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 1 1        |                                The Conservation of the Art-Historical Patrimony
 2 1,   2   |   Patrimony ~One can interpret the conservation of the patrimony of cultural
 3 1,   2   |           for climatic reasons the conservation of artefacts is difficult.
 4 1,   2   |          adequate presentation and conservation of the art-historical patrimony
 5 1,   3   |     Historical Facts regarding the Conservation of Art-Historical Patrimony ~
 6 1,   3   |       through their protection and conservation. (An extensive summary of
 7 1,   3   |           of the Church). ~For the conservation of precious objects - first
 8 1,   3   |           paintings as a place for conservation, and at the same time, as
 9 1,   4   |     regarding the safeguarding and conservation of antiquities and works
10 1,   4   | regulations regarding excavations, conservation and circulation of ancient
11 1,   4   |    Regulations for the custody and conservation of historical and artistic
12 1,   4   |             p. 266-268]) where the conservation of works otherwise destined
13 1,   4   |            since it recommends the conservation of those "works of art and
14 2,   1,1 |    Therefore, the problem of their conservation arose in order to guarantee
15 2,   1,1 |   art-historical value. The actual conservation and safeguarding from illicit
16 2,   2,1 |    indicate the following:  ~- the conservation of artefacts in so far as
17 2,   3,2 |            those nations where the conservation of artefacts and documents
18 2,   4   |          becomes necessary for the conservation, protection, promotion of
19 3,   1,3 |             A Manual of Preventive Conservation, Dublin 2000]). The structure
20 3,   1,13|        more careful protection and conservation. ~If such works cannot be
21 3,   2,1 |            safety of artworks, the conservation of the cultural goods as
22 3,   2,1 |          order to facilitate their conservation and maintenance. In this
23 3,   2,2 |          only the general rules of conservation must be observed; each work
24 3,   3   |         the needs required, by the conservation and enhancement strategies,
25 4,   2,3 |       strengthen awareness for the conservation and enhancement of the cultural
26 4,   2,3 |       museum structure correctly:  conservation and display. The criteria
27 4,   3   |         the particular church. The conservation task reduces itself thus
28 5,   1,2 |     ecclesiastical interest in the conservation and presentation of cultural
29 5,   1,5 |      problem issues of protection, conservation, promotion of cultural assets. ~