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Chapter, Paragraph, Part grey = Comment text
1 Int | inventory and cataloguing the art-historical heritage of the Church (
2 Int | pastoral life of the important art-historical patrimony that is no longer
3 Int | for the integration of the art-historical patrimony of the Church
4 Int | Church by making use of the art-historical patrimony. ~Museums are
5 Int | is no longer in use ~The art-historical patrimony not in regular
6 Int | original creation of the art-historical patrimony in order to present
7 Int | in order to present the art-historical patrimony produced by the
8 1 | The Conservation of the Art-Historical Patrimony of the Church ~
9 1, 1 | 1. The Importance of the Art-Historical Patrimony ~The cultural
10 1, 1 | Church, we find the immense art-historical patrimony disseminated around
11 1, 1 | appreciate and present the art-historical patrimony in all its richness.
12 1, 2 | towards the Safekeeping of Art-Historical Patrimony ~One can interpret
13 1, 2 | obsolete but rich in their art-historical importance or simply for
14 1, 2 | Christian tradition, the art-historical patrimony that has been
15 1, 2 | contextual importance of art-historical goods by means of fitting
16 1, 2 | building that cares for the art-historical patrimony of the Church.
17 1, 2 | and conservation of the art-historical patrimony in an ecclesial
18 1, 3 | regarding the Conservation of Art-Historical Patrimony ~We are all aware
19 2, 1,1 | Christian cultural context. The art-historical patrimony of the Church
20 2, 1,1 | their survival due to their art-historical value. The actual conservation
21 2, 1,1 | now significant from an art-historical point of view (John Paul
22 2, 1,1 | inseparability of its entire art-historical patrimony, its continuity
23 2, 1,2 | promotion of the entire local art-historical patrimony should refer to
24 2, 3,1 | the Preservation of the Art-Historical Patrimony), we have already
25 2, 3,2 | preserved and used as the art-historical documentation of the Church'
26 2, 3,2 | connected in some way to the art-historical patrimony (rules, statutes,
27 3, 1,1 | humanistic level (theological and art-historical disciplines). ~The plan
28 3, 1,8 | printed material on the art-historical patrimony of the entity
29 3, 1,9 | contextual knowledge of the art-historical patrimony. ~The discipline
30 3, 1,14| professional restorers to check the art-historical materials contained in the
31 4, 2,1 | territory and as part of its art-historical patrimony, leads naturally
32 4, 2,2 | that have left an abundant art-historical repertory. ~Other exhibits
33 4, 2,2 | finds correspondence in the art-historical patrimony of the Church.
34 4, 3 | museum gathers and assembles art-historical treasures by making visible
35 4, 3 | inventory of the entire art-historical patrimony of the diocese.
36 4, 3 | and the catalogue of the art-historical patrimony of the area (at
37 4, 3 | because founded on the art-historical deposit that qualifies and
38 4, 3 | the entire ecclesiastical art-historical patrimony. In this perspective
39 4, 3 | contemporary exhibitions, art-historical studies, restoration campaigns;
40 5, 1,1 | Pontifical Commission for the Art-historical Heritage of the Church [
41 5, 1,1 | dedicated to the care of the art-historical patrimony of the Church. ~
42 5, 1,2 | While today, interest in the art-historical patrimony on a social level
43 5, 1,2 | and lack of attachment to art-historical patrimony within the ecclesiastical
44 5, 1,3 | encourage the use of the art-historical patrimony according to an
45 5, 1,6 | the presentation of the art-historical patrimony of the Church.
46 5, 2,1 | the Preservation of the Art-historical Patrimony of the Church -
47 5, 2,1 | the Preservation of the Art-historical Patrimony of the Church -
48 5, 2,1 | the Preservation of the Art-Historical Patrimony of the Church -
49 5, 2,1 | able to enhance the entire art-historical heritage according to ecclesiastical
50 5, 2,2 | should be able to place the art-historical patrimony of the Church
51 5, 2,2 | may know how to use the art-historical heritage they have at hand
52 5, 2,2 | intelligent presentation of the art-historical patrimony of the Church.
53 5, 2,3 | pastoral animation through the art-historical patrimony of the Church;
54 5, 2,4 | visitors, not only about the art-historical, but also the religious-pastoral
55 5, 2,4 | contact with their assets of art-historical interest in order to show
56 5, 2,4 | community understand that the art-historical assets of the Church are
57 5, 2,4 | to interest them to the art-historical patrimony of the Church. ~
58 5, 3 | decent way to manage the art-historical patrimony of the particular
59 6 | the presentation of the art-historical patrimony, combine the value
60 6 | Tradition. By means of the art-historical patrimony, they present
61 6 | value of the ecclesiastical art-historical patrimony; ~- it is also
62 6 | should create interest in the art-historical patrimony of the Church
63 6 | and religious value of the art-historical patrimony of the Church; ~-
64 6 | desire to safeguard the art-historical treasures that he finds
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