Chapter, Paragraph

 1  6,8 |            tenth century reveals “a renaissance of Greek spirit and classical
 2  6,8 |         evidences of the artificial renaissance of classicism which became
 3  6,8 |          products of the Macedonian Renaissance.[196] St. Sophia of Kiev (
 4  7,4 |           the epoch of the Hellenic renaissance which was brought about
 5  7,4 |         conditions for the cultural renaissance of the epoch of the Comneni
 6  7,4 |         achievement of the literary renaissance of the epoch of the Comneni
 7  7,4 |          character of the literary “renaissance” of the epoch of the Comneni.~
 8  7,4 |             apogee.”~ The Byzantine renaissance of the twelfth century is
 9  7,4 |           the general west European renaissance of the twelfth century which
10  7,4 |             by C. H. Haskins in The Renaissance of the Twelfth Century.
11  7,4 |           flagrant contradiction. A renaissance in the twelfth century!”
12  7,4 |    designated as the first Hellenic renaissance in the history of Byzantium.~ ~ ~ ~
13  8,10|    designated as a “prologue to the Renaissance.” In the middle of the nineteenth
14  8,10|             gave the impulse to the Renaissance, which prepared the fall
15  8,10|         universality, he was a real Renaissance genius on the imperial throne
16  8,16|           die out, and the artistic renaissance under the Palaeologi was,
17  8,16|  achievements of the first Hellenic renaissance under the Comneni in order
18  8,16|            second cultural Hellenic renaissance under the Palaeologi. Nicaea
19  8,16|             a bridge from the first renaissance to the second.~ The cultural
20  8,16| Hohenstaufen, this “prologue of the Renaissance,” although it has not yet
21  9,2 |         compared with the primitive renaissance of art in western Europe,
22  9,7 |            the epoch of the Italian Renaissance.~ The battle of Angora had
23  9,7 |           of Italian princes of the Renaissance.[169] The famous Byzantine
24  9,7 |           document of the Byzantine renaissance of the epoch of the Palaeologi.
25  9,8 |        Maecenas of the epoch of the Renaissance, the king of Aragon, Alfonso
26  9,13|            the epoch of the Italian renaissance. The study of this aspect
27  9,14|          Europe in the epoch of the Renaissance.~ ~
28  9,15|          very flower of the Italian Renaissance. Ferrara under the House
29  9,18|           time in the height of the Renaissance. Philosophers, headed by
30  9,18|              Finally, this literary renaissance was followed by an artistic
31  9,18|             followed by an artistic renaissance which has left monuments
32  9,18|             for the future Hellenic renaissance of the nineteenth century.
33  9,18|      representatives of the western Renaissance. He received an excellent
34  9,18|     representative of the Byzantine renaissance.~ The important political
35  9,18|           Byzantium and the Italian Renaissance, with which Cydones was
36  9,18|      representatives of the Italian Renaissance at the end of the fourteenth
37  9,18|        problem of Byzantium and the Renaissance.~ The opponents of the union
38  9,18|           the Byzantine and Italian Renaissance of his epoch. “By his love
39  9,18|            humanism and the western Renaissance.”[389]~ Finally, the works
40  9,18|      representatives of the classic renaissance in the west.[390] But here
41  9,18|        between East and West in the Renaissance epoch.[390a]~ Planudes’
42  9,18|         history of the Palaeologian renaissance is the whole work of Theodore
43  9,18|   productions of art of the eastern renaissance under the Palaeologi appeared.
44  9,18|            this theory, there is no renaissance of Byzantine art in the
45  9,18|            and saw the roots of the renaissance of art under the Palaeologi
46  9,18|            of the primitive Italian Renaissance. He came to the conclusion
47  9,18|           of the art of the earlier Renaissance upon the later Byzantine
48  9,18|         under the Palaeologi a real renaissance of art in the fourteenth
49  9,18|           fourteenth century a true renaissance. It developed with magnificent
50  9,18|     remarkable; under them the last renaissance of arts, specifically of
51  9,18|             contrary, the Byzantine Renaissance is a rich, fruitful field,
52  9,18|               Many monuments of the renaissance of Byzantine art under the
53  9,18|      smaller Italian centers of the Renaissance and apparently less exposed
54  9,18|        epoch of the earlier Italian Renaissance. Both Italy and Byzantium
55  9,18|             the epoch of an Italian Renaissance or a Byzantine Renaissance
56  9,18|          Renaissance or a Byzantine Renaissance but, to use the word in
57  9,18|         speaking, southern European Renaissance. Later, in the fifteenth
58  9,18|             no Dante. The Byzantine Renaissance was bound by the traditions
59  9,19|           Byzantium and the Italian Renaissance.~ In considering what influence
60  9,19|          was exerted on the Italian Renaissance by the medieval Greek tradition
61  9,19|     antiquity that called forth the Renaissance in Italy. On the contrary,
62  9,19|            evoked and developed the Renaissance were the real cause of the
63  9,19|            thought that the Italian Renaissance was called forth by the
64  9,19|          elementary chronology: the Renaissance is known to have embraced
65  9,19|            Greek tradition upon the Renaissance and the influence of the
66  9,19|           Byzantine Greeks upon the Renaissance. Considering the latter
67  9,19|            the epoch of the earlier Renaissance, i.e. the fourteenth century
68  9,19|        Barlaam’s influence upon the Renaissance which appears sometimes
69  9,19|        which the men of the Italian Renaissance were filled, must be wholly
70  9,19|       Barlaam in the history of the Renaissance was in reality much more
71  9,19|            the epoch of the earlier Renaissance was a pupil of Barlaam,
72  9,19|          the general history of the Renaissance, the role of Pilatus is
73  9,19|             French historian of the Renaissance, Monnier, recalling the
74  9,19|            leaders of the Byzantine Renaissance, Gemistus Plethon and Bessarion
75  9,19|             the intense life of the Renaissance and, not inferior himself
76  9,19|        Latin genius, from which the Renaissance sprang forth. “Bessarion
77  9,19|            ways of progress and the Renaissance.”[473] One of the contemporaries
78  9,19|       greatly to the history of the Renaissance not only by implanting the