Chapter, Paragraph, Part
1 Int | guarantee its existence at the present time. It cannot be set apart
2 Int | structures that serve to present the cultural patrimony "
3 Int | art-historical patrimony in order to present it as a cultural treasure. ~
4 Int | the past and discover the present in its best and often hidden
5 Int | conscience, in order to present the art-historical patrimony
6 1, 1 | designed to appreciate and present the art-historical patrimony
7 1, 2 | must conserve in order to present works of art and objects
8 2, 1,2 | communities that preceded the present ones, in order to give witness
9 2, 1,2 | throughout time and in the present age; ~- they witness to
10 2, 1,2 | inculturation of the faith; ~- they present the beauty of those human
11 2, 2,1 | consideration all those who were present and the manifestations within
12 2, 3,1 | historical introduction (see the present Circular at n. 1.3. Historical
13 2, 3,1 | of religious institutions present the historical and geographical
14 2, 3,2 | some types of artefacts present in ecclesiastical museums,
15 3, 1,3 | support material, should present to the visitor's gaze the
16 3, 1,6 | between the past and the present. This deeper level of knowledge
17 4, 2,3 | and remain the living soul present even today. The ecclesiastical
18 4, 2,3 | can then unite past and present in the ecclesial lifestyle
19 4, 3 | recognition of cultural heritage present in the territory. In this
20 4, 3 | between the past and the present, the ecclesiastical museum
21 4, 3 | technology that is able to present in a virtual, systematic
22 4, 3 | churches. In it, one should present the inventory of the entire
23 4, 3 | conserved and other assets present in their context within
24 4, 3 | cultural assets of the Church present in each reality in which
25 4, 3 | entire civil collectivity present in the territory. ~The notion
26 4, 3 | other civil institutions present in the territory. Such a
27 4, 3 | various cultural forces present within the territory. In
28 5, 1,5 | specific reference to museums present in the territory, one should
29 5, 2,1 | network of cultural assets present in the territory, and to
30 5, 2,4 | relationship between past and present. The following, for example,
31 5, 2,4 | for pilgrims, one should present museum collections in a
32 6 | past and to express in the present how historical works of
33 6 | art-historical patrimony, they present the working out of the history
34 6 | salvation in Christ; they present the work of Christian evangelization;
35 6 | help, when possible, to present the cultural treasures where
36 6 | museums. ~As the Church at present is intent on finding her
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