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Pius XII
Miranda prorsus

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5 - Errors concerning freedom of communication

 

Contrary, however, to Christian teaching and the principal end of these arts is the will and intention of those who desire to use these inventions exclusively for the advancement and propagation of political measures or to achieve economic ends, and who treat Our noble aim as if it were a mere business transaction.

In like manner, approval cannot be given to the false principles of those who assert and claim freedom to depict and propagate anything at all, even though there has been established beyond dispute in these past years both the kind and the extent of the damage to both bodies and souls which has had its source in these principles. There is no question here of the true liberty of which We have spoken above, but rather of an uncontrolled freedom, which disregards all precautions, of communicating with others anything at all, even though it be contrary to sound morals and can result in serious danger to souls.

The Church encourages and supports everything which truly concerns a fuller enrichment of the mind - for She is the patron and fostermother of human knowledge and the noble arts; therefore She cannot permit the violation of those principles and laws which direct and govern man in his path to God, his final end. Let no one, then, be surprised if, in this matter, where many reservations are necessary, the Church acts with due thought and discretion, according to that saying of the Apostle: "But prove all things: hold fast that which is good. From all appearance of evil refrain yourselves".20

Those, therefore, are certainly to be blamed who openly declare that public communication of matters which impede, or are directly opposed to, principles of morality, should be encouraged and carried out so long as the method is in accord with the laws of the liberal or technical arts. In a short discourse, on the occasion of the fifth centenary of the death of Fra Angelico, We recalled to the minds of Our hearers that "it is true that an explicitly moral or religious function is not demanded of art as art"; but "if artistic expression gives publicity to false, empty and confused forms, - those not in harmony with the Creator's design; if, rather than lifting mind and heart to noble sentiments, it stirs the baser passions, it might, perhaps, find welcome among some people, but only by nature of its novelty, a quality not always of value and with but slight content of that reality which is possessed by every type of human expression. But such an art would degrade itself, denying its primary and essential element: it would not be universal and perennial as is the human spirit to which it is addressed".21

 




20 I Thess. V, 21-22.



21 Cfr. Sermo, quinto exeunte saeculo ab Angelici obitu, in Aedibus Vaticanis habitus d. 20 Aprilis, a. 1955: A. A. S., vol. XLVII, 1955, pag. 291-292; Litt. Enc. Musicae Sacrae, d. 25 Decembris, a 1955: A. A. S., vol. XLVIII, 1956, pag. 10.






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