bold = Main text
Chapter, Paragraph, Part grey = Comment text
1 1, 2 | present works of art and objects of a religious nature. ~
2 1, 3 | conservation of precious objects - first among which liturgical
3 1, 3 | serving as a deposit for objects of particular value used
4 1, 3 | ceremonies. In addition, these objects possessed an exhibitional
5 1, 3 | collections composed of objects removed (either temporarily
6 1, 3 | Private collections of ancient objects, whether precious or simply
7 1, 3 | display works of art and objects of worship (or of other
8 1, 4 | historical and artistic sacred objects in Italy, May 24, 1939 [
9 2, 1,1 | not simply a collection of objects in disuse. It becomes entirely
10 2, 2,2 | referring particularly to objects for worship that become "
11 2, 3,1 | protecting precious liturgical objects, some of which, in certain
12 2, 3,2 | 2.3.2. The typology of objects gathered ~Ecclesiastical
13 2, 3,2 | alienation, and dispersion of objects now no longer in use for
14 2, 3,2 | one can often add other objects that usually belong to archives
15 3, 1,3 | facility. ~The display of the objects and their presentation to
16 3, 1,4 | properly preserving the objects contained in it, must also
17 3, 1,4 | displayed. For this reason the objects need to be clearly identified
18 3, 1,4 | captions identifying the objects should be, when possible,
19 3, 1,4 | references to more famous objects, iconographical explanations,
20 3, 1,10| catalogues, videos, postcards, objects, etc.) placed on sale in
21 3, 1,13| not a place for forgotten objects, nor an untidy room. Rather,
22 3, 2,1 | Working Standard for Museum Objects, 1995; Council of Europe,
23 4, 2,3 | themselves and to connect events, objects, history, persons which
24 5, 2,2 | specific subjects, individual objects, homogenous groups of masterpieces. ~-
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