Chapter, Paragraph

 1  2,6 |               refinement of religious art (iconography), and Christian
 2  3,5 |     jurisdiction. In the passage thou art Peter, and on this rock
 3  3,5 |            crowns, and know that thou art the Father of Princes and
 4  4,1 |              conceptions of Christian art. What three deeper issues
 5  4,12|       Orthodox churches, but also all art that cannot cut us off from
 6  4,12|              from everything earthly, art which, even though it might
 7  4,12| Constantinople as a massive amount of art, treasures and monuments
 8  4,12|             for prayer. A rudimentary art existed among Christians
 9  4,12|           began to abandon the sacred art of the ancient Christian
10  4,12|            this new Western religious art, sacred subjects served
11  4,12|             an insipid quality to the art. Commenting on the West'
12  4,12|            result, the ecclesiastical art of the West also headed
13  4,12|         resulted in Western religious art allowing the distortion
14  4,12|     iconography and Western religious art can be seen in a Western
15  4,12|              Catholics, “iconographic art always struck us as a more
16  4,12|               a more mature religious art form.” [Two Paths... p.
17  4,12|              English aesthetician and art critic, who wrote: “Byzantine
18  4,12|               known.” [The Meaning of Art, p. 117].~ A Greek monk
19  4,15|           controversy about religions art: the attack on icons was
20  5,8 |               its law, literature and art. As a result, these nations
21  5,8 |         subjected to the curse: “Thou art cursed from the earth.”
22  6,15|          texts; the new naturalism in art (Giotto) which destroyed
23  7,6 |               government, worship and art which Orthodoxy has articulated
24  7,14|             in the Sistine Chapel. In art, these new concepts are
25  7,14|              s “greatness.” Religious art was now couched in completely
26  7,14|              most powerful patrons of art in Europe, the Renaissance
27  7,14|             affected everything, from art and science to educational
28  7,20|        Tradition is also expressed in art, in iconography. Icons are
29  9,28|       Comforter, Spirit of Truth, Who art every where present and
30  9,31|              be one: as Thou, Father, art in Me and I in Thee, so
31  9,42|           along with the sciences and art. All these things, however,
32 10,23|             Lord is with thee blessed art thou among women” (Lk 1:
33 10,23|      venerated Mary, saying, “Blessed art thou among women, and blessed