Book, Chapter

 1      1, Int  |  savoureth of the affectation of art and precepts, or speech
 2      1, II   |         taking to the Romans the art of empire, and leaving to
 3      1, II   |     first Caesars, which had the art of government in greatest
 4      1, IV   |      coin and frame new terms of art to express their own sense,
 5      1, IV   |       fact; or else of matter of art and opinion. As to the former,
 6      1, IV   |        to certain authors in any art. The sciences themselves,
 7      1, VII  |       well he could use the same art which he reprehended to
 8      2, I    |   passage towards the wonders of art, for it is no more but by
 9      2, I    |          the observations of one art to the use of another, when
10      2, I    |          trials and vexations of art.~
11      2, V    |     nature and the abridgment of art.~
12      2, VIII |     works or fruits of Nature or art) which are now extant, and
13      2, IX   |       became an empty and verbal art. So we may see that the
14      2, IX   |        no less comprehensible by art, and of greater use and
15      2, IX   |          not been collected into art, but hath been handled dispersedly;
16      2, X    |      knowledges are medicine, or art of cure; art of decoration,
17      2, X    |        medicine, or art of cure; art of decoration, which is
18      2, X    |        which is called cosmetic; art of activity, which is called
19      2, X    |          is called athletic; and art voluptuary, which Tacitus
20      2, X    |        so variable hath made the art by consequent more conjectural;
21      2, X    |        more conjectural; and the art being conjectural hath made
22      2, X    |         or ruined, whether it be art or accident? And therefore
23      2, X    |    commonly to intend some other art or practice, which they
24      2, X    |          and excellency in their art maketh no difference in
25      2, X    |           the nobleness of their art doth deserve: well shadowed
26      2, X    |      proper in the father of the art, I shall not need to allege
27      2, X    |          to make an imitation by art of natural baths and medicinable
28      2, X    |       reduced to compositions of art, both the variety of them
29      2, XII  |          be truly said to be the art of arts. Neither do they
30      2, XII  |         as the arts must be four—art of inquiry or invention;
31      2, XII  |         of inquiry or invention; art of examination or judgment;
32      2, XII  |         examination or judgment; art of custody or memory; and
33      2, XII  |        of custody or memory; and art of elocution or tradition.~
34      2, XIII |       further discovered, if the art itself of invention and
35      2, XIII |         rather to chance than to art, and rather to beasts, birds,
36      2, XIII |       and nothing to the duty or art, for matter of invention.~(
37      2, XIII |        because it is the duty of art to perfect and exalt nature;
38      2, XIII |        if one that professed the art of shoemaking should not
39      2, XIV  |         turn.~(3) So, then, this art of judgment is but the reduction
40      2, XIV  |          principle.~(4) But this art hath two several methods
41      2, XV   |      order of the entry. For the art of characters, or other
42      2, XV   |  judgment weakly inquired of. An art there is extant of it; but
43      2, XV   |        better precepts than that art, and better practices of
44      2, XV   |         better practices of that art than those received. It
45      2, XV   |      received. It is certain the art (as it is) may be raised
46      2, XV   |     without worthiness.~(3) This art of memory is but built upon
47      2, XVI  |     confusion of tongues) by the art of grammar; whereof the
48      2, XVI  |         is better judge than the art:—~“Coenae fercula nostrae~
49      2, XVI  |       restraint whatsoever. This art of ciphering hath for relative
50      2, XVI  |   ciphering hath for relative an art of deciphering, by supposition
51      2, XVII |         make a solemn and formal art, filling it with some discourses,
52      2, XVII |          make a great show of an art, which, if it were disjointed,
53      2, XVII | Raymundus Lullius in making that art which bears his name; not
54      2, XVII |        thought to understand the art; which collections are much
55      2, XVIII|         make a solemn and formal art, filling it with some discourses,
56      2, XVIII|          make a great show of an art, which, if it were disjointed,
57      2, XVIII| Raymundus Lullius in making that art which bears his name; not
58      2, XVIII|        thought to understand the art; which collections are much
59      2, XXII |        is but to collect into an art or science that which hath
60      2, XXIII|      which requireth indeed some art, lest it turn tedious and
61      2, XXIII|         to the perfection of the art, and not according to common
62      2, XXIII|      which requireth indeed some art, lest it turn tedious and
63      2, XXIII|         to the perfection of the art, and not according to common
64      2, XXV  |        hath been reduced into an art, as into a cistern, and
65      2, XXV  |       reduce a knowledge into an art will make it round and uniform;
66      2, XXV  |       divinity, as it is made an art: a number of sermons and
67      2, XXV  |       not reduced into method of art; a thing abounding in sermons,