Chapter, Paragraph

  1  2,2 |              answered to this: “Thou art blind, and the Galilean,
  2  2,3 |              their rich treasures of art demolished by the fanatical
  3  2,3 |    invaluable monuments of classical art in Athens were spared. The
  4  2,3 |          Goths assimilated the Roman art of warfare, Roman tactics
  5  2,3 |        unusually accomplished in the art of oratory, an idealist
  6  2,5 |             learning, education, and art.~The developments in literature,
  7  2,5 |        gradually blending into a new art which bears the name of
  8  2,5 |        deeply into the roots of this art, it becomes increasingly
  9  2,5 |             development of Byzantine art. By the end of the nineteenth
 10  2,5 |        advanced the theory that the “art of the Roman Empire” (Römische
 11  2,5 |            cornerstone for Christian art of the fourth and fifth
 12  2,5 |      Hellenistic Origin of Byzantine Art, and the publication in
 13  2,5 |              the origin of Byzantine art has assumed an entirely
 14  2,5 |        development of East-Christian art belongs to the East, and
 15  2,5 |               What Hellas was to the art of antiquity, that Iran
 16  2,5 |      antiquity, that Iran was to the art of the new Christian world.”[
 17  2,5 |              the origin of Byzantine art, contemporary historical
 18  2,5 |             the history of Byzantine art. The new status of the Christian
 19  2,5 |              known as East-Christian art.~ Having been made the political
 20  2,5 |             growth of East-Christian art. Syrian architecture flourished
 21  2,5 |              leadership of Christian art in Syria.”[188] Unfortunately
 22  2,5 |            data was available on the art of Antioch, and it is only
 23  2,5 |         monuments of early Byzantine art have been preserved in the
 24  2,5 |           Africa.~ In the history of art the fourth and fifth centuries
 25  2,5 |              Golden Age of Byzantine Art.[194]~ ~ ~ ~
 26  3,4 | architectural monuments of Byzantine art have recently been discovered
 27  3,8 |           buildings and monuments of art were subjected to destruction
 28  3,9 |              especially Alexandrine, art. “The miniatures in the
 29  3,9 |          characteristic of Byzantine art of the period of Justinian,
 30  3,9 |           the history of old Russian art.[105]~ ~Protection of Byzantine
 31  3,9 |             the history of Byzantine art. St. Sophia is described
 32  3,16|            Literature, learning, and art.~Reflecting Justinian’s
 33  3,16|           interest in the history of art,[155] and were praised by
 34  3,16|    university.[159]~ In the realm of art the epoch of Justinian bears
 35  3,16|            and monument of Byzantine art. Owing to Whittemore’s untiring
 36  3,16|        evaluation of early Byzantine art of the fifth and sixth centuries.~
 37  4,1 |            with more beauty and more art than the Arabs themselves.[
 38  4,4 |            Literature, learning, and art.~With regard to letters
 39  4,4 |           With regard to letters and art, the period from 610 to
 40  4,4 |      surprising that no monuments of art of that period exist today.
 41  4,4 |             sixth century, Byzantine art makes itself felt only very
 42  5,4 |            the legality of religious art, i.e., the question as to
 43  5,4 |             permissible to resort to art as a means of depicting
 44  5,4 |            iconoclasm upon Byzantine art.[67] Finally, C. N. Uspensky
 45  5,4 |              of evolution. Christian art in representing the human
 46  5,5 |        material whatever by the evil art of painters. Whoever in
 47  5,5 |           many valuable monuments of art have perished. The number
 48  5,8 |      Numerous beautiful monuments of art, mosaics, frescoes, statues,
 49  5,8 |           Greek artists. Hence Greek art and iconography of the eighth
 50  5,8 |              to create a new type of art by turning to new subjects.
 51  5,8 |             Some remarkable works of art in ivory, enamels, and a
 52  5,8 |            iconoclasts are viewed by art historians as a return to
 53  5,8 |            Literature, learning, and art.~A movement so profound,
 54  5,8 |            the Russian and Byzantine art of the thirteenth century.
 55  5,8 |       fathers of the church, and the art of composing hymns, which
 56  5,8 |      frequently that in the field of art the iconoclastic epoch produced
 57  5,8 |       numerous valuable monuments of art were destroyed by the iconoclasts. “
 58  5,8 |        stream of life into Byzantine art by reviving once more Hellenistic
 59  5,8 |   categorically suppressed religious art with images of Christ, the
 60  5,8 |       predominance of purely secular art. An example of this tendency
 61  5,8 |          spirit which had penetrated art. From the point of view
 62  5,8 |          data exist for the study of art in the iconoclastic period.
 63  5,8 |              Golden Age of Byzantine art under the Macedonian dynasty:~ ~
 64  5,8 |         there flourished an imperial art inspired by classical tradition
 65  5,8 |        dominant ideas upon religious art, if in opposition to this
 66  5,8 |            this official and secular art there existed a monastic
 67  5,8 |             there existed a monastic art more severe, more theological,
 68  5,8 |             the history of Byzantine art.[198]~ ~ ~ ~ ~
 69  6,8 |            learning, literature, and art.~ The time of the Macedonian
 70  6,8 |           literature, education, and art. This epoch witnessed the
 71  6,8 |           passionately interested in art and music, and spent large
 72  6,8 |             the history of Byzantine art. The period from the middle
 73  6,8 |              Golden Age of Byzantine Art, the first Golden Age being
 74  6,8 |           crisis liberated Byzantine art from stifling ecclesiastic
 75  6,8 |            later centuries Byzantine art was systematically and progressively
 76  6,8 |           191]~ ~The famous Austrian art historian, J. Strzygowski,
 77  6,8 |             the history of Byzantine art, namely, the period of the
 78  6,8 |         direct influence of Armenian art upon the artistic efforts
 79  6,8 |        strong influence of Byzantine art, Strzygowski attempted to
 80  6,8 |     preserved important monuments of art, such as the dated “Church
 81  6,8 |            new province of Byzantine art.”[195]~ The influence of
 82  6,8 |           The influence of Byzantine art of the Macedonian period
 83  6,8 |             the history of Byzantine art from the point of view of
 84  6,8 |     different, drier, and more rigid art.~ ~The Byzantine standards,
 85  6,8 |            this was reflected in the art or the century preceding
 86  7,3 |            the means. Possessing the art of dealing with men, as
 87  7,3 |             relics, nor monuments of art, nor private possessions
 88  7,3 |             of precious monuments of art perished; many libraries
 89  7,3 |           history of later Byzantine art. In the western part of
 90  7,4 |            learning, literature, and art.~The time of the Macedonian
 91  7,4 |           literature, education, and art. The activity of such men
 92  7,4 |           1118.~ As far as Byzantine art is concerned, the epoch
 93  7,4 |            prosperity, and Byzantine art seemed able to continue
 94  7,4 |              period advanced, sacred art became itself a kind of
 95  7,4 |              not mean that Byzantine art under the Comneni was in
 96  7,4 |            achievements of Byzantine art, belong to the twelfth century.
 97  7,4 |               the influence of Greek art remained all powerful in
 98  8,2 |           for the study of Byzantine art.[27] But during World War
 99  8,16|            learning, literature, and art.~ After the ruin of the
100  8,16|           libraries, particularly of art and sciences, and he sometimes
101  8,16|             progress of learning and art in his Empire, sent Blemmydes
102  8,16|        deeply interested in science, art, music, poetry, and the
103  8,16|            201]~ As far as Byzantine art was concerned, the new Frankish
104  8,16|            missionaries of Byzantine art gave direction to the Slav
105  9,2 |     knowledge. And such monuments of art as the mosaics in the mosque
106  9,2 |             primitive renaissance of art in western Europe, that
107  9,2 |              field of literature and art and the most important problems
108  9,3 |           and an interest in poetry, art, and science; above all
109  9,9 |              an interest in science, art, and education, energy,
110  9,9 |            beautiful which Christian art had produced, and its beauty
111  9,18|             literature, science, and art~ In political and economic
112  9,18|           Thessalonica (Salonica) in art and letters.[336]~ In a
113  9,18|            Elder admired letters and art and was a patron of scholars
114  9,18|              remarkable monuments of art as the mosaics of the monastery
115  9,18|       strictly the rules of literary art and was very anxious to
116  9,18|             405] Metochites’ role in art is also very important;
117  9,18|             his work in the field of art would secure to him “a glorious
118  9,18|           death.~ A striking rise in art, at first sight rather unexpected
119  9,18|             The revival of Byzantine art under the Palaeologi, which
120  9,18|          sources of the new forms of art. The followers of the so-called “
121  9,18|             the first productions of art of the eastern renaissance
122  9,18|            have influenced Byzantine art, and that this was the explanation
123  9,18|     Byzantine influence upon Italian art, rather than Italian influence
124  9,18|           Italian influence upon the art of the Byzantine Empire,
125  9,18|            achievements of Byzantine art under the Palaeologi were
126  9,18|           forms adopted by Byzantine art. If one accepts this theory,
127  9,18|             renaissance of Byzantine art in the fourteenth century,
128  9,18|              his Manual of Byzantine Art, published in 1910, Ch.
129  9,18|          roots of the renaissance of art under the Palaeologi in
130  9,18|            new currents in Byzantine art which had appeared in Byzantium
131  9,18|             the natural evolution of art in conditions particularly
132  9,18|             analysis of the works of art, but drew it indirectly
133  9,18|              phenomenon of Byzantine art; it is only the reflection
134  9,18|           based on earlier Byzantine art. “Venice is one of the intermediary
135  9,18|             this retro-action of the art of the earlier Renaissance
136  9,18|             upon the later Byzantine art.”[430]~ Th. Schmidt maintained
137  9,18|     Palaeologi a real renaissance of art in the fourteenth century
138  9,18|          with animation and grace an art essentially unchanged.”[
139  9,18|              his Manual of Byzantine Art summed up the matter by
140  9,18|        Bréhier wrote; “The Byzantine art of the epoch of the Palaeologi
141  9,18|      progress (l’essor) of Byzantine art under the Palaeologi was
142  9,18|               The story of Byzantine art really ends with the sack
143  9,18|             renaissance of Byzantine art under the Palaeologi survive.
144  9,18|              full flower of Athenian art belongs to the sixteenth
145  9,18|            been mentioned.[441]~ The art of the Palaeologian epoch
146  9,18|          common opinion that Serbian art was nothing but a branch
147  9,18|            but a branch of Byzantine art and to prove that Serbian
148  9,18|            and to prove that Serbian art had an original character
149  9,18|      investigation in literature and art. But the fatal destiny of
150  9,19|            in ancient literature and art which was then making its