Chapter, Paragraph, Part
1 Int | history "has made use of different cultures in order to spread
2 1, 1 | portrayed by the works of different generations. Their artistic
3 1, 2 | cultural memory in cultures in different ways. In the West and its
4 1, 2 | important to coordinate the different offices in charge of the
5 2, 2,1 | museum, in particular, serves different functions among which one
6 2, 2,1 | belonged, as well as other different risks, cannot stay in their
7 2, 2,2 | Such artefacts, even if different, make reference to one unique "
8 2, 2,2 | community through what the different rites, the multiple forms
9 2, 2,2 | multiple forms of piety, the different social settings, the specific
10 2, 2,2 | perception of beauty expressed in different ways in ancient and modern
11 2, 3,1 | of museums have varied in different epochs, often thanks to
12 2, 3,1 | accidental circumstances, have different provenance: private citizens,
13 2, 3,1 | institute. Their nature is different as is the aim they reflect.
14 2, 3,2 | Church's activity in all its different manifestations. ~Since we
15 3, 1,4 | should make available two different illustrative support tools -
16 4, 1 | open even to a public of different cultural, social, religious
17 4, 1 | public can be divided into different categories: the individual
18 4, 1 | and understanding of the different cultural needs. ~An intelligent
19 4, 3 | pastoral aim and, in their different typology, weave an organic
20 5, 1,1 | discriminations between rich and poor, different cultural and ethnical backgrounds,
21 5, 1,1 | and ethnical backgrounds, different religious denominations
22 5, 1,3 | cultural assets existing in the different particular churches; ~-
23 5, 1,3 | mindset and in ways adapted to different kinds of public. ~
24 5, 1,4 | help to gather people of different ideological backgrounds
25 5, 1,5 | initiatives organized in the different institutional environments
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