Chapter, Paragraph, Part
1 Int | theatrical and cinematographic works produced by the mass media".
2 1, 1 | faith as portrayed by the works of different generations.
3 1, 1 | case, it is necessary that works kept in museums and deposits
4 1, 1 | be in direct contact with works still used by Church institutions. ~
5 1, 2 | conserve in order to present works of art and objects of a
6 1, 2 | contextual approach to the works appreciating their original
7 1, 2 | the consideration of the works of the past in reference
8 1, 2 | preservation and eventual use of works of the past in a pastoral
9 1, 3 | through the patronage of works of art destined primarily
10 1, 3 | collections of classical works that were gathered as a
11 1, 3 | protecting and putting on display works of art and objects of worship (
12 1, 4 | conservation of antiquities and works of art, confirmed the orders
13 1, 4 | dispersion of classical works. The legislation contains
14 1, 4 | Monuments, and beautiful works of Antiquity ... be conserved
15 1, 4 | where the conservation of works otherwise destined for dispersion
16 1, 4 | the conservation of those "works of art and treasures" no
17 2, 1,1 | theatrical or cultural works of religious inspiration
18 2, 1,2 | Church through the service of works of art for catechesis, worship,
19 2, 1,2 | tourist activity because many works on display express the faith
20 2, 1,2 | faith of the community. Such works should be interpreted, understood,
21 2, 2,1 | as it gathers all those works that, due to the difficulty
22 2, 2,2 | beauty incarnate in sensible works and to recognize the traces
23 2, 2,2 | faithful and charitable works are not simply "dead things"
24 2, 2,2 | generations through visible works. It leads to the perception
25 2, 2,2 | ways in ancient and modern works so as to lead the soul,
26 2, 2,2 | remains or even insignificant works, past epochs, while showing,
27 2, 3,2 | categories as follows: ~- works of art (paintings, sculptures,
28 2, 3,2 | decorations, engravings, prints, works in wood or of other material
29 2, 3,2 | bequests, etc.); ~- diaries on works, documentation on collections
30 2, 3,2 | Confraternities and Pious Works. ~Besides this, the ecclesiastical
31 2, 3,2 | spirit" of the individual works that it preserves and exhibits. ~
32 2, 4 | individual districts all the works of the apostolate are coordinated
33 2, 4 | and assist in the various works of the apostolate in accord
34 2, 4 | In fact, "whenever such works be considered no longer
35 2, 4 | Criteria for the acquisition of works; 2. ~Inventorying the works;
36 2, 4 | works; 2. ~Inventorying the works; 3. Exhibition of the works;
37 2, 4 | works; 3. Exhibition of the works; 4. Rule for photocoying;
38 2, 4 | criteria for the acquisition of works; 2. inventorying the works;
39 2, 4 | works; 2. inventorying the works; 3. exhibition of the works;
40 2, 4 | works; 3. exhibition of the works; 4. rule for photocoying;
41 2, 4 | 678 3 - "In organizing the works of the apostolate of religious,
42 2, 4 | Canonici [1983], can. 681 1 - "Works which are entrusted to religious
43 3, 1,1 | simple environment. The works cannot be taken out of an
44 3, 1,1 | the proper value of the works displayed. ~The ecclesiastical
45 3, 1,3 | pause and contemplate the works exhibited, especially in
46 3, 1,4 | knowledge of the individual works indicating the liturgical
47 3, 1,5 | territory; they can make use of works in deposits following a
48 3, 1,9 | pertaining to the individual works contained in the museum.
49 3, 1,13| are storage spaces for the works not displayed. However,
50 3, 1,13| room. Rather, it contains works otherwise important and
51 3, 1,13| and conservation. ~If such works cannot be used within the
52 3, 1,13| regard, the "rotation of works" should be kept in mind
53 3, 1,13| acquisitions needs to be kept. ~Works placed in a deposit should
54 3, 1,13| would be advisable that such works be made available to scholars
55 3, 1,13| institutionally responsible. ~Some works are placed in deposits because
56 3, 2,1 | regards the protection of works, one should apply preventive,
57 3, 2,2 | premises, but also to the works placed on display in the
58 3, 2,2 | during the rotation of the works in the museum and also outside
59 3, 2,2 | staff on duty to prevent works and structures being damaged.
60 3, 2,2 | accidents. When loaning works, special attention need
61 3, 5 | regarding the copyright of works in keeping with ecclesiastical
62 3, 5 | guidelines on the transfer of works: unprotected, out-of-date,
63 4, 1 | proclaim the faith. Even works collected in museums are
64 4, 2,1 | to the public inspiring works for the re-evangelization
65 4, 2,1 | faith, to divine worship, to works of charity and to a culture
66 4, 2,1 | Such realities expressed by works gathered in museums point
67 4, 2,1 | above all, that unfolds in works of spiritual and material
68 4, 2,3 | itineraries, where appropriate works are placed side by side
69 4, 3 | place; the contents of the works themselves are inspired
70 4, 3 | other Church places; the works contained in all the monumental
71 4, 3 | to welcome contemporary works so as to demonstrate the
72 4, 3 | museum-treasury, structures and works that function to meet the
73 4, 3 | deposit or gathering of works detached from their context
74 4, 3 | to the protection of the works in both the places of provenance
75 4, 3 | others and more important works, would become unimportant
76 4, 3 | of the provenance of the works as well as the territory;
77 5, 1,1 | towards the presentation of works of the past and the promotion
78 5, 2,2 | introduce him to appretiate the works exhibited through special
79 5, 2,2 | may be able to match the works on exhibit in the museum
80 5, 2,4 | in disuse, to connect the works by stressing their historical
81 5, 2,4 | life of the Churches whose works are preserved there. ~-
82 5, 2,4 | students not only in the works on display in ecclesiastical
83 6 | the present how historical works of art are to serve the
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