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| Honoré de Balzac Another study of woman IntraText CT - Text |
"Her stalking-horse was a man in high favor, a courtier, cold and
sanctimonious, whom she never received at her own house. This little
comedy was performed for the benefit of simpletons and drawing-room
circles, who laughed at it. Marriage was never spoken of between us;
six years' difference of age might give her pause; she knew nothing of
my fortune, of which, on principle, I have always kept the secret. I,
on my part, fascinated by her wit and manners, by the extent of her
knowledge and her experience of the world, would have married her
without a thought. At the same time, her reserve charmed me. If she
had been the first to speak of marriage in a certain tone, I might
perhaps have noted it as vulgar in that accomplished soul.
"Six months, full and perfect--a diamond of the purest water! That has
been my portion of love in this base world.
"One morning, attacked by the feverish stiffness which marks the
beginning of a cold, I wrote her a line to put off one of those secret
festivals which are buried under the roofs of Paris like pearls in the
sea. No sooner was the letter sent than remorse seized me: she will
not believe that I am ill! thought I. She was wont to affect jealousy
and suspiciousness.--When jealousy is genuine," said de Marsay,
interrupting himself, "it is the visible sign of an unique passion."
"Why?" asked the Princesse de Cadignan eagerly.
"Unique and true love," said de Marsay, "produces a sort of corporeal
apathy attuned to the contemplation into which one falls. Then the
mind complicates everything; it works on itself, pictures its fancies,
turns them into reality and torment; and such jealousy is as
delightful as it is distressing."
A foreign minister smiled as, by the light of memory, he felt the
"Besides," de Marsay went on, "I said to myself, why miss a happy
hour? Was it not better to go, even though feverish? And, then, if she
learns that I am ill, I believe her capable of hurrying here and
compromising herself. I made an effort; I wrote a second letter, and
carried it myself, for my confidential servant was now gone. The river
lay between us. I had to cross Paris; but at last, within a suitable
distance of her house, I caught sight of a messenger; I charged him to
have the note sent up to her at once, and I had the happy idea of
driving past her door in a hackney cab to see whether she might not by
chance receive the two letters together. At the moment when I arrived
it was two o'clock; the great gate opened to admit a carriage. Whose?
--That of the stalking-horse!
"It is fifteen years since--well, even while I tell the tale, I, the
exhausted orator, the Minister dried up by the friction of public
business, I still feel a surging in my heart and the hot blood about
my diaphragm. At the end of an hour I passed once more; the carriage
was still in the courtyard! My note no doubt was in the porter's
hands. At last, at half-past three, the carriage drove out. I could
observe my rival's expression; he was grave, and did not smile; but he
was in love, and no doubt there was business in hand.
"I went to keep my appointment; the queen of my heart met me; I saw
her calm, pure, serene. And here I must confess that I have always
thought that Othello was not only stupid, but showed very bad taste.
Only a man who is half a Negro could behave so: indeed Shakespeare
felt this when he called his play 'The Moor of Venice.' The sight of
the woman we love is such a balm to the heart that it must dispel
anguish, doubt, and sorrow. All my rage vanished. I could smile again.
Hence this cheerfulness, which at my age now would be the most
atrocious dissimulation, was the result of my youth and my love. My
jealousy once buried, I had the power of observation. My ailing
condition was evident; the horrible doubts that had fermented in me
increased it. At last I found an opening for putting in these words:
'You have had no one with you this morning?' making a pretext of the
uneasiness I had felt in the fear lest she should have disposed of her
time after receiving my first note.--'Ah!' she exclaimed, 'only a man
could have such ideas! As if I could think of anything but your
suffering. Till the moment when I received your second note I could
think only of how I could contrive to see you.'--'And you were
alone?'--'Alone,' said she, looking at me with a face of innocence so
perfect that it must have been his distrust of such a look as that
which made the Moor kill Desdemona. As she lived alone in the house,
the word was a fearful lie. One single lie destroys the absolute
confidence which to some souls is the very foundation of happiness.
"To explain to you what passed in me at that moment it must be assumed
that we have an internal self of which the exterior /I/ is but the
husk; that this self, as brilliant as light, is as fragile as a shade
--well, that beautiful self was in me thenceforth for ever shrouded in
crape. Yes; I felt a cold and fleshless hand cast over me the winding-
sheet of experience, dooming me to the eternal mourning into which the
first betrayal plunges the soul. As I cast my eyes down that she might
not observe my dizziness, this proud thought somewhat restored my
strength: 'If she is deceiving you, she is unworthy of you!'
"I ascribed my sudden reddening and the tears which started to my eyes
to an attack of pain, and the sweet creature insisted on driving me
home with the blinds of the cab drawn. On the way she was full of a
solicitude and tenderness that might have deceived the Moor of Venice
whom I have taken as a standard of comparison. Indeed, if that great
child were to hesitate two seconds longer, every intelligent spectator
feels that he would ask Desdemona's forgiveness. Thus, killing the
woman is the act of a boy.--She wept as we parted, so much was she
distressed at being unable to nurse me herself. She wished she were my
valet, in whose happiness she found a cause of envy, and all this was
as elegantly expressed, oh! as Clarissa might have written in her
happiness. There is always a precious ape in the prettiest and most
At these words all the women looked down, as if hurt by this brutal
"I will say nothing of the night, nor of the week I spent," de Marsay
went on. "I discovered that I was a statesman."
It was so well said that we all uttered an admiring exclamation.
"As I thought over the really cruel vengeance to be taken on a woman,"
said de Marsay, continuing his story, "with infernal ingenuity--for,
as we had loved each other, some terrible and irreparable revenges
were possible--I despised myself, I felt how common I was, I
insensibly formulated a horrible code--that of Indulgence. In taking
vengeance on a woman, do we not in fact admit that there is but one
for us, that we cannot do without her? And, then, is revenge the way
to win her back? If she is not indispensable, if there are other women
in the world, why not grant her the right to change which we assume?