Chap.

1 1|        persons and things, sees as real what never actually happened,
2 1|           raised in such wise that real and ideal are fused in perfect
3 1|       respite from the pressure of real existence. However, it should
4 1|          profound, imaginative and real. In a word, it knows how
5 2|  relativity of the ideal, i.e. the real essence of the film, its
6 2| religiousness, derived either from real actions or from scenes portrayed
7 2|    Testaments, faithful mirrors of real life, contain in their pages