Chapter, Paragraph, Part
1 Int | the Church and into the art historical patrimony of
2 1, 2 | order to present works of art and objects of a religious
3 1, 3 | the patronage of works of art destined primarily for worship
4 1, 3 | putting on display works of art and objects of worship (
5 1, 4 | antiquities and works of art, confirmed the orders given
6 1, 4 | archives, libraries and sacred art as a whole according to
7 1, 4 | Central Commission for Sacred Art in Italy has been introduced,
8 1, 4 | Central Commission for Sacred Art in Italy, Schema di regolamento
9 1, 4 | conservation of those "works of art and treasures" no longer
10 1, 4 | AAS 80 {1988} p. 885-886] Art. 102). ~ ~
11 2, 1,2 | the service of works of art for catechesis, worship,
12 2, 3,1 | primarily preserve and display art work and other finds taken
13 2, 3,2 | as follows: ~- works of art (paintings, sculptures,
14 2, 4 | by the Office for Sacred Art and Patrimony. Reflecting
15 3, 1,6 | with the Association of Art Museum Directors, the American
16 4, 2,1 | great themes of Christian art. ~Through the cultural inheritance
17 4, 3 | education for Christian art and for an understanding
18 5, 1,1 | and the promotion of new art work. Given the crisis of
19 5, 1,1 | inspire a new season of art and culture of Christian
20 5, 1,2 | National Congress of Sacred Art: The artist is the mediator
21 5, 1,4 | universal and local Church; art history and religious architecture;
22 5, 2,1 | the principles of Sacred Art, Christian archeology, archive
23 5, 2,1 | with themes relating to art, aesthetics, libraries,
24 5, 2,2 | universal language of Christian art. ~- Internal guides. In
25 5, 2,3 | laity involved in presenting art and architecture, who should
26 6 | how historical works of art are to serve the mission
27 6 | National Congress of Sacred Art, April 27, 1981, citation). ~
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