Chapter, Paragraph

 1  2,6 |       chant) and the refinement of religious art (iconography), and Christian
 2  2,7 |         were no longer regarded as religious and political criminals
 3  2,10|     political, but which were also religious: Old Rome was too deeply
 4  3,5 |           the political but by the religious significance of the city,
 5  4,12|            iconography and Western religious painting. Since the Italian
 6  4,12|        employ naturalistic, carnal religious paintings that hold mankind
 7  4,12|         flesh. In this new Western religious art, sacred subjects served
 8  4,12|        reality resulted in Western religious art allowing the distortion
 9  4,12|            iconography and Western religious art can be seen in a Western
10  4,12|            patterned after Western religious paintings are not only unrelated
11  4,12|         struck us as a more mature religious art form.” [Two Paths...
12  4,12|    painting is the highest form of religious painting that Christianity
13  5,3 |      played a decisive part in the religious life of Byzantium and in
14  6,8 |        note that when the Bohemian religious reformer Jan Hus attacked
15  6,16|           thinks that it is being “religious.” [Philip Sherrard, The
16  7,11|            intellect has devised — religious, philosophical, ethical
17  7,13|      aspect of Judaism, but of the religious content of the Old Testament.
18  7,14|         scratch. We see that every religious confession, every sect,
19  7,14|        ideal of man's “greatness.” Religious art was now couched in completely
20  7,14|          her were stripped of any “religious” meaning. Here we see how
21  7,14|          Western culture. This new religious view, coupled with the new “
22  7,14|            a powerful and profound religious orientation which will be
23  7,17|          make use of them in their religious life. Fr. Michael states
24  7,17|       books were excluded from the religious life of the Jews after Christ'
25  7,21|        ecumenist element. Mired in religious relativism and a secular
26  9,7 |          individuals of mainstream religious groups that have stripped
27  9,35|     movement and has presented its religious ideas as something conceived
28  9,42|        Mircea Eliade, A History of Religious Ideas, vol. 1, pp. 63-64].
29 10,10|       sincere souls who grew up in religious beliefs apart from Orthodoxy;
30 10,10|           and of all the competing religious bodies calling themselves
31 10,10|         world outside the Church a religious fervor and faith, a worthy
32 10,10|       natural to affirm that these religious organizations are societies
33 10,12|           idea that there are many religious doctrines that mutually
34 10,16|            bishops (Rev 1:20). The religious and moral fall of the bishops
35 11,1 |          Catholics, he refused any religious compromise with the Latin
36 11,3 | warmed-over popular culture. These religious spectacles are led by a
37 Ep   |          who would like to see all religious freedoms removed; and many