Part, Chapter, Paragraph
1 I, 2,3 | suspicious of ~any religious art which represented human
2 I, 2,3 | conceptions of Chris-~tian art. Deeper issues were involved:
3 I, 2,3 | representational ~religious art possible: God can be depicted
4 I, 2,3 | controversy about religious art, but about the Incarna-~
5 I, 2,3 | creation through beauty and art. The colors and ~lines of
6 I, 4,3 | age in Russian religious art. During these years ~Russian
7 I, 6,3 | westernization in Church art, Church music, and theology.
8 I, 6,3 | Seraphim had no teacher in the art of direction and he left
9 I, 7,6 | monasteries. ~ Religious art in Greece is undergoing
10 I, 7,6 | uncompromising advocacy of Byzantine art. Typical of his outlook
11 I, 7,6 | outlook is his ~comment on the art of the Italian Renaissance: .
12 I, 7,6 | Cavarnos, Byzantine Sacred Art: ~Selected Writings of the
13 I, 7,9 | tradition of Russian religious art. ~ Orthodox life in America
14 II, 0,11| government,~worship, and art which Orthodoxy has articulated
15 II, 0,12| worship, but also through art — through the line and colour
16 II, 0,12| spirituality, moral rules, worship, art: these things must not be
17 II, 1,1 | Orthodox~prayer puts it: ‘Thou art everywhere and finest all
18 II, 1,3 | in spirituality,~and in art; and Orthodox are naturally
19 II, 1,4 | the Spirit of Truth, who art everywhere and fillest all~
20 II, 1,5 | Supper;~“As Thou, Father, art in me and I in Thee, so
21 II, 3,1 | inspired their best poetry, art, and music. Among Orthodox,
22 II, 3,2 | God. In Orthodox religious art, as in the religious art
23 II, 3,2 | art, as in the religious art of the medieval west, there
24 II, 4,3 | and victim. ‘Thou thyself art He who offers and He~who
25 II, 6,3 | with such things as the art of the Orthodox icon, the
26 II, 7,9 | see: Igumen Chariton, The Art of Prayer: An Orthodox~Anthology,
27 II, 7,10| London, 1963.~• B. Mango, The Art of the Byzantine Empire,
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