The
holy icons
Disputes concerning the Person of Christ did not cease with the Council
of 681, but were
extended in a different form into the eighth and ninth centuries. The struggle
centered on the
Holy Icons, the pictures of Christ, the
Mother of God, and the Saints, which were kept and ven-
erated both in churches and in private homes. The Iconoclasts or icon-smashers, suspicious of
any religious art which represented human
beings or God, demanded the destruction of icons; the
opposite party, the Iconodules or
venerators of icons, vigorously defended the place of icons in
the life of the Church. The struggle was
not merely a conflict between two conceptions of Chris-
tian art. Deeper issues were involved: the
character of Christ.s human nature, the Christian atti-
tude towards matter, the true meaning of
Christian redemption.
The Iconoclasts may have been influenced from the outside by Jewish and
Moslem ideas,
and it is significant that three years
before the first outbreak of Iconoclasm in the Byzantine Em-
pire, the Mohammedan Caliph Yezid ordered
the removal of all icons within his dominions. But
Iconoclasm
was not simply imported from outside; within Christianity itself there
had always
existed a .puritan. outlook, which
condemned icons because it saw in all images a latent idola-
try. When the Isaurian Emperors attacked
icons, they found plenty of support inside the Church.
Typical of this puritan outlook is the
action of Saint Epiphanius of Salamis (315?-403), who, on
finding
in a Palestinian
village church a
curtain woven with the
figure of Christ,
tore it down
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with indignation. This attitude was always
strong in Asia
Minor, and
some hold that the Icono-
clast movement was an Asiatic protest
against Greek tradition. But there are difficulties in such a
view; the controversy was really a split within the Greek tradition.
The Iconoclast controversy, which
lasted some 120 years, falls into two
phases. The first
period opened in 726 when Leo 3 began his
attack on icons, and ended in 780 when the Empress
Irene suspended the persecution. The Iconodule position was upheld by the seventh
and last
Ecumenical Council (787), which met (as
the first had done) at Nicaea. Icons, the Council pro-
claimed, are to be kept in churches and
honored with the same relative veneration as is shown to
other material symbols, such as .the
precious and life-giving Cross. and the Book of the Gos-
pels. A new attack on icons, started by
Leo V the Armenian in 815, continued until 843 when the
icons were again reinstated, this time
permanently, by another Empress, Theodora. The final vic-
tory of the Holy Images in 843 is known as
.the Triumph of Orthodoxy,. and is commemorated
in a special service celebrated on
.Orthodoxy Sunday,. the first Sunday in Lent. During this ser-
vice the true faith . Orthodoxy . is
proclaimed, its defenders are honored, and anathemas pro-
nounced on all who attack the Holy Icons
or the Seven General Councils:
To those who reject the Councils of the
Holy Fathers, and their traditions which are agreeable to
divine revelation, and which the Orthodox Catholic Church
piously maintains, ANATHEMA!
ANATHEMA! ANATHEMA!
The chief champion of the icons in the first period was Saint John of
Damascus (675-749),
in the second Saint Theodore of Studium
(759-826). John was able to work the more freely be-
cause he dwelt in Moslem territory, out of
reach of the Byzantine government. It was not the last
time that Islam acted unintentionally as
the protector of Orthodoxy.
One of the distinctive features of Orthodoxy is the place which it
assigns to icons. An Or-
thodox church today is filled with them:
dividing the sanctuary from the body of the building
there is a solid screen, the iconostasis,
entirely covered with icons, while other icons are placed
in special shrines around the church; and
perhaps the walls are covered with icons in fresco or
mosaic. An Orthodox prostrates himself
before these icons, he kisses them and burns candles in
front of them; they are censed by the
priest and carried in procession. What do these gestures and
actions mean? What do icons signify, and
why did John of Damascus and others regard them as
important?
We shall consider
first the charge
of idolatry, which the
Iconoclasts brought against
the
Iconodules; then the positive value of
icons as a means of instruction; and finally their doctrinal
importance.
The question of
idolatry. When
an Orthodox kisses an icon or prostrates himself before it,
he is not guilty of idolatry. The icon is
not an idol but a symbol; the veneration shown to images
is directed, not towards stone, wood, and
paint, but towards the person depicted. This had been
pointed out some time before the Iconoclast controversy by Leontius of Neapolis (died about
650):
We do not make obeisance to the nature of
wood, but we revere and do obeisance to
Him who was crucified on the Cross.. When
the two beams of the Cross are joined
together I adore the figure because of
Christ who on the Cross was crucified, but if the
beams are separated, I throw them away and
burn them (Migne, Patrologia Graeca [P.G.],
xciv, 1384D).
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Because icons are only symbols, Orthodox
do not worship them,
but reverence or venerate them.
John of Damascus carefully distinguished
between the relative honor or veneration shown to ma-
terial symbols, and the worship due to God
alone.
Icons as part of
the Church.s teaching.
Icons, said Leontius, are .opened books to remind
us of God. (P.G. xciv, 1276A); they
are one of the means which the Church employs in order to
teach the faith. He who lacks learning or
leisure to study works of theology has only to enter a
church to see unfolded before him on the walls all the mysteries of
the Christian religion. If a
pagan asks you to show him your faith,
said the Iconodules, take him into church and place him
before the icons (Ad Constantinum
Cabalinum, P.G. xcv, 325c. Icons are a part of Holy Tradition [see p. 214]).
The doctrinal
significance of icons. Here
we come to the real heart of the Iconoclast dispute.
Granted that icons are not idolatrous;
granted that they are useful for instruction; but are they not
only permissible but necessary? Is it essential to have icons? The Iconodules held that
it is, be-
cause icons safeguard a full and proper
doctrine of the Incarnation. Iconoclasts and Iconodules
agreed that God cannot be represented in His eternal nature: .No man hath seen
God at any
time. (John 1:18). But, the
Iconodules continued, the
Incarnation has made a representational
religious art possible: God can be
depicted because He became man and took flesh. Material im-
ages, argued John of Damascus, can be made
of Him who took a material body:
Of old God the incorporeal and
uncircumscribed was not depicted at all. But now that
God has appeared in the flesh and lived
among men, I make an image of the God who
can be seen. I do not worship matter but I
worship the Creator of matter, who for my
sake became material and deigned to dwell
in matter, who through matter effected my
salvation. I will not cease from
worshipping the matter through which my salvation has
been effected (On Icons, I, 16, P. G. xciv 1245A).
The Iconoclasts, by repudiating all
representations of God, failed to take full account of the In-
carnation. They fell, as so many puritans
have done, into a kind of dualism. Regarding matter as
a defilement, they wanted a religion freed
from all contact with what is material; for they thought
that what is spiritual must be
non-material. But this is to betray the Incarnation, by allowing no
place to Christ.s humanity, to His body;
it is to forget that man.s body as well as his soul must be
saved and transfigured. The Iconoclast
controversy is thus closely linked to the earlier disputes
about Christ.s person. It was not merely a
controversy about religious art, but about the Incarna-
tion and the salvation of man.
God took a material body, thereby proving that matter can be redeemed:
.The Word made
flesh has deified the flesh,. said John of
Damascus (On Icons, I, 21 [P.G. xciv,
1253B]). God has .dei-
fied. matter, making it .spirit-bearing.;
and if flesh became a vehicle of the
Spirit, then so .
though in a different way . can wood and
paint. The Orthodox doctrine of icons is bound up
with the Orthodox belief that the whole of
God.s creation, material as well as spiritual, is to be
redeemed and glorified. In the words of
Nicholas Zernov (1898-1980) . what he says of Rus-
sians is true of all Orthodox:
Icons were for the Russians not merely
paintings. They were dynamic manifestations
of man.s spiritual power to redeem creation through beauty and art. The colors and
lines of the [icons] were not meant to
imitate nature; the artists aimed at demonstrating
that men, animals, and plants, and the
whole cosmos, could be rescued from their pre-
sent state of degradation and restored to
their proper .Image.. The [icons] were
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pledges of the coming victory of a
redeemed creation over the fallen one.. The artis-
tic perfection of an icon was not only a
reflection of the celestial glory . it was a con-
crete example of matter restored to its
original harmony and beauty, and serving as a
vehicle of the Spirit. The icons were part
of the transfigured cosmos (The Russians
and
Their Church, pp. 107-108).
As John of Damascus put it:
The icon is a song of triumph, and a
revelation, and an enduring monument to the vic-
tory of the saints and the disgrace of the
demons (On Icons, 2, 2 [P.G. xciv, 1296B]).
The conclusion of the Iconoclast dispute, the meeting of the
seventh Ecumenical Council, the
Triumph of Orthodoxy in 843 . these mark
the end of the second period in Orthodox history,
the period of the Seven Councils. These Seven Councils are of immense importance to Ortho-
doxy. For members of the Orthodox Church,
their interest is not merely historical but contempo-
rary; they are the concern not only of
scholars and clergy, but of all the faithful. .Even illiterate
peasants,. said Dean Stanley, .to whom, in
the corresponding class of life in Spain or Italy, the
names of Constance and Trent would probably be quite unknown,
are well aware that their
Church reposes on the basis of the Seven
Councils, and retain a hope that they may yet live to
see an eighth General Council, in which
the evils of the time will be set straight. (Lectures on the
History of the Eastern Church [Everyman Edition], p. 99). Orthodox often call themselves .the Church of
the Seven Councils.. By this they do not mean that the Orthodox Church has
ceased to think
creatively since 787. But they see in the
period of the Councils the great age of theology; and,
next to the Bible, it is the Seven
Councils which the Orthodox Church takes as its standard and
guide in seeking solutions to the new
problems which arise in every generation.
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