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III
"The distinguishing feature of
his chambers, where I have licked my
lips over breakfast more than once,
was a mysterious dressing-closet,
nicely decorated, and comfortably
appointed, with a grate in it and a
bath-tub. It gave upon a narrow
staircase, the folding doors were
noiseless, the locks well oiled, the
hinges discreet, the window panes
of frosted glass, the curtain
impervious to light. While the bedroom
was, as it ought to have been, in a
fine disorder which would suit the
most exacting painter in water-colors;
while everything therein was
redolent of the Bohemian life of a
young man of fashion, the dressing-
closet was like a shrinewhite,
spotless, neat, and warm. There were
no draughts from door or window, the
carpet had been made soft for
bare feet hastily put to the floor
in a sudden panic of alarmwhich
stamps him as your thoroughbred
dandy that knows life; for here, in a
few moments, he may show himself
either a noodle or a master in those
little details in which a man's character
is revealed. The Marquise
previously quotedno, it was the
Marquise de Rochefidecame out of
that dressing-closet in a furious
rage, and never went back again. She
discovered nothing 'improper' in it.
Godefroid used to keep a little
cupboard full of"
"Waistcoats?" suggested
Finot.
"Come, now, just like you,
great Turcaret that you are. (I shall never
form that fellow.) Why, no. Full of
cakes, and fruit, and dainty
little flasks of Malaga and Lunel; an en cas de nuit in Louis
Quatorze's style; anything that can
tickle the delicate and well-bred
appetite of sixteen quarterings. A
knowing old man-servant, very
strong in matters veterinary, waited
on the horses and groomed
Godefroid. He had been with the late
M. de Beaudenord, Godefroid's
father, and bore Godefroid an
inveterate affection, a kind of heart
complaint which has almost
disappeared among domestic servants since
savings banks were established.
"All material well-being is
based upon arithmetic. You to whom Paris
is known down to its very excrescences,
will see that Beaudenord must
have acquired about seventeen
thousand livres per annum; for he paid
some seventeen francs of taxes and
spent a thousand crowns on his own
whims. Well, dear boys, when
Godefroid came of age, the Marquis
d'Aiglemont submitted to him such an
account of his trust as none of
us would be likely to give a nephew;
Godefroid's name was inscribed as
the owner of eighteen thousand
livres of rentes, a remnant of his
father's wealth spared by the harrow
of the great reduction under the
Republic and the hailstorms of
Imperial arrears. D'Aiglemont, that
upright guardian, also put his ward
in possession of some thirty
thousand francs of savings invested
with the firm of Nucingen; saying
with all the charm of a grand seigneur
and the indulgence of a soldier
of the Empire, that he had contrived
to put it aside for his ward's
young man's follies. 'If you will
take my advice, Godefroid,' added
he, 'instead of squandering the
money like a fool, as so many young
men do, let it go in follies that
will be useful to you afterwards.
Take an attache's post at Turin, and then go to Naples, and from
Naples to London, and you will be amused and learn something for your
money. Afterwards, if you think of a career, the time and the money
will not have been thrown away.' The
late lamented d'Aiglemont had
more sense than people credited him
with, which is more than can be
said of some of us."
"A young fellow that starts
with an assured income of eighteen
thousand livres at one-and-twenty is
lost," said Couture.
"Unless he is miserly, or very
much above the ordinary level," added
Blondet.
"Well, Godefroid sojourned in
the four capitals of Italy," continued
Bixiou. "He lived in England
and Germany, he spent some little
time at
St. Petersburg, he ran over Holland but he parted company with the
aforesaid thirty thousand francs by living as if he had thirty
thousand a year. Everywhere he found
the same supreme de volaille, the
same aspics, and French wines; he
heard French spoken wherever he went
in short, he never got away from Paris. He ought, of
course, to have
tried to deprave his disposition, to fence himself in triple brass, to
get rid of his illusions, to learn
to hear anything said without a
blush, and to master the inmost secrets
of the Powers.Pooh! with a
good deal of trouble he equipped
himself with four languagesthat is
to say, he laid in a stock of four
words for one idea. Then he came
back, and certain tedious dowagers,
styled 'conquests' abroad, were
left disconsolate. Godefroid came
back, shy, scarcely formed, a good
fellow with a confiding disposition,
incapable of saying ill of any
one who honored him with an
admittance to his house, too staunch to be
a diplomatist, altogether he was
what we call a thoroughly good
fellow."
"To cut it short, a brat with
eighteen thousand livres per annum to
drop over the first investment that
turns up," said Couture.
"That confounded Couture has
such a habit of anticipating dividends,
that he is anticipating the end of
my tale. Where was I? Oh!
Beaudenord came back. When he took
up his abode on the Quai Malaquais,
it came to pass that a thousand
francs over and above his needs was
altogether insufficient to keep up
his share of a box at the Italiens
and the Opera properly. When he lost
twenty-five or thirty louis at
play at one swoop, naturally he
paid; when he won, he spent the money;
so should we if we were fools enough
to be drawn into a bet.
Beaudenord, feeling pinched with his
eighteen thousand francs, saw the
necessity of creating what we to-day
call a balance in hand. It was a
great notion of his 'not to get too
deep.' He took counsel of his
sometime guardian. 'The funds are
now at par, my dear boy,' quoth
d'Aiglemont; 'sell out. I have sold
mine and my wife's. Nucingen has
all my capital, and is giving me six
per cent; do likewise, you will
have one per cent the more upon your
capital, and with that you will
be quite comfortable.'
"In three days' time our
Godefroid was comfortable. His increase of
income exactly supplied his superfluities;
his material happiness was
complete.
"Suppose that it were possible
to read the minds of all the young men
in Paris at one glance (as, it appears, will be done at the Day of
Judgment with all the millions upon
millions that have groveled in all
spheres, and worn all uniforms or
the uniform of nature), and to ask
them whether happiness at
six-and-twenty is or is not made up of the
following itemsto wit, to own a
saddle-horse and a tilbury, or a
cab, with a fresh, rosy-faced Toby
Joby Paddy no bigger than your
fist, and to hire an unimpeachable
brougham for twelve francs an
evening; to appear elegantly
arrayed, agreeably to the laws that
regulate a man's clothes, at eight o'clock, at noon,
four o'clock in
the afternoon, and in the evening; to be well received at every
embassy, and to cull the short-lived
flowers of superficial,
cosmopolitan friendships; to be not
insufferably handsome, to carry
your head, your coat, and your name
well; to inhabit a charming little
entresol after the pattern of the
rooms just described on the Quai
Malaquais; to be able to ask a party
of friends to dine at the Rocher
de Cancale without a previous
consultation with your trousers' pocket;
never to be pulled up in any
rational project by the words, 'And the
money?' and finally, to be able to
renew at pleasure the pink rosettes
that adorn the ears of three
thoroughbreds and the lining of your hat?
"To such inquiry any ordinary
young man (and we ourselves that are not
ordinary men) would reply that the
happiness is incomplete; that it is
like the Madeleine without the
altar; that a man must love and be
loved, or love without return, or be
loved without loving, or love at
cross purposes. Now for happiness as
a mental condition.
"In January 1823, after Godefroid
de Beaudenord had set foot in the
various social circles which it
pleased him to enter, and knew his way
about in them, and felt himself
secure amid these joys, he saw the
necessity of a sunshadethe advantage
of having a great lady to
complain of, instead of chewing the
stems of roses bought for
fivepence apiece of Mme. Prevost,
after the manner of the callow
youngsters that chirp and cackle in
the lobbies of the Opera, like
chickens in a coop. In short, he
resolved to centre his ideas, his
sentiments, his affections upon a
woman, ONE WOMAN?LA PHAMME!
Ah!...
"At first he conceived the
preposterous notion of an unhappy passion,
and gyrated for a while about his
fair cousin, Mme. d'Aiglemont, not
perceiving that she had already
danced the waltz in Faust with a
diplomatist. The year '25 went by,
spent in tentatives, in futile
flirtations, and an unsuccessful
quest. The loving object of which he
was in search did not appear.
Passion is extremely rare; and in our
time as many barriers have been
raised against passion in social life
as barricades in the streets. In
truth, my brothers, the 'improper' is
gaining upon us, I tell you!
"As we may incur reproach for
following on the heels of portrait
painters, auctioneers, and
fashionable dressmakers, I will not inflict
any description upon you of HER in
whom Godefroid recognized the
female of his species. Age,
nineteen; height, four feet eleven inches;
fair hair, eyebrows idem, blue eyes,
forehead neither high nor low,
curved nose, little mouth, short turned-up
chin, oval face;
distinguishing signsnone. Such was
the description on the passport
of the beloved object. You will not
ask more than the police, or their
worships the mayors, of all the towns and communes of France,
the
gendarmes and the rest of the powers that be? In other respectsI
give you my word for itshe was a
rough sketch of a Venus dei
Medici.
"The first time that Godefroid
went to one of the balls for which Mme.
de Nucingen enjoyed a certain not
undeserved reputation, he caught a
glimpse of his future lady-love in a
quadrille, and was set marveling
by that height of four feet eleven
inches. The fair hair rippled in a
shower of curls about the little
girlish head, she looked as fresh as
a naiad peeping out through the
crystal pane of her stream to take a
look at the spring flowers. (This is
quite in the modern style,
strings of phrases as endless as the
macaroni on the table a while
ago.) On that 'eyebrows idem' (no
offence to the prefect of police)
Parny, that writer of light and
playful verse, would have hung half-a-
dozen couplets, comparing them very
agreeably to Cupid's bow, at the
same time bidding us to observe that
the dart was beneath; the said
dart, however, was neither very
potent nor very penetrating, for as
yet it was controlled by the
namby-pamby sweetness of a Mlle. de la
Valliere as depicted on
fire-screens, at the moment when she
solemnizes her betrothal in the
sight of heaven, any solemnization
before the registrar being quite out
to the question.
"You know the effect of fair
hair and blue eyes in the soft,
voluptuous decorous dance? Such a
girl does not knock audaciously at
your heart, like the dark-haired
damsels that seem to say after the
fashion of Spanish beggars, 'Your
money or your life; give me five
francs or take my contempt!' These
insolent and somewhat dangerous
beauties may find favor in the sight
of many men, but to my thinking
the blonde that has the good fortune
to look extremely tender and
yielding, while foregoing none of
her rights to scold, to tease, to
use unmeasured language, to be
jealous without grounds, to do
anything, in short, that makes woman
adorable,the fair-haired girl,
I say, will always be more sure to
marry than the ardent brunette.
Firewood is dear, you see.
"Isaure, white as an Alsacienne
(she first saw the light at
Strasbourg, and spoke German with a slight and very
agreeable French
accent), danced to admiration. Her feet, omitted on the passport,
though they really might have found
a place there under the heading
Distinguishing Signs, were
remarkable for their small size, and for
that particular something which
old-fashioned dancing masters used to
call flic-flac, a something that put
you in mind of Mlle. Mars'
agreeable delivery, for all the
Muses are sisters, and the dancer and
poet alike have their feet upon the
earth. Isaure's feet spoke lightly
and swiftly with a clearness and
precision which augured well for
things of the heart. 'Elle a duc
flic-flac,' was old Marcel's highest
word of praise, and old Marcel was
the dancing master that deserved
the epithet of 'the Great.' People
used to say 'the Great Marcel,' as
they said 'Frederick the Great,' and in Frederick's time."
"Did Marcel compose any
ballets?" inquired Finot.
"Yes, something in the style of
Les Quatre Elements and L'Europe
galante."
"What times they were, when
great nobles dressed the dancers!" said
Finot.
"Improper!" said Bixiou.
"Isaure did not raise herself on the tips of
her toes, she stayed on the ground,
she swayed in the dance without
jerks, and neither more nor less
voluptuously than a young lady ought
to do. There was a profound
philosophy in Marcel's remark that every
age and condition had its dance; a
married woman should not dance like
a young girl, nor a little
jackanapes like a capitalist, nor a soldier
like a page; he even went so far as
to say that the infantry ought not
to dance like the cavalry, and from
this point he proceeded to
classify the world at large. All
these fine distinctions seem very far
away."
"Ah!" said Blondet,
"you have set your finger on a great calamity. If
Marcel had been properly understood,
there would have been no French
Revolution."
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