Chapter,  Paragraph, Part

 1 1,   1   |              secularization of these artefacts to other museums (state,
 2 1,   1   |             Church environment. Even artefacts of minor artistic value
 3 1,   2   |              nourished by conserving artefacts that are obsolete but rich
 4 1,   2   |          reasons the conservation of artefacts is difficult. Finally, in
 5 1,   2   |     safekeeping implies remaking the artefacts while respecting the materials
 6 1,   2   |        Church. In fact, even if many artefacts no longer carry out a specific
 7 1,   3   |           institutional control. The artefacts that made up collections
 8 2,   1,1 |         people's tastes change, many artefacts became obsolete. Therefore,
 9 2,   1,1 |           the coordination of museum artefacts with those still in place.
10 2,   1,1 |           temporary re-use of museum artefacts, both for strictly pastoral
11 2,   1,2 |          spiritual needs. From these artefacts one can trace the path of
12 2,   2,1 |                  the conservation of artefacts in so far as it gathers
13 2,   2,2 |         ecclesiastical museums. Such artefacts, even if different, make
14 2,   3,1 |        containing noteworthy antique artefacts, others with material of
15 2,   3,2 |     generally identify some types of artefacts present in ecclesiastical
16 2,   3,2 |            material connected to the artefacts (wills, juridical acts,
17 2,   3,2 |            where the conservation of artefacts and documents still does
18 2,   3,2 |   specifically the identity of those artefacts with a devotional, cultual,
19 3,   1,1 |        location, the typology of the artefacts, the "ecclesial" character
20 3,   1,3 |              offered by the original artefacts or copies, cartography,
21 3,   1,3 |        exhibition and maintenance of artefacts one can refer to the directives
22 3,   1,4 |           proper preservation of the artefacts, but also as regards the
23 3,   1,4 |         placing the knowledge of the artefacts exhibited in a global context. ~
24 3,   1,7 |              not simply a deposit of artefacts but an environment of reflection,
25 3,   1,14|            out urgent restoration on artefacts in an advanced state of
26 3,   2,1 |           1995). The preservation of artefacts requires correct control
27 3,   2,2 |            also outside it. ~As some artefacts require individual care
28 3,   5   |             ecclesial context of the artefacts be observed; ~- issue norms
29 3,   6   |         protect the ownership of the artefacts, abide by the norms regarding
30 4,   2,1 |   Christianity is not unlike that of artefacts from extinct civilizations
31 4,   2,1 |           The collection of material artefacts is not a sign of pride,
32 4,   3   |           the production of the many artefacts refer to precise natural
33 4,   3   |            unknown provenance of the artefacts, alienation or destruction
34 4,   3   |            museum. The layout of the artefacts must show the history of
35 4,   3   | confraternities, are places that own artefacts protected within their own
36 4,   3   |           would devaluate these same artefacts that besides so many others
37 5,   1,2 |              frescoes, alienation of artefacts, organization of security,
38 5,   1,4 |            of goods, preservation of artefacts, legislation in force (on
39 5,   2,1 |             church building, and the artefacts contained therein. In the