Chapter, Paragraph

 1  2,5 |        of eastern monasticism, painting in it an ideal picture of
 2  3,16| distinguish, under the Turkish painting in the lower part of the
 3  6,8 |    astonishing wealth of mural painting,”[194] are closely connected
 4  6,8 |        Empire. The most recent painting in the famous Santa Maria
 5  9,18|     the new forms of Byzantine painting in the thirteenth and fourteenth
 6  9,18|     and those of the landscape painting of the primitive Italian
 7  9,18|      conclusion that Byzantine painting of the fourteenth century
 8  9,18|     new development in Italian painting, which in its turn was based
 9  9,18|     cannot properly regard the painting either of the Slavs or of
10  9,18|       of arts, specifically of painting, manifested itself both
11  9,18|      of mosaic work and fresco painting under the Palaeologi resulted
12  9,18|        or “Giotto of Byzantine painting,” probably lived in the
13  9,18|   Discussing the study of icon painting of the thirteenth and fourteenth
14  9,18|    recent scholar of Byzantine painting of the fourteenth century,