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 1 Int      |        itself in artistic forms and historical witness that have an intrinsic
 2 Int      |             Church and into the art historical patrimony of the national
 3 Int      |    ecclesiastical libraries and the historical documents preserved in the
 4 1,   1   |          goods are an expression of historical memory, they allow one to
 5 1,   2   |            pastoral function or its historical, social, environmental,
 6 1,   2   |             making reference to the historical and artistic patrimony of
 7 1,   3   |                           1.3. Some Historical Facts regarding the Conservation
 8 1,   3   |             to take care of her own historical and artistic patrimony.
 9 1,   4   |         custody and conservation of historical and artistic sacred objects
10 1,   4   |    preservation of the artistic and historical patrimony (Codex Iuris Canonici [
11 1,   4   |             the entire artistic and historical patrimony may be well carried
12 2,   1,1 |          artistic enjoyment, and of historical knowledge. It is therefore
13 2,   1,1 |        beneficial appearance to the historical memory of Christianity" (
14 2,   1,2 |           in order to highlight its historical, cultural, social, and religious
15 2,   1,2 |           with care, for both their historical as well as their artistic
16 2,   1,2 |               they are signs of the historical development and continuity
17 2,   2,1 |        community; ~- the display of historical continuity since the ecclesiastical
18 2,   2,2 |            theological, liturgical, historical aspects and, above all,
19 2,   2,2 |              It becomes the sign of historical becoming, of cultural changes,
20 2,   2,2 |          and adverse or unfortunate historical conditions, the change of
21 2,   3,1 |          the museum itself. ~In the historical introduction (see the present
22 2,   3,1 |         present Circular at n. 1.3. Historical Background regarding the
23 2,   3,1 |      surrounding area. ~In the same historical introduction we also mentioned
24 2,   3,1 |            institutions present the historical and geographical features
25 2,   3,2 |        inherent to the artistic and historical patrimony, etc.; ~- other
26 2,   3,2 |           to them only an artistic, historical, anthropological, cultural
27 2,   4   |       promotion of the artistic and historical patrimony. In fact, "whenever
28 3,   1,9 |                              3.1.9. Historical archives and current archives ~
29 3,   1,9 |             to establish a specific historical archive as well. This should
30 3,   1,9 |        should differ from the usual historical archive of the local Church,
31 3,   1,9 |             archive, as well as the historical archive for those who work
32 4,   2,1 |        reality. ~Especially at this historical moment of widespread secularism,
33 4,   2,2 |           past, it demonstrates the historical perspective of the Christian
34 4,   2,3 |           preserving and displaying historical memories in the living context
35 4,   2,3 | environmental context and a precise historical reality. The problem that
36 4,   2,3 |         allow one to appreciate the historical and documentary richness
37 4,   2,3 |          can show periods, artists, historical circumstances, spirituality,
38 4,   3   |       through a double itinerary of historical memory and aesthetic fruition.
39 5,   1,1 |            an activity of providing historical information and education
40 5,   1,3 |            develop in three areas:  historical information, education in
41 5,   2,1 |          spirit in the artistic and historical fields"). It is therefore
42 5,   2,4 |            works by stressing their historical perspective, to make emerge
43 6        |          express in the present how historical works of art are to serve
44 6        |             it, by highlighting the historical, cultural, aesthetic, sentimental