Chapter,  Paragraph, Part

 1 Int      |           them to communicate the sacred, the beautiful, the old
 2 Int      |           monuments, furnishings, sacred representations, popular
 3 1,   2   |   inventories and catalogues (See Sacred Congregation for the Clergy,
 4 1,   4   |           archives, libraries and sacred art as a whole according
 5 1,   4   | Pontifical Central Commission for Sacred Art in Italy has been introduced,
 6 1,   4   |      Regulations of May 24, 1939 (Sacred Congregation for the Clergy,
 7 1,   4   |           historical and artistic sacred objects in Italy, May 24,
 8 1,   4   | Pontifical Central Commission for Sacred Art in Italy, Schema di
 9 1,   4   |           inter-diocesan museums (Sacred Congregation for the Clergy,
10 1,   4   |           security and exhibit of sacred and precious assets]; can.
11 2,   1,1 |            exhibits, conventions, sacred plays, performances and
12 2,   1,2 |       also be led to perceive the sacred. ~A visit to an ecclesiastical
13 2,   3,2 |    material of minor quality); ~- sacred vessels; ~- furnishings; ~- 
14 2,   4   |   Commission or by the Office for Sacred Art and Patrimony. Reflecting
15 2,   4   |          inter-diocesan museum". (Sacred Congregation for the Clergy,
16 3,   1,2 |     therefore be inspired by that sacred space that it indirectly
17 3,   1,2 |      admire. An inspiring, almost sacred, and very discreet "climate"
18 4,   1   |           history, beauty and the sacred through the cultural heritage
19 5,   1,1 |           Given the crisis of the sacred and the resulting impoverishment
20 5,   1,1 |     architecture, iconography and sacred furnishings, it becomes
21 5,   1,2 |      Italian National Congress of Sacred Art:  The artist is the
22 5,   2,1 |     history and the principles of Sacred Art, Christian archeology,
23 5,   2,1 |            academic programmes of sacred music have also been established
24 6        |      Italian National Congress of Sacred Art, April 27, 1981, citation). ~