:

1. Guide the adolescents to carry out the analysis of the pictures following the five steps indicated;

2. Ask two or three appropriate questions to set them thinking and start interpreting the pictures;

3. Initiate an exchange of ideas on the pictures, pointing out the most important contributions.

b) Second stage:

1. Watch the groups quietly as they work, help them if they ask, but never take over;

2. Guide the comparing of the posters with suitable comments when necessary;

3. Sum up the discussion for them and make a critico-formative statement on true Christian friendship.

c) Third stage:

1. Suggest one or two criteria for the critical analysis of the comic (film, TV programme, etc.), help them along with a few simple questions suited to their age-level;

2. Join with them in evaluating the elements or scenes that particularly aroused their attention;

3. Guide them to a value judgement of their own attitude to friendship as Christian adolescents, and from this stimulate them to review their lives and renew their personal commitment.



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"Friendship" has been chosen and developed as the theme by way of example. Other themes which interest adolescents could equally well be used, e.g. freedom, careers, sport, joy, loyalty, etc.

If preferred, the same process could be applied to a song, in which case, instead of images, the words and music would be analysed and reflected upon.

A critical analysis of a film, TV programme or novel could be made, if this appears possible and profitable.




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