|
XI
"But, Augustine, you cannot
surely know what a painter is?" cried her
mother with horror.
"Madame Guillaume!" said
the old man, compelling her to silence.--
"Augustine," he went on,
"artists are generally little better than
beggars. They are too extravagant
not to be always a bad sort. I
served the late Monsieur Joseph
Vernet, the late Monsieur Lekain, and
the late Monsieur Noverre. Oh, if
you could only know the tricks
played on poor Father Chevrel by
that Monsieur Noverre, by the
Chevalier de Saint-Georges, and
especially by Monsieur Philidor! They
are a set of rascals; I know them
well! They all have a gab and nice
manners. Ah, your Monsieur Sumer--, Somm----"
"De Sommervieux, papa."
"Well, well, de Sommervieux,
well and good. He can never have been
half so sweet to you as Monsieur le
Chevalier de Saint-Georges was to
me the day I got a verdict of the
consuls against him. And in those
days they were gentlemen of
quality."
"But, father, Monsieur Theodore
is of good family, and he wrote me
that he is rich; his father was
called Chevalier de Sommervieux before
the Revolution."
At these words Monsieur Guillaume
looked at his terrible better half,
who, like an angry woman, sat
tapping the floor with her foot while
keeping sullen silence; she avoided
even casting wrathful looks at
Augustine, appearing to leave to
Monsieur Guillaume the whole
responsibility in so grave a matter,
since her opinion was not
listened to. Nevertheless, in spite
of her apparent self-control, when
she saw her husband giving way so
mildly under a catastrophe which had
no concern with business, she
exclaimed:
"Really, monsieur, you are so
weak with your daughters! However----"
The sound of a carriage, which
stopped at the door, interrupted the
rating which the old draper already
quaked at. In a minute Madame
Roguin was standing in the middle of
the room, and looking at the
actors in this domestic scene:
"I know all, my dear cousin," said she,
with a patronizing air.
Madame Roguin made the great mistake
of supposing that a Paris
notary's wife could play the part of
a favorite of fashion.
"I know all," she
repeated, "and I have come into Noah's Ark, like the
dove, with the olive-branch. I read
that allegory in the /Genie du
Christianisme/," she added,
turning to Madame Guillaume; "the allusion
ought to please you, cousin. Do you
know," she went on, smiling at
Augustine, "that Monsieur de
Sommervieux is a charming man? He gave me
my portrait this morning, painted by
a master's hand. It is worth at
least six thousand francs." And
at these words she patted Monsieur
Guillaume on the arm. The old draper
could not help making a grimace
with his lips, which was peculiar to
him.
"I know Monsieur de Sommervieux
very well," the Dove ran on. "He has
come to my evenings this fortnight
past, and made them delightful. He
has told me all his woes, and
commissioned me to plead for him. I know
since this morning that he adores
Augustine, and he shall have her.
Ah, cousin, do not shake your head
in refusal. He will be created
Baron, I can tell you, and has just
been made Chevalier of the Legion
of Honor, by the Emperor himself, at
the Salon. Roguin is now his
lawyer, and knows all his affairs.
Well! Monsieur de Sommervieux has
twelve thousand francs a year in good
landed estate. Do you know that
the father-in-law of such a man may
get a rise in life--be mayor of
his /arrondissement/, for instance.
Have we not seen Monsieur Dupont
become a Count of the Empire, and a
senator, all because he went as
mayor to congratulate the Emperor on
his entry into Vienna? Oh, this
marriage must take place! For my
part, I adore the dear young man. His
behavior to Augustine is only met
with in romances. Be easy, little
one, you shall be happy, and every
girl will wish she were in your
place. Madame la Duchesse de
Carigliano, who comes to my 'At Homes,'
raves about Monsieur de Sommervieux. Some spiteful people say she only
comes to me to meet him; as if a
duchesse of yesterday was doing too
much honor to a Chevrel, whose
family have been respected citizens
these hundred years!
"Augustine," Madame Roguin
went on, after a short pause, "I have seen
the portrait. Heavens! How lovely it
is! Do you know that the Emperor
wanted to have it? He laughed, and
said to the Deputy High Constable
that if there were many women like
that in his court while all the
kings visited it, he should have no
difficulty about preserving the
peace of Europe. Is not that a
compliment?"
The tempests with which the day had
begun were to resemble those of
nature, by ending in clear and
serene weather. Madame Roguin displayed
so much address in her harangue, she
was able to touch so many strings
in the dry hearts of Monsieur and
Madame Guillaume, that at last she
hit on one which she could work
upon. At this strange period commerce
and finance were more than ever
possessed by the crazy mania for
seeking alliance with rank; and the
generals of the Empire took full
advantage of this desire. Monsieur
Guillaume, as a singular exception,
opposed this deplorable craving. His
favorite axioms were that, to
secure happiness, a woman must marry
a man of her own class; that
every one was punished sooner or
later for having climbed too high;
that love could so little endure
under the worries of a household,
that both husband and wife needed
sound good qualities to be happy,
that it would not do for one to be
far in advance of the other,
because, above everything, they must
understand each other; if a man
spoke Greek and his wife Latin, they
might come to die of hunger. He
had himself invented this sort of
adage. And he compared such
marriages to old-fashioned materials
of mixed silk and wool. Still,
there is so much vanity at the
bottom of man's heart that the prudence
of the pilot who steered the Cat and
Racket so wisely gave way before
Madame Roguin's aggressive
volubility. Austere Madame Guillaume was
the first to see in her daughter's
affection a reason for abdicating
her principles and for consenting to
receive Monsieur de Sommervieux,
whom she promised herself she would
put under severe inquisition.
|