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1 Int | Pontifical Commission for the Cultural Heritage of the Church,
2 Int | Pontifical Commission for the Cultural Heritage of the Church,
3 Int | Inventory and Cataloguing of the Cultural Heritage of the Church:
4 Int | Pontifical Commission for the Cultural Heritage of the Church now
5 Int | regular use. ~Appeal of cultural treasures in promoting the
6 Int | Pontifical Commission for the Cultural Heritage of the Church wishes
7 Int | Church, in dealing with her cultural heritage in the hope of
8 Int | working with the Church's cultural heritage (laity and clergy),
9 Int | intrinsic evangelizing force and cultural valence before which the
10 Int | recent tradition, an abundant cultural patrimony has accumulated
11 Int | offers an insight into the cultural and religious life in order
12 Int | the variety of Christian cultural contributions ~In the Christian
13 Int | that serve to present the cultural patrimony "placed at the
14 Int | mission of the Church" (The "cultural assets" include "first of
15 Int | Pontifical Commission for the Cultural Heritage of the Church,
16 Int | an integral part of the cultural manifestations and the pastoral
17 Int | order to present it as a cultural treasure. ~Museum centre
18 Int | dynamic social, political, and cultural realities of the place and
19 Int | Church, then safeguarding the cultural assets is a task that belongs
20 1, 1 | Art-Historical Patrimony ~The cultural treasures of the Church
21 1, 1 | the faith. ~In fact, since cultural goods are an expression
22 1, 1 | the Church places on her cultural goods explains "the will
23 1, 1 | Pontifical Commission for the Cultural Heritage of the Church,
24 1, 1 | of her own patrimony of cultural goods. They represent, in
25 1, 1 | liturgy" (ibid.). ~In the cultural patrimony of the Church,
26 1, 2 | conservation of the patrimony of cultural memory in cultures in different
27 1, 2 | Pontifical Commission for the Cultural Heritage of the Church,
28 1, 2 | Inventory and Cataloguing of the Cultural Heritage of the Church,
29 1, 2 | the past in reference to cultural and ecclesial experience
30 1, 2 | assume the role of centres of cultural education. It also becomes
31 1, 2 | charge of the sector of cultural heritage within the Church.
32 1, 3 | Magisterium in favour of the cultural heritage of the Church since
33 1, 3 | Inventory and Cataloguing of the Cultural Heritage of the Church). ~
34 1, 3 | role of the Church in the cultural milieu was considerable,
35 1, 3 | unified educational and cultural plan. ~Between the 1500'
36 1, 4 | legislation in regards to cultural heritage). ~The instructions
37 1, 4 | perspective that considers the cultural goods also according to
38 1, 4 | considered museums as places of cultural and pastoral activity, in
39 1, 4 | Pontifical Commission for the Cultural Heritage of the Church,
40 2, 1,1 | the presentation of the cultural heritage of the Church must
41 2, 1,1 | foremost in the Christian cultural context. The art-historical
42 2, 1,1 | Pontifical Commission for the Cultural Heritage of the Church,
43 2, 1,1 | protects and enhances that cultural patrimony once "placed at
44 2, 1,1 | with those "outside", of cultural formation, of artistic enjoyment,
45 2, 1,1 | musical, theatrical or cultural works of religious inspiration
46 2, 1,1 | as well as for social and cultural ones. Initiatives of cultural
47 2, 1,1 | cultural ones. Initiatives of cultural promotion and dialogue should
48 2, 1,2 | place of ecclesial, social, cultural gathering. ~The ecclesiastical
49 2, 1,2 | highlight its historical, cultural, social, and religious make-up.
50 2, 1,2 | Pontifical Commission for the Cultural Heritage of the Church,
51 2, 1,2 | reality the memory of the cultural, charitable and educational
52 2, 1,2 | cannot simply represent a cultural and tourist activity because
53 2, 2,1 | a comparison with other cultural expressions characterizing
54 2, 2,1 | the preservation of the cultural patrimony must have a "catholic"
55 2, 2,2 | between the faithful and cultural patrimony by referring particularly
56 2, 2,2 | confirmed by the typology of cultural goods normally conserved
57 2, 2,2 | reference to one unique "cultural system" and help reconstruct
58 2, 2,2 | components "survive" in them as cultural, theological, liturgical,
59 2, 2,2 | historical becoming, of cultural changes, of changes in taste.
60 2, 2,2 | conditions, the change of cultural sensitivities, liturgical
61 2, 3,1 | underlining the importance of cultural anthropology. ~
62 2, 3,2 | historical, anthropological, cultural value but it should show,
63 2, 4 | sense what refers to the cultural heritage enters into part
64 2, 4 | Pontifical Commission for the Cultural Heritage of the Church,
65 2, 4 | Church, Circular Letter The Cultural Heritage of Religious Institutes,
66 2, 4 | orientation in regards to the cultural patrimony in general and
67 3, 1,5 | should be thought of as a cultural institution that interacts
68 3, 1,5 | for temporary exhibits or cultural events. Activities of this
69 3, 1,5 | within the context of the cultural initiatives promoted by
70 3, 1,6 | regarding the enhancement of cultural heritage and the interactive
71 3, 1,6 | people in the area of the cultural heritage of the Church. ~
72 3, 1,7 | 3.1.7. Spaces for cultural formation ~When the spaces
73 3, 1,7 | establish the space for cultural formation and updating of
74 3, 1,7 | operators in the area of cultural assets, including volunteers. ~~
75 3, 2,1 | the conservation of the cultural goods as such, as well as
76 3, 2,1 | and Sites], International Cultural Tourism Charter, 1998, articles
77 3, 2,1 | photographic record of every cultural asset in order to facilitate
78 3, 3 | channel of Church entities, cultural and didactic organizations,
79 3, 4 | assigned to the scientific, cultural, administrative organization
80 3, 5 | routine, in the context of the cultural heritage of each particular
81 3, 6 | and encouraged with other cultural institutions, and in particular
82 3, 6 | projects in common to promote cultural interest in the territory. ~
83 3, 6 | kind with other museum or cultural institutions, one should
84 4, 1 | benefit of the public, since cultural goods should serve the mission
85 4, 1 | and the sacred through the cultural heritage created by the
86 4, 1 | to a public of different cultural, social, religious backgrounds.
87 4, 1 | understanding of the different cultural needs. ~An intelligent organization
88 4, 1 | itineraries but also additional cultural activities with care. ~ ~
89 4, 2,1 | Christian art. ~Through the cultural inheritance passed on to
90 4, 2,3 | greenhouse", a living centre for cultural development that can spread
91 4, 2,3 | conservation and enhancement of the cultural heritage of the Church.
92 4, 2,3 | becomes then a centre of cultural animation for the entire
93 4, 3 | promote the recognition of cultural heritage present in the
94 4, 3 | continuous physical and cultural contact with the surrounding
95 4, 3 | of the Church through the cultural assets placed at the service
96 4, 3 | cathedral treasure and the cultural assets of the chapter in
97 4, 3 | structures and all the Church's cultural assets with the entire territory. ~
98 4, 3 | unity and consistency of the cultural assets of the particular
99 4, 3 | understood, one should place the cultural assets conserved and other
100 4, 3 | aimed at the production of cultural assets that are suitable
101 4, 3 | mission; that shows the cultural and spiritual importance
102 4, 3 | pastoral function of the cultural assets of the Church present
103 4, 3 | museum can constitute a cultural centre of great importance,
104 4, 3 | thus a living part of the cultural assets of the ecclesial
105 4, 3 | funding; conditions the cultural policies of the region;
106 4, 3 | valence because it offers a cultural service of public utility
107 4, 3 | has relations with other cultural assets. ~The decentralized
108 4, 3 | dialogue between the various cultural forces present within the
109 4, 3 | favour the protection of cultural assets in their original
110 5, 1,1 | can assume a significant cultural role if it develops an activity
111 5, 1,1 | specific nature of the Church's cultural assets. This should be done
112 5, 1,1 | Pontifical Commission for the Cultural Heritage of the Church],
113 5, 1,1 | priesthood regarding the cultural heritage of the Church,
114 5, 1,1 | 1992} p. 714-731] n. 1). A cultural operation of this sort requires
115 5, 1,1 | current interest for her cultural heritage while considering
116 5, 1,1 | centuries in various social and cultural contexts; to recall those
117 5, 1,1 | permanent formation that the cultural heritage of the Church is
118 5, 1,1 | rich and poor, different cultural and ethnical backgrounds,
119 5, 1,2 | conservation and presentation of cultural assets; to combat the lack
120 5, 1,2 | lack of interest towards cultural assets. While today, interest
121 5, 1,2 | clients devoted to promoting cultural assets. The Church in the
122 5, 1,2 | patrons in order that the cultural assets may increase through
123 5, 1,3 | them to participate in the cultural plans promoted by the Church; ~-
124 5, 1,3 | initiatives within the range of cultural assets existing in the different
125 5, 1,3 | visitors' approach to the cultural assets of the Church; ~-
126 5, 1,4 | charitable movements and cultural institutions. In this regard
127 5, 1,5 | conservation, promotion of cultural assets. ~Even in this regard
128 5, 1,5 | territorial offices for cultural heritage are invited to
129 5, 1,6 | civil authorities and other cultural entities in order to coordinate
130 5, 2,1 | appreciate the value of the cultural assets of the Church as
131 5, 2,1 | a basis for the work of cultural promotion and evangelization.
132 5, 2,1 | priests for the care of the cultural heritage of the Church [
133 5, 2,1 | Pontifical Commission for the Cultural Heritage of the Church,
134 5, 2,1 | priesthood for the care of the cultural heritage, citation]. Since
135 5, 2,1 | Pontifical Commission for the Cultural Heritage of the Church,
136 5, 2,1 | Catholic Universities on the cultural heritage of the Church.
137 5, 2,1 | Pontifical Commission for the Cultural Heritage of the Church,
138 5, 2,1 | Pontifical Commission for the Cultural Heritage of the Church,
139 5, 2,1 | activities promoted for the cultural heritage of the Church,
140 5, 2,1 | Pontifical Commission for the Cultural Heritage of the Church to
141 5, 2,1 | Regarding the Pastoral Value of Cultural Ecclesiastical Goods [see
142 5, 2,1 | Pontifical Commission for the Cultural Heritage of the Church,
143 5, 2,1 | Priesthood regarding the Cultural Heritage, see citation n.
144 5, 2,1 | experts in the areas of the cultural heritage of the Church in
145 5, 2,1 | Advanced Studies Program in the Cultural Heritage of the Church".
146 5, 2,1 | assures the protection of our cultural heritage and favours the
147 5, 2,1 | order to come up with a cultural project that is able to
148 5, 2,1 | within the entire network of cultural assets present in the territory,
149 5, 2,1 | and of safeguarding the cultural heritage in their territory. ~
150 5, 2,2 | its catechetical, cultual, cultural, charitable aspects so that
151 5, 2,2 | all, besides a place of cultural education through its architecture,
152 5, 2,2 | interest of the Church in cultural assets. ~- Teachers and
153 5, 2,2 | consolidate the tie between cultural assets and the pastoral
154 5, 2,2 | collaboration in the field of the cultural heritage of the Church.
155 5, 2,2 | aimed at the protection of cultural assets, schools of every
156 5, 2,2 | of every kind and degree, cultural and tourist centres). ~
157 5, 2,3 | be applied to the area of cultural assets in order to prepare
158 5, 2,3 | offered for these persons in cultural heritage and for tour guides
159 5, 2,4 | must be trained to use the cultural heritage of the Church properly
160 5, 2,4 | technology, special congresses, cultural policies of the territory,
161 5, 2,4 | that may bring to light the cultural richness of a determined
162 5, 2,4 | not only reflect a purely cultural value but may be planned
163 5, 2,4 | religious-pastoral value of the cultural heritage of the Church. ~
164 5, 2,4 | intimate link between the cultural assets in use and those
165 5, 2,4 | nourish religious, social, cultural interests; ~- make the entire
166 5, 2,4 | involving the promotion of the cultural heritage of the Church. ~
167 5, 2,4 | particular interest in the cultural heritage of the Church can
168 6 | Conclusion ~The cultural heritage of the Church is
169 6 | Christian evangelization and cultural promotion. ~There are conclusions
170 6 | strategies used for promoting the cultural patrimony of the Church: ~-
171 6 | plan on the subject of the cultural heritage of particular churches; ~-
172 6 | plan common policies for cultural development; ~- the ecclesiastical
173 6 | possible, to present the cultural treasures where they are
174 6 | highlighting the historical, cultural, aesthetic, sentimental
175 6 | presenting the treasures there as cultural treasures; ~- one should
176 6 | focused on the good use of the cultural treasures of the Church.
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