Part, Chapter

 1         I,II |     classes, indicated by the~color of the Paste and the Lotion,
 2         I,II |     refreshes and revives the color by opening~or shutting the
 3         I,II |   chapping, and~restore their color; it dispels in time all
 4         I,II |  Norman, had a crude or acrid color. The glance of his eye,
 5         I,III|      clear brow, his eyes the color of a grey-veined agate,
 6         I,III|      the scalp, to revive the color of male and female tresses.~
 7         I,III|     lame, and his~hair is the color of a warming-pan. Young
 8         I,IV |     cheek, and tints with the~color adored of painters, the
 9         I,IV |     quality of the~corks, the color of the placards. And yet
10         I,V  |  cause the differences in the color of the hair. Red~hair, for
11         I,V  |      fur of animals loses~all color and turns white in winter."~ ~"
12         I,V  |       that alterations in the color of~the hair come from changes
13         I,V  |     some great event and gave color to the conjectures of the~
14         I,VI |        her gown (the~favorite color was pale-brown, the shade
15         I,VI | pimpled face, brownish-red in color, inflamed like that of the~
16         I,VII|  wax-candles, brought out the color of the red silk draperies;
17         I,VII|      Brown was the prevailing color in the study, relieved here
18         I,VII|    with one another. Thus the color which was the leading~tone
19         I,VII|  material and the resplendent~color. The naive delight which
20         I,III|       his prosperity that the color came into his face.~ ~"Lost?--
21         I,IV |      de Nucingen,~brought the color to her cheek.~ ~"Goot morning,
22         I,V  |    denuded of hair and of the color of~fresh butter, made his
23         I,VII|   completely lost the natural color of his cheeks,~his eyes