Part, Chapter
1 I,I | peacefully asleep in an adjoining~room, the door of which opened
2 I,I | glanced furtively about the~room, then filled with those
3 I,I | saw a strong light in the~room beyond her chamber, and
4 I,I | furniture stood about the room. Recollecting the sum of~
5 I,I | into the very centre of the room to help her husband, whom
6 I,I | in the middle of the next room, a yard-stick~in his hand
7 I,I | going to the~door of the room where her daughter was in
8 I,II | was afraid to leave his room. He called the cabriolets "
9 I,II | a place in the counting-~room. The dignified citoyenne
10 I,IV | be worried--I will find room for a little porter's lodge.
11 I,IV | re-entering her daughter's~room, where she threw her head
12 I,IV | if you feel the cold. My room is chilly, the smallness
13 I,V | liqueur-stand. The newness of this room proclaimed a~sacrifice made
14 I,V | he went gaily~up to his room, where the Dresden Madonna,
15 I,V | Anselme, look well at this room. You permit it, monsieur?
16 I,VI | ten minutes; not in your room,--we might be~overheard,--
17 I,VI | dine in a wretched little room on the /entresol/--"~ ~"
18 I,VI | receiving him in the dining-~room.~ ~"What of that? It's the
19 I,VI | compelled to dine in~this little room because we are preparing,
20 I,VI | gravely, looking~round the room. "Well, my son, if we wish
21 I,VII| the loveliest woman in the room," said Cesarine. "I like~
22 I,VII| two book-cases in~Cesar's room, which enclosed an alcove,--
23 I,VII| prevailed throughout the room, a harmony which artists
24 I,VII| each can have your own room."~ ~"But this bookcase full
25 I,VII| the leading~tone of one room became the relieving tint
26 I,VII| studied/ this decoration. The room was hung in blue silk, with
27 I,VII| design, harmonized this room with that of Cesarine, which
28 I,VII| the arrangements of the room. The dining-room was behind
29 I,VII| especially when,~re-entering her room, Madame Birotteau found
30 I,VII| was. As he now entered~the room he glanced with an uneasy
31 I,I | lay in her beautiful blue room, and as~he looked at the
32 I,I | stout draper, entering the room, "we have known each other~
33 I,II | persons were left in the room,~Birotteau resolved that
34 I,II | illusions he entered a cold bare room, furnished with~two desks
35 I,III| fatal night, in our old room which you~pulled to pieces,
36 I,III| can offer."~ ~She left the room hastily and went to Madame
37 I,IV | a young man entered the room familiarly, whose~step,
38 I,IV | suspicious look as he left the room.~ ~"If truth were banished
39 I,IV | boarding-house. The second room, announced by the~word "
40 I,IV | chief adornment~of this room, which had evidently been
41 I,IV | and the emptiness of the room,--in~which Cesar heard the
42 I,IV | apparently not there.~ ~The room was, in truth, Claparon'
43 I,IV | to get beyond the first room. They are to say I'm cogitating
44 I,IV | Pillerault. The women left the room to go and weep by~themselves
45 I,V | bankruptcy, crossed the first room, which was clean and~chilly
46 I,V | three sat down in the~inner room where the money-lender lived,
47 I,V | monastic austerity of the room, whose~atmosphere was like
48 I,V | expression of face.~ ~He left the room precipitately, that he might
49 I,V | took~him back to his own room. The wily old man then went
50 I,V | her board, and his own room;~going himself into an attic
51 I,VI | preferred to be alone in~his room rather than meet the eye
52 I,VII| water trickling into the room where he was breakfasting~
53 I,VII| sprang like a cat into~the room, reading a letter from du
54 I,VII| Constance found in her room the gown of cherry velvet
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