Chapter, Paragraph

 1  2,2 |           not possess any genuine artistic qualities, nothing has survived.
 2  2,3 |      still bore the spiritual and artistic impress of paganism, mainly
 3  2,5 |         also the intellectual and artistic center. This did not happen
 4  2,5 |        Minor, reflecting in their artistic life the influences of more
 5  3,9 |           Cosmas is also of great artistic value because of the numerous
 6  3,15|        simplicity of customs, the artistic creativeness, the races,
 7  3,16|       economic, intellectual, and artistic activity poured forth in
 8  3,16|          an abundant stream.~ The artistic monuments of Ravenna are
 9  3,16|          great importance from an artistic point of view. They are
10  3,16|          port, Classis). The main artistic value of these churches
11  3,16|        166]~ For the study of the artistic achievements of Justinian’
12  3,16|    fertilize the intellectual and artistic life of the Byzantine Empire.~
13  4,1 |        church, inscriptions, many artistic and ornamental objects,
14  4,4 |           of any intellectual and artistic activity. Unfavorable conditions
15  4,4 |          foundations laid for the artistic life of Byzantium in the
16  5,8 |           left deep traces in the artistic life of the period. Numerous
17  5,8 |          sooner or later, all the artistic life of Byzantium … A large
18  5,8 |           with the destruction of artistic monuments bearing the images
19  5,8 |          movement. In general the artistic tendencies of the iconoclasts
20  5,8 |         favorite charioteer.~ The artistic monuments of the epoch,
21  6   |        some time intellectual and artistic activity flourished once
22  6,8 |        190]~ The intellectual and artistic life of the Empire in the
23  6,8 |          greater realism. But the artistic creations of the epoch of
24  6,8 |          of Armenian art upon the artistic efforts of Byzantium. In
25  6,8 |   miniatures.~ The main center of artistic developments was the city
26  6,8 |         from the point of view of artistic vitality and originality.
27  7,4 |        short time the splendor of artistic achievements under the Macedonian
28  7,4 |    artists at the same time. Many artistic specimens of the epoch are
29  7,4 |        gems.~But, in spite of all artistic achievements of the epoch
30  8,16|          to understand.”[202] But artistic traditions did not die out,
31  8,16|          did not die out, and the artistic renaissance under the Palaeologi
32  9,2 |          a powerful spiritual and artistic culture, which, considering
33  9,2 | appreciation of the importance of artistic creation under the Palaeologi.
34  9,2 |        under the Palaeologi. This artistic flowering has often been
35  9,15|         were brilliant centers of artistic and intellectual activity.~
36  9,18|    culture, both intellectual and artistic. The schools of Constantinople
37  9,18|    renaissance was followed by an artistic renaissance which has left
38  9,18|          protection developed the artistic atmosphere which produced
39  9,18|     matter attentively, the great artistic movement of the fourteenth
40  9,18|         literary, scientific, and artistic ardor.[445]~ ~ ~