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 1 Int      |             important art-historical patrimony that is no longer in regular
 2 Int      |    integration of the art-historical patrimony of the Church in the pastoral
 3 Int      |      tradition, an abundant cultural patrimony has accumulated that has
 4 Int      |              into the art historical patrimony of the national culture. ~
 5 Int      |            use of the art-historical patrimony. ~Museums are structures
 6 Int      |              to present the cultural patrimony "placed at the service of
 7 Int      |            include "first of all the patrimony of painting, sculpture,
 8 Int      |              use ~The art-historical patrimony not in regular use in a
 9 Int      |       creation of the art-historical patrimony in order to present it as
10 Int      |           usefulness of its artistic patrimony. This involves its developing
11 Int      |           present the art-historical patrimony produced by the waves of
12 1        |   Conservation of the Art-Historical Patrimony of the Church ~
13 1,   1   |     Importance of the Art-Historical Patrimony ~The cultural treasures
14 1,   1   |          Church make up the specific patrimony of the Christian community.
15 1,   1   |              handing down of her own patrimony of cultural goods. They
16 1,   1   |             ibid.). ~In the cultural patrimony of the Church, we find the
17 1,   1   |           the immense art-historical patrimony disseminated around the
18 1,   1   |           present the art-historical patrimony in all its richness. Even
19 1,   2   |        Safekeeping of Art-Historical Patrimony ~One can interpret the conservation
20 1,   2   |              the conservation of the patrimony of cultural memory in cultures
21 1,   2   |        tradition, the art-historical patrimony that has been enriched throughout
22 1,   2   |         cares for the art-historical patrimony of the Church. In fact,
23 1,   2   |   conservation of the art-historical patrimony in an ecclesial sense. Such
24 1,   2   |              historical and artistic patrimony of a determined territory,
25 1,   3   |       Conservation of Art-Historical Patrimony ~We are all aware of the
26 1,   3   |              historical and artistic patrimony. This is shown by the regulations
27 1,   4   |              artistic and historical patrimony (Codex Iuris Canonici [1983] {
28 1,   4   |              artistic and historical patrimony may be well carried out
29 2,   1,1 |          context. The art-historical patrimony of the Church was not made
30 2,   1,1 |           and enhances that cultural patrimony once "placed at the service
31 2,   1,1 |            its entire art-historical patrimony, its continuity and development
32 2,   1,2 |           that gathers primarily the patrimony that risks dispersion, one
33 2,   1,2 |          entire local art-historical patrimony should refer to it in order
34 2,   2,1 |         preservation of the cultural patrimony must have a "catholic" dimension;
35 2,   2,2 |            the faithful and cultural patrimony by referring particularly
36 2,   3,1 |             can refer to the kind of patrimony stored in the museum itself. ~
37 2,   3,1 |   Preservation of the Art-Historical Patrimony), we have already referred
38 2,   3,1 |             of the diocesan artistic patrimony. Similar to these "diocesan
39 2,   3,2 |           which often constitute the patrimony of ecclesiastical museums,
40 2,   3,2 |              artistic and historical patrimony, etc.; ~- other materials
41 2,   3,2 |            way to the art-historical patrimony (rules, statutes, registers,
42 2,   4   |        promoting what belongs to the patrimony of the Church (CIC, can.
43 2,   4   |            Office for Sacred Art and Patrimony. Reflecting the spirit of
44 2,   4   |              artistic and historical patrimony. In fact, "whenever such
45 2,   4   |             their own right, for the patrimony belonging to their respective
46 2,   4   |           the Circular Letter on the Patrimony of Religious Institutes
47 2,   4   |              regards to the cultural patrimony in general and ecclesiastical
48 3,   1,8 |       material on the art-historical patrimony of the entity owner or promoter
49 3,   1,9 |      knowledge of the art-historical patrimony. ~The discipline that should
50 4,   2,1 |         indissoluble tie between the patrimony exhibited and the reality
51 4,   2,1 |           part of its art-historical patrimony, leads naturally to a knowledge
52 4,   2,2 | correspondence in the art-historical patrimony of the Church. The re-discovery
53 4,   3   |            the entire art-historical patrimony of the diocese. With the
54 4,   3   |      catalogue of the art-historical patrimony of the area (at least for
55 4,   3   |              must represent a living patrimony that has in its complex
56 4,   3   |        ecclesiastical art-historical patrimony. In this perspective the
57 5,   1,1 |           care of the art-historical patrimony of the Church. ~With the
58 5,   1,2 |       interest in the art-historical patrimony on a social level has been
59 5,   1,2 |         attachment to art-historical patrimony within the ecclesiastical
60 5,   1,2 |     uncertain the protection of this patrimony. ~In particular, inadequate
61 5,   1,3 |            use of the art-historical patrimony according to an ecclesial
62 5,   1,6 |   presentation of the art-historical patrimony of the Church. In addition,
63 5,   2,1 |   Preservation of the Art-historical Patrimony of the Church - currently
64 5,   2,1 |   Preservation of the Art-historical Patrimony of the Church - currently
65 5,   2,1 |   Preservation of the Art-Historical Patrimony of the Church - currently
66 5,   2,1 |              Church for the artistic patrimony "as an integral part of
67 5,   2,2 |             place the art-historical patrimony of the Church in its proper
68 5,   2,2 |             the availability of this patrimony may not just reduce itself
69 5,   2,2 |   presentation of the art-historical patrimony of the Church. In this regard
70 5,   2,3 |           through the art-historical patrimony of the Church; relations
71 5,   2,4 |       museums with the entire Church patrimony; ~- launch research activity
72 5,   2,4 |           them to the art-historical patrimony of the Church. ~
73 5,   3   |            manage the art-historical patrimony of the particular church. ~-
74 6        |          heritage of the Church is a patrimony to be conserved materially,
75 6        |   presentation of the art-historical patrimony, combine the value of memory
76 6        |          means of the art-historical patrimony, they present the working
77 6        |           churches. ~Presenting this patrimony in an attractive way can
78 6        |           for promoting the cultural patrimony of the Church:  ~- it could
79 6        |        ecclesiastical art-historical patrimony; ~- it is also indispensable
80 6        |       interest in the art-historical patrimony of the Church by means of
81 6        |          value of the art-historical patrimony of the Church; ~- one should
82 6        |              in regards to religious patrimony in order to draw from artworks