Chapter, Paragraph, Part
1 Int | pastoral field. ~Variety of artistic forms shows constant creation
2 Int | nature to express itself in artistic forms and historical witness
3 Int | pastoral usefulness of its artistic patrimony. This involves
4 1, 1 | different generations. Their artistic value reveals the creative
5 1, 1 | Even artefacts of minor artistic value witness to the exertion
6 1, 2 | reference to the historical and artistic patrimony of a determined
7 1, 3 | of her own historical and artistic patrimony. This is shown
8 1, 4 | conservation of historical and artistic sacred objects in Italy,
9 1, 4 | and preservation of the artistic and historical patrimony (
10 1, 4 | protection of the entire artistic and historical patrimony
11 2, 1,1 | of cultural formation, of artistic enjoyment, and of historical
12 2, 1,2 | historical as well as their artistic value. Consequently, by
13 2, 2,2 | aspects and, above all, artistic ones, in order to allow
14 2, 3,1 | of a monographic nature (artistic, archeological, scientific
15 2, 3,1 | dispersion of the diocesan artistic patrimony. Similar to these "
16 2, 3,2 | archives and libraries, as: ~- artistic and/or architectural plans (
17 2, 3,2 | activities inherent to the artistic and historical patrimony,
18 2, 3,2 | attribute to them only an artistic, historical, anthropological,
19 2, 4 | protection, promotion of the artistic and historical patrimony.
20 4, 2,3 | territory through many forms of artistic expression. ~In order to
21 4, 3 | occasional events of contemporary artistic expression connected to
22 5, 1,1 | of the human soul in the artistic and historic field" (See
23 5, 2,1 | responsibility of the Church for the artistic patrimony "as an integral
24 5, 2,1 | the human spirit in the artistic and historical fields").
25 6 | evangelization; they indicate in artistic beauty "the new heavens
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