1009-dispu | disse-out-o | outer-yours
bold = Main text
Chapter, Paragraph, Part grey = Comment text
1 2, 4 | statutes", see CCEO, can. 1009 2) in the respective Dioceses
2 1, 4 | profane use]; can. 887 1, 888, 1018, 1019, 1036 and 1449 [alienation];
3 1, 4 | can. 887 1, 888, 1018, 1019, 1036 and 1449 [alienation];
4 1, 4 | 1988} p. 885-886] Art. 102). ~ ~
5 1, 4 | 887 2 [restoration]; can. 1025 and 1026 [inventory]). ~
6 1, 4 | restoration]; can. 1025 and 1026 [inventory]). ~That the
7 1, 4 | 887 1, 888, 1018, 1019, 1036 and 1449 [alienation]; can.
8 5, 1,2 | 1, Vatican City 1981, p. 1052-1056]; ibid., Letter to
9 5, 1,2 | Vatican City 1981, p. 1052-1056]; ibid., Letter to Artists,
10 1, 4 | 1571-1860, Bologna 1978, p. 110-125]). In fact, one can
11 2, 2,2 | Vatican City 1965, pp. 1101-1104]). ~"The Church, teacher
12 2, 2,2 | Vatican City 1965, pp. 1101-1104]). ~"The Church, teacher
13 Int | 2, 1997, Prot. N. 274/92/118 [pamphlet, Vatican City
14 1, 4 | acquisitions and alienations]; can. 1189 [restoration of images];
15 5, 1,1 | October 15, 1992, Prot. N. 121/90/18 [Notitiae 28 {1992}
16 1, 4 | restoration of images]; can. 1220 2 and 1234 2 [security and
17 1, 4 | and precious assets]; can. 1222 [reduction to profane use
18 1, 4 | images]; can. 1220 2 and 1234 2 [security and exhibit
19 1, 4 | 1860, Bologna 1978, p. 110-125]). In fact, one can show
20 2, 4 | of the Church (CIC, can. 1257 1 - "All temporal goods
21 1, 4 | 1983] {CIC}, can. 638 3, 1269, 1270, 1292, 1377 [donations,
22 1, 4 | CIC}, can. 638 3, 1269, 1270, 1292, 1377 [donations,
23 1, 4 | worship]; can. 1283 and 1284 [duties of the administrators;
24 1, 4 | can. 638 3, 1269, 1270, 1292, 1377 [donations, acquisitions
25 1, 4 | provvedimenti, ibid, pp. 130-145], that, with his regulations
26 1, 4 | 638 3, 1269, 1270, 1292, 1377 [donations, acquisitions
27 Int | December 8, 1999, Prot. N. 140/97/162 [pamphlet, Vatican
28 1, 4 | 888, 1018, 1019, 1036 and 1449 [alienation]; can. 887 2 [
29 1, 4 | provvedimenti, ibid, pp. 130-145], that, with his regulations
30 1, 3 | will of Pope Sixtus IV in 1471 remains fundamental in the
31 1, 3 | documented already from the 14th century onwards and was
32 1, 3 | cultural plan. ~Between the 1500's and 1600's new types of
33 Int | Enchiridion Vaticanum 2/1554-1614]). Thus, "faith tends
34 1, 4 | antichi stati italiani, 1571-1860, Bologna 1978, p. 110-
35 1, 3 | Between the 1500's and 1600's new types of museums gradually
36 1, 3 | the Ambrosian Library in 1609 and in 1618 the Academy
37 Int | Enchiridion Vaticanum 2/1554-1614]). Thus, "faith tends by
38 1, 3 | Ambrosian Library in 1609 and in 1618 the Academy of painting,
39 Int | 8, 1999, Prot. N. 140/97/162 [pamphlet, Vatican City,
40 1, 3 | sculpture, and architecture. In 1625 he published a catalogue
41 1, 2 | April 15, 1923, Prot. N. 16605 [M. Vismara Missiroli, Codice
42 2, 2,2 | Vatican Basilica, November 17, 1965, [Insegnamenti di
43 1, 3 | universally by the end of the 1700's and would lead to the
44 2, 2,2 | Ecclesiae 5-6 {1962-1963} pp. 173-175]). ~This primary pastoral
45 2, 2,2 | 5-6 {1962-1963} pp. 173-175]). ~This primary pastoral
46 2, 4 | stable basis", see CCEO, can. 178), and thus also that which
47 Int | March 19, 1994, Prot. N. 179/91/35 [Enchiridion Vaticanum
48 1, 4 | and excavations, April 7, 1820 [A. Emiliani, Leggi, bandi
49 1, 4 | antichi stati italiani, 1571-1860, Bologna 1978, p. 110-125]).
50 1, 2 | Canonica, Milano 1993, p. 188-196]. Ibid., Circular Letter
51 Int | Mission of the Church, March 19, 1994, Prot. N. 179/91/35 [
52 1, 3 | and the beginning of the 1900's diocesan museums began
53 1, 4 | the Code of Canon Law of 1917 nor the Code of 1983, and
54 2, 2,2 | Archiva Ecclesiae 5-6 {1962-1963} pp. 173-175]). ~This
55 1, 4 | Chiesa in Italia, Brescia 1974, p. 225-229]; ibid., Schema
56 1, 4 | italiani, 1571-1860, Bologna 1978, p. 110-125]). In fact,
57 1, 2 | N. 34215 [ibid., p. 196-198]). ~In order to fulfill
58 Int | Slavorum Apostoli, June 2, 1985, n. 21 [Enchiridion Vaticanum
59 5, 2,1 | University in Rome since 1991 has launched an "Advanced
60 3, 2,1 | Cultural Tourism Charter, 1998, articles 2.4, 6.1, 3.1,
61 3, 1,3 | Preventive Conservation, Dublin 2000]). The structure of the
62 6 | Vatican City, 15 August 2001, ~Francesco Marchisano~President ~~
63 2, 4 | and time", see CCEO, can. 203 1-2). The establishment
64 1, 4 | issued by the Holy See in the 20th century on the subject of
65 5, 2,1 | Heritage, see citation n. 22. The document speaks of
66 1, 4 | Italia, Brescia 1974, p. 225-229]; ibid., Schema di verbale
67 1, 4 | ecclesiastici [ibid., p. 232-235]). ~The Circular Letter
68 5, 2,1 | September 10, 1994, Prot. N. 239/89/18]. The Congregation
69 2, 2,2 | Church Archivists, September 26, 1963 [Archiva Ecclesiae
70 1, 4 | 1939 [AAS 31 {1939} p. 266-268]) where the conservation
71 1, 4 | 1939 [AAS 31 {1939} p. 266-268]) where the conservation
72 Int | February 2, 1997, Prot. N. 274/92/118 [pamphlet, Vatican
73 2, 4 | April 10, 1994, Prot. N. 275/92/12 [Enchiridion Vaticanum
74 1, 4 | Orientalium [1990] {CCEO}, can. 278 [protection]; can. 873 [
75 4, 2,1 | as one of them" (Mt 6,28-29). ~The ecclesiastical museum
76 1, 2 | 1971; AAS 63 [1971] p. 315-317; Codex Iuris Canonici [
77 1, 2 | 1971; AAS 63 [1971] p. 315-317; Codex Iuris Canonici [1983]
78 1, 2 | September 1, 1924, Prot. N. 34215 [ibid., p. 196-198]). ~In
79 Int | 19, 1994, Prot. N. 179/91/35 [Enchiridion Vaticanum 14/
80 2, 4 | diocesan Bishop (CIC, can. 381 1 - "A diocesan Bishop in
81 5, 2,1 | Goods [see Seminarium N.S. 39/2-3 {1999}]. A copy of this
82 2, 4 | Ordinary. See CIC, can. 394 1 - "The Bishop is to foster
83 2, 4 | matters". See CCEO, can. 415 3). ~ ~
84 2, 4 | each other", see CCEO, can. 416). If then the museum structure
85 2, 4 | superiors", see CCEO, can. 418) and societies of apostolic
86 Int | Church, October 12, 1995, n. 43 [L'Osservatore Romano, October
87 3, 2,1 | Dokument approved at the 44th Annual Assembly of the Arbeitsgemeinschaft
88 2, 4 | society", see CCEO, can. 557) are those responsible,
89 Int | spes, December 7, 1965, n. 58. ~Such a Conciliar magisterium,
90 Int | Enchiridion Vaticanum 14/610-649]; ibid, Circular Letter
91 2, 4 | with due regard for cann. 617-633, according to the nature
92 2, 4 | institutes (see CIC, can. 620 - "Major superiors are those
93 1, 2 | Episcopalium, April 11, 1971; AAS 63 [1971] p. 315-317; Codex
94 2, 4 | due regard for cann. 617-633, according to the nature
95 1, 4 | Canonici [1983] {CIC}, can. 638 3, 1269, 1270, 1292, 1377 [
96 Int | Enchiridion Vaticanum 14/610-649]; ibid, Circular Letter
97 1, 3 | both dating back to the 6th century. Among the most
98 5, 1,1 | 18 [Notitiae 28 {1992} p. 714-731] n. 1). A cultural operation
99 5, 1,1 | Notitiae 28 {1992} p. 714-731] n. 1). A cultural operation
100 2, 4 | life (see CIC [1983], can. 734 - "The governance of a society
101 4, 1 | III, previous citation, p. 742-747]). ~The public can be
102 4, 1 | previous citation, p. 742-747]). ~The public can be divided
103 1, 4 | Bonus, June 28, 1988 [AAS 80 {1988} p. 885-886] Art.
104 1, 4 | 278 [protection]; can. 873 [reduction to profane use];
105 1, 4 | 1988 [AAS 80 {1988} p. 885-886] Art. 102). ~ ~
106 1, 4 | 1988 [AAS 80 {1988} p. 885-886] Art. 102). ~ ~
107 1, 4 | profane use]; can. 887 1, 888, 1018, 1019, 1036 and 1449 [
108 5, 2,1 | September 10, 1994, Prot. N. 239/89/18]. The Congregation for
109 3, 1,9 | 3.1.9. Historical archives and
110 5, 1,1 | October 15, 1992, Prot. N. 121/90/18 [Notitiae 28 {1992} p.
111 Int | March 19, 1994, Prot. N. 179/91/35 [Enchiridion Vaticanum
112 2, 4 | Enchiridion Vaticanum 14/918-947]), it would be advisable
113 2, 4 | Enchiridion Vaticanum 14/918-947]), it would be advisable
114 5, 2,1 | February 3, 1995, Prot.N. 15/95/2]. Similarly attention
115 Int | December 8, 1999, Prot. N. 140/97/162 [pamphlet, Vatican City,
116 1, 3 | Cathedral of Cologne, those in Aachen and Regensburg; in Spain,
117 2, 4 | prelature, a territorial abbacy, an apostolic vicarate,
118 1, 3 | can recall those of the Abbey of Saint Denis in France
119 2, 4 | Comparable to these are the abbot primate and superior of
120 4, 3 | functions. First of all, it abides by a traditional one of "
121 3, 4 | choose guards answering the above-mentioned criteria; ~- employ well-trained
122 Int | cannot be set apart in an "absolute" sense from other pastoral
123 5, 2,3 | ecclesiastical studies (universities, academies, pontifical faculties; higher
124 1, 3 | in 1609 and in 1618 the Academy of painting, sculpture,
125 2, 3,1 | property as a result of accidental circumstances, have different
126 3, 2,2 | prudent in order to avoid accidents. When loaning works, special
127 5, 1,2 | social level has been widely acclaimed, we sometimes notice a certain
128 1, 3 | of these treasuries were accompanied by inventories and catalogues
129 3, 4 | employ well-trained guides to accompany the various categories of
130 5, 2,1 | the Catholic Universities accompanying the mailing of the Final
131 2, 4 | charge of the museum. ~In accordance with the indications outlined
132 5, 2,2 | orientation, procedures and accreditations. ~The adequate training
133 3, 1,2 | information, it should not accumulate this material. The architecture
134 Int | abundant cultural patrimony has accumulated that has great value and
135 Int | can help people to become acquainted with the past and discover
136 1, 2 | recently, and at times, acquired an entirely aesthetic value
137 Int | Church museum, with all the actitivites that go with it, has a close
138 2, 1,1 | art-historical value. The actual conservation and safeguarding
139 | actually
140 4, 1 | exhibition itineraries but also additional cultural activities with
141 1, 4 | and 1284 [duties of the administrators; inventory]); (Codex Canonum
142 1, 3 | put on display for public admiration in appropriate places and
143 3, 1,2 | by what he/she intends to admire. An inspiring, almost sacred,
144 Int | work of museum ~When we admit that museum structures are
145 5, 1,3 | ecclesiastical museum can adopt its own and permanent role
146 Int | these treasures for the advantage of the community in a given
147 1, 4 | compensated by the immense advantages that are drawn by the State
148 2, 2,2 | materials, natural disasters and adverse or unfortunate historical
149 | afterwards
150 5, 1,4 | iconography and iconology; aghiography and spirituality; history
151 3, 6 | loans, establish management agreements. ~ ~
152 3, 1,10| message by using various aids (books, catalogues, videos,
153 5, 2,1 | importance. Those who are aiming at the priesthood and the
154 1, 4 | ibid., Norme relative al prestito di opere d'arte
155 1, 2 | curiosities", as Paolo Giovio and Alberto Lollio intended back in
156 1, 2 | founded by Tolomeus Sotere of Alexandria of Egypt; but it is always
157 1, 4 | donations, acquisitions and alienations]; can. 1189 [restoration
158 4, 2,3 | entire community. It becomes alive through the awareness raising
159 4, 2,3 | the other hand, the time allotted for a visit often does not
160 | almost
161 | alone
162 | along
163 3, 1,7 | any case by making use of alternative solutions, it would be advisable
164 | am
165 1, 3 | Mark in Venice, and Saint Ambrose in Milan; in France those
166 1, 3 | reason he put beside it the Ambrosian Library in 1609 and in 1618
167 3, 1,6 | Art Museum Directors, the American Association of Museums,
168 1, 4 | Bishops of Italy but, by analogy, it is possible to consider
169 2, 1,2 | Church serves the "salus animarum" (salvation of souls). ~
170 5, 2,2 | one another. ~- External animators. Besides employees inside
171 1, 3 | the so-called "treasuries" annexed to cathedrals or other important
172 6 | lives in a holy way, he announces that "God will be all in
173 | another
174 3, 4 | etc.; ~- choose guards answering the above-mentioned criteria; ~-
175 2, 3,2 | an artistic, historical, anthropological, cultural value but it should
176 2, 3,1 | the importance of cultural anthropology. ~
177 1, 4 | artistici e culturali negli antichi stati italiani, 1571-1860,
178 2, 3,1 | some containing noteworthy antique artefacts, others with material
179 Int | present time. It cannot be set apart in an "absolute" sense from
180 Int | Encyclical Letter Slavorum Apostoli, June 2, 1985, n. 21 [Enchiridion
181 4, 2,1 | should necessarily be made apparent. In fact, viewing artworks
182 Int | longer in regular use. ~Appeal of cultural treasures in
183 2, 1,1 | concrete and beneficial appearance to the historical memory
184 2, 4 | authority". 2. "Unless it appears otherwise from the nature
185 3, 4 | 3.4. Personnel ~- Appoint an able, dedicated curator; ~-
186 1, 2 | contextual approach to the works appreciating their original social, ecclesial,
187 5, 2,2 | order to introduce him to appretiate the works exhibited through
188 6 | these treasures and new approaches to them by the Church; ~-
189 3, 2,1 | 44th Annual Assembly of the Arbeitsgemeinschaft Kirchlicher Museen und Schatzkammern,
190 1, 3 | Cardinal Federigo Borromeo, Archbishop of Milan, conceived his
191 5, 2,1 | of Sacred Art, Christian archeology, archive science, library
192 3, 1,1 | developed by a competent architect on this subject, assisted
193 3, 1,1 | usually is a building of great architectural-historical value that alone can identify
194 2, 2,2 | Archivists, September 26, 1963 [Archiva Ecclesiae 5-6 {1962-1963}
195 2, 2,2 | Fifth Congress of Church Archivists, September 26, 1963 [Archiva
196 5, 3 | costly expenditures that may arise, in some museums forms of
197 1, 3 | patronage typical of the aristocracy of the time, one can easily
198 3, 1,13| a deposit should be well arranged and easily identifiable.
199 3, 2,2 | coverage) and extra care when arranging the exhibits. ~
200 1, 4 | relative al prestito di opere d'arte di proprietá di Enti ecclesiastici [
201 1, 4 | sulla produzione di belle arti, October 1, 1802, contained
202 3, 2,1 | Cultural Tourism Charter, 1998, articles 2.4, 6.1, 3.1, 5.4. To these
203 5, 2,4 | ancient and contemporary artifacts that can refer to the Diocesan
204 2, 1,1 | Christian history and its artistic-cultural expressions in adequate
205 1, 4 | provvedimenti per la tutela dei beni artistici e culturali negli antichi
206 1, 4 | del patrimonio storico e artistico della Chiesa in Italia,
207 3, 5 | ecclesiastical and civil norms, first ascertaining the aim of the request and
208 4, 3 | the museum gathers and assembles art-historical treasures
209 4, 3 | spread out museum. Such an assertion refers to polycentric structures
210 5, 2,1 | identifying certain students to assign to these disciplines in
211 3, 3 | good management besides assigning roles of responsibility;
212 3, 1,3 | historic itinerary and thus assimilate the themes proposed by the
213 2, 4 | that they participate and assist in the various works of
214 5, 2,1 | stimulating role as well as assistance towards their brothers in
215 5, 2,1 | Adequate training of the clergy assures the protection of our cultural
216 3, 2,2 | protection at each stage, assuring careful handling during
217 3, 1,2 | should project a welcoming atmosphere to the public, and provide
218 5, 1,2 | carelessness and lack of attachment to art-historical patrimony
219 6 | stand out. ~In order to attain these objectives: ~- one
220 2, 3,1 | not exist. If one wants to attempt a general summary, one can
221 5, 2,2 | certificate or diploma of attendance at an ecclesiastical course
222 5, 2,4 | organizing activities that attract the visits of tourists; ~-
223 3, 1,2 | curiosity. Since the visitor is attracted by visual signs, audiovisual
224 6 | Presenting this patrimony in an attractive way can be a new effective
225 2, 3,2 | exhibits. ~It should not attribute to them only an artistic,
226 6 | Christ, ~Vatican City, 15 August 2001, ~Francesco Marchisano~
227 3, 1,4 | include the title of the work, author, date, material, provenance, (
228 2, 1,2 | express the faith of the authors and recall the sense of
229 3, 6 | out by guaranteeing the autonomy of the individual entities
230 1, 4 | institutions, a series of auxiliary tools destined for Italian
231 3, 2,1 | architectural barriers should be avoided; all emergency exits along
232 3, 2,1 | from dust, solar exposure, bacteria; assured regular hygiene
233 4, 2,3 | tackled is that of how to balance the co-existence of the
234 3, 2,1 | individuals, architectural barriers should be avoided; all emergency
235 1, 4 | of Cardinal Carmerlengo Bartolomeo Pacca, regarding antiquities
236 | became
237 1, 3 | 1900's diocesan museums began to appear that were similar
238 | begin
239 5, 1,4 | stimulate training on a beginner's level, specialization,
240 | behind
241 1, 4 | monumenti e sulla produzione di belle arti, October 1, 1802, contained
242 | below
243 4, 3 | evoking the memory of the benefactors and the commissions, famous
244 2, 1,1 | to give a concrete and beneficial appearance to the historical
245 2, 3,2 | wills, juridical acts, bequests, etc.); ~- diaries on works,
246 6 | from all the history has bestowed on us" (See John Paul II,
247 3, 1,4 | hagiographical notes and brief bibliographical information. All of this
248 5, 2,3 | be listed and an adequate bibliography may be provided. ~The courses
249 2, 3,1 | post-Vatican Council period the birth of "diocesan museums" increased.
250 3, 1,8 | ecclesiastical institutions, local bodies, private citizens. ~
251 1, 4 | stati italiani, 1571-1860, Bologna 1978, p. 110-125]). In fact,
252 3, 2,1 | protection of all openings (bolted doors, screens at the windows
253 1, 4 | Apostolic Constitution Pastor Bonus, June 28, 1988 [AAS 80 {
254 3, 1,10| placed on sale in the bookshop or by simply distributing
255 1, 3 | example, Cardinal Federigo Borromeo, Archbishop of Milan, conceived
256 2, 4 | a duty to which they are bound; he is also to recommend
257 1, 4 | museums are inserted into a broader context that includes archives,
258 1, 3 | museology. It contained ancient bronze statues with the intention
259 5, 2,1 | assistance towards their brothers in Christ" (See Pontifical
260 4, 3 | precise natural contexts. The buildings have a definite impact on
261 1, 3 | Cathedral workshop) were built with the aim of protecting
262 1, 3 | or in specific closets or cabinets. Such collections had the
263 6 | visitors' routes, and by calling forth collaboration between
264 3, 2,2 | care and protection, this calls for specialized personnel.
265 4, 3 | since it gathers that which came from this territory in order
266 1, 4 | contained in the Edict of the Camerlengo of S.R.C. Cardinal Doria
267 1, 3 | context, the collection on the Campidoglio in Rome created by will
268 2, 4 | constituions, with due regard for cann. 617-633, according to the
269 1, 4 | However, neither the Code of Canon Law of 1917 nor the Code
270 1, 2 | religioso. I. Normativa Canonica, Milano 1993, p. 188-196].
271 1, 4 | administrators; inventory]); (Codex Canonum Ecclesiarum Orientalium [
272 1, 3 | national museums in the great capitals of Europe. ~During the post-Tridentine
273 1, 3 | lead to the opening of the Capitoline Museum and the Vatican Museums
274 3, 1,4 | context of museology. The captions identifying the objects
275 1, 3 | those promoted by popes and cardinals. In this context, the collection
276 2, 4 | apostolic action of the Church cared for and promoted by the
277 5, 3 | for future professional careers. ~- Cooperatives. In order
278 5, 1,2 | sometimes notice a certain carelessness and lack of attachment to
279 1, 2 | always the building that cares for the art-historical patrimony
280 6 | Francesco Marchisano~President ~~Carlo Chenis, S.D.B.~Secretary ~ ~
281 1, 4 | famous Edict of Cardinal Carmerlengo Bartolomeo Pacca, regarding
282 3, 1,3 | original artefacts or copies, cartography, printed matter and multimedia
283 5, 1,2 | carry out the function of catalyst for the inspiration of artists,
284 5, 2,2 | context in terms of its catechetical, cultual, cultural, charitable
285 4, 2,3 | the organization of catechism classes on the site. ~But
286 5, 3 | Retired persons. This category of people may take on an
287 4, 1 | memory, because "Ecclesiae catholicae nemo extraneus, nemo exclusus,
288 3, 1,1 | easy circulation without causing inconvenience to the public
289 3, 1,13| that, with the necessary caution, may be carried out both
290 3, 2,1 | screens at the windows or cellar openings, etc.). A good
291 4, 3 | reference to such a diocesan center in order to insert themselves
292 4, 3 | activity of enhancement that centers around the diocesan museum.
293 4, 3 | function to meet the various ceremonial and organizational needs.
294 1, 3 | occasion of the most solemn ceremonies. In addition, these objects
295 5, 2,2 | regard one could require a certificate or diploma of attendance
296 1, 1 | an essential link in the chain of Tradition; they are the
297 1, 3 | example, the one in the Holy Chamber of Oviedo (Spain); and in
298 3, 3 | through the communications channel of Church entities, cultural
299 2, 3,2 | traditions, customs, habits, characteristic of the Church community
300 3, 1,1 | that alone can identify and characterize the ecclesiastical museum. ~
301 2, 2,1 | other cultural expressions characterizing the territory, since the
302 3, 1,4 | languages and written with characters that are easily legible
303 3, 2,1 | International Cultural Tourism Charter, 1998, articles 2.4, 6.1,
304 3, 1,14| professional restorers to check the art-historical materials
305 6 | Marchisano~President ~~Carlo Chenis, S.D.B.~Secretary ~ ~
306 1, 4 | storico e artistico della Chiesa in Italia, Brescia 1974,
307 1, 4 | rare pieces...". (Pius VII, Chirografo sulla conservazione dei
308 3, 4 | economic management, etc.; ~- choose guards answering the above-mentioned
309 2, 3,2 | manuscripts and liturgical books, choral books, musical scores, etc: ~
310 4, 2,1 | environment of the civitas christiana. ~~
311 2, 1,2 | the mind of the Church the chronological memory brings about a new
312 3, 2,1 | Documentation Committee CIDOC Working Standard for Museum
313 Int | literary, theatrical and cinematographic works produced by the mass
314 4, 2,3 | communicative and formative circuit in order to make visitors
315 1, 3 | milieu was considerable, to cite one example, Cardinal Federigo
316 Int | produced by the waves of civilization that travelled through time,
317 4, 2,1 | of artefacts from extinct civilizations since much that the visitor
318 4, 2,1 | in the environment of the civitas christiana. ~~
319 4, 2,3 | organization of catechism classes on the site. ~But the best
320 3, 1,1 | seminaries, episcopal palaces, clerical environments, that in many
321 5, 1,1 | fact, has always been a client of the arts because she
322 1, 2 | events because often for climatic reasons the conservation
323 1, 3 | one in the Cathedral of Clonmacnoise. Many of these treasuries
324 1, 3 | sacristy or in specific closets or cabinets. Such collections
325 4, 2,3 | that of how to balance the co-existence of the two primary functions
326 3, 6 | the ecclesiastical museum, co-operation must be planned and encouraged
327 5, 1,3 | individual employees to be co-responsibile by inviting them to participate
328 5, 3 | important and useful to make co-responsible volunteer lay people trained
329 3, 1,6 | Association of Museums, the Coalition for Networked Information).
330 2, 4 | should be observed. (See Codes Iuris Canonici [1983], can.
331 1, 2 | 16605 [M. Vismara Missiroli, Codice dei Beni Culturali di interesse
332 4, 1 | complimentary dimension between the cognitive and the emotional aspects;
333 4, 2,3 | life; an unchanged, static, cold and silent place. Rather,
334 5, 2,4 | exhibition itineraries, other collateral initiatives, school programmes,
335 4, 1 | proclaim the faith. Even works collected in museums are aimed at
336 1, 3 | were located in seminaries, colleges and other institutions of
337 1, 3 | pertaining to: the Cathedral of Cologne, those in Aachen and Regensburg;
338 3, 1,4 | that does not damage the colours of the artefact or distort
339 6 | art-historical patrimony, combine the value of memory with
340 3, 1,1 | which explains why they were commissioned, and they should be housed
341 2, 4 | diocesan Bishop in the diocese committed to him possesses all the
342 3, 4 | assisted by one or more committees (or at least by some experts)
343 Int | way that allows them to communicate the sacred, the beautiful,
344 6 | means of a fitting system of communication. This is the first work
345 3, 3 | of the museum through the communications channel of Church entities,
346 4, 2,3 | must then give life to a communicative and formative circuit in
347 2, 4 | as well as their vicars. Comparable to these are the abbot primate
348 5, 2,2 | meet, exchange knowledge, compare with one another. ~- External
349 4, 2,1 | sense of sacrifice, love, compassion, respect for life, a particular
350 1, 4 | Liberal Arts are largely compensated by the immense advantages
351 5, 1,2 | administrative and juridical competence, and an inter-institutional
352 5, 2,4 | and campaigns; ~- promote competitions (creative writing, collections
353 2, 3,1 | initiative. Nevertheless, a complete typological list of ecclesiastical
354 2, 1,2 | it is a part because it "completes" and "synthesizes" other
355 4, 1 | underlining the importance of the complimentary dimension between the cognitive
356 2, 2,2 | obsolete. In fact, other components "survive" in them as cultural,
357 1, 3 | treasuries" true collections composed of objects removed (either
358 3, 1,4 | tools - a printed and a computer one. The first would include
359 3, 5 | both printed and above all computerized information (on site or
360 3, 1,2 | environment to one of personal concentration, and the believer towards
361 Int | 7, 1965, n. 58. ~Such a Conciliar magisterium, expressed also
362 6 | will be all in all". ~We conclude with an exhortation of the
363 6 | Conclusion ~The cultural heritage of
364 6 | cultural promotion. ~There are conclusions to be made that must guide
365 3, 1,10| easily accessible. ~The conclusive moment of the visit presents
366 4, 3 | archives and libraries are conditioned by the territory and refer
367 5, 2,1 | been turned to the work conducted by Catholic Universities
368 5, 2,3 | Regional or National Episcopal Conference. One could also make use
369 1, 2 | Ecclesiae, ad Praesides Conferentiarum Episcopalium, April 11,
370 4, 3 | Consequently, this new configuration has an undeniable social
371 1, 4 | archeological finds from the confines of the State and of a large
372 3, 1,1 | for disabled visitors, in conformity with the national and international
373 5, 2,1 | religious institutions, confraternaties, associations). ~It is therefore
374 3, 1,10| not only in order to avoid confusion in the flow of visitors (
375 1, 3 | dispersion. Museums of religious congregations arose with similar aims. ~
376 2, 4 | structure should assume public connotations one should follow the regulations
377 1, 3 | Sanctuary of Saint Foy at Conques, the Cathedral of Verdun
378 Int | its developing a critical conscience, in order to present the
379 5, 2,4 | criteria in order to raise the consciousness of visitors, not only about
380 2, 4 | financed by them, without the consent of the competent diocesan
381 4, 3 | by a traditional one of "conservative gathering" of what has derived
382 1, 2 | Renaissance, but it must conserve in order to present works
383 1, 3 | the cultural milieu was considerable, to cite one example, Cardinal
384 4, 3 | integrated museum system widens considerably and assumes ecclesial importance
385 5, 1,1 | cultural heritage while considering the work carried out in
386 1, 3 | private ones of antiquity consisted in the fact that the "treasuries"
387 4, 3 | since it shows the unity and consistency of the cultural assets of
388 4, 2,3 | an ecclesiastical museum, consists in teaching visitors to
389 5, 2,2 | Church workers. In order to consolidate the tie between cultural
390 2, 4 | society is determined by the constituions, with due regard for cann.
391 4, 2,1 | time. ~Their permanence constitutes the deposit of memory that
392 5, 1,5 | is necessary to launch a constructive dialogue between clergy
393 4, 2,3 | relevant materials that can be consulted outside the museum. ~The
394 3, 1,9 | ecclesiastical entity. It should contain at least a copy of all material
395 2, 3,1 | scientific collections), some containing noteworthy antique artefacts,
396 3, 1,3 | where visitors can pause and contemplate the works exhibited, especially
397 6 | mission of the Church. By contemplating artwork, the lesson of history
398 Int | and of evangelizing our contemporaries in a given area. Its organization
399 4, 2,3 | order to offer visitors, contemporarily to an educational visit,
400 4, 3 | in a certain place; the contents of the works themselves
401 Int | variety of Christian cultural contributions ~In the Christian mentality,
402 2, 3,1 | museums", "monastic museums", "convent museums", "museums of religious
403 3, 2,1 | Council of Europe, Revised Convention on the Protection of Archeological
404 4, 3 | structures housing these items converge in ecclesiastical museums,
405 2, 1,2 | and imposes the urgency of conversion in order to obtain that
406 5, 3 | in some museums forms of cooperative work supported by foundations,
407 3, 1,3 | the original artefacts or copies, cartography, printed matter
408 3, 5 | issue norms regarding the copyright of works in keeping with
409 3, 2,1 | preservation of artefacts requires correct control of the climate of
410 3, 1,1 | setting up of a museum should correspond to a global plan developed
411 4, 2,2 | ecclesiastical context that finds correspondence in the art-historical patrimony
412 5, 3 | order to meet up with the costly expenditures that may arise,
413 3, 3 | acquisitions, personnel, costs, activities, restoration,
414 1, 3 | Supreme Pontiffs, Ecumenical Councils, local Synods and individual
415 5, 3 | conditions, when necessary, to be counted among the personnel normally
416 Int | the community in a given country. This means coordinating
417 3, 3 | and short term period can cover all the needs required,
418 Int | communities. Finally, the concept covers the literary, theatrical
419 5, 2,2 | of the Church. In fact it creates a mature meeting point between
420 5, 1,1 | new art work. Given the crisis of the sacred and the resulting
421 Int | involves its developing a critical conscience, in order to
422 5, 1,1 | requires the capacity for criticism as well as a great deal
423 4, 2,3 | restorers, historians and critics; - presentations of events
424 1, 1 | the Church considers as crucial the handing down of her
425 1, 2 | fundamental value that must be cultivated with great care. ~In countries
426 1, 2 | other cultures, however, the cultivation of memory takes place through
427 6 | visit but also a place for cultural-pastoral meetings and for reflection
428 1, 2 | Circular Letter Opera Artis de cura patrimonii historico-artistici
429 1, 2 | collection of antiquities and curiosities", as Paolo Giovio and Alberto
430 3, 1,2 | museum tour simply out of curiosity. Since the visitor is attracted
431 1, 3 | whether precious or simply curious, are documented already
432 5, 1,4 | initiatives should foresee varied curricula with particular attention
433 5, 2,1 | recommended that as part of the cycle of formation of these candidates "
434 4, 2,3 | year according to thematic cycles; ~- presentations of books,
435 1, 4 | relative al prestito di opere d'arte di proprietá di Enti
436 6 | President ~~Carlo Chenis, S.D.B.~Secretary ~ ~
437 3, 1,4 | lighting, that does not damage the colours of the artefact
438 3, 2,2 | works and structures being damaged. For this task professional
439 5, 1,2 | disintegration, risks from dangers, detachment of frescoes,
440 1, 4 | of the Secretary of State dated 15 April 1923 that suggests "
441 1, 3 | Cathedral of Monza in Italy both dating back to the 6th century.
442 2, 2,2 | charitable works are not simply "dead things" even if they can
443 5, 2,1 | heritage, citation]. Since it deals with a fundamental aspect,
444 4, 2,1 | a particular approach to death, and hope in a renewed world.
445 5, 1,1 | involved in the contemporary debate in order to inspire a new
446 5, 3 | work for young people and a decent way to manage the art-historical
447 1, 4 | education. Consequently, the decision to use public funds is taken -
448 5, 1,2 | these instances often clear decisions are not taken because there
449 1, 3 | worship as well as for the decoration of holy places, and through
450 2, 3,2 | paintings, sculptures, decorations, engravings, prints, works
451 2, 2,2 | Address for the Feast of the Dedication of the Vatican Basilica,
452 5, 1,1 | renewed professional capacity, deep humility, careful dialogue,
453 3, 1,4 | include references that may deepen the knowledge of the individual
454 5, 1,2 | results in serious overall deficiencies. Accordingly, it becomes
455 2, 4 | expressly and accurately defines what pertains to the work
456 1, 3 | removed (either temporarily or definitely) from the sector of useful
457 3, 1,13| them since they are in a delicate phase of their "existence". ~
458 4, 2,3 | are placed side by side to delineate and explain an environmental
459 1, 4 | patrimonio storico e artistico della Chiesa in Italia, Brescia
460 3, 5 | each particular church, demands that the laws in force be
461 4, 2,2 | memories of the past, it demonstrates the historical perspective
462 2, 3,2 | further given the task of demonstrating in a clear manner the "spirit"
463 1, 3 | those of the Abbey of Saint Denis in France and the treasure
464 5, 1,1 | backgrounds, different religious denominations and religions. ~
465 3, 2,1 | organizations: ICOM, Code de Déontologie Professionnelle de l'ICOM,
466 2, 4 | other ecclesiastical museums dependent on the dioceses, is the
467 Int | effectiveness of Church museums depends on their becoming an integral
468 4, 2,2 | institutional synergies that derive from this can increase an
469 4, 3 | conservative gathering" of what has derived from the areas in which
470 4, 2,3 | the ecclesiastical museum describes itself as an authentic "
471 1, 1 | needs to work on strategies designed to appreciate and present
472 3, 5 | out-of-date, in danger of deteriorating in ecclesiastical museums
473 3, 1,14| in an advanced state of deterioration. ~If there is no internal
474 4, 3 | material. Such an option would devaluate these same artefacts that
475 Int | pastoral plans that have been devised. ~Community has to support
476 4, 2,3 | circumstances, spirituality, devotions, traditions, rites; ~- lectures
477 3, 2,1 | of the premises; periodic diagnostic investigation. ~As regards
478 2, 3,2 | acts, bequests, etc.); ~- diaries on works, documentation
479 3, 1,9 | archive as well. This should differ from the usual historical
480 1, 3 | appropriate places and times. The difference between such collections
481 4, 3 | typology, weave an organic and differentiated relationship. This continuity
482 1, 2 | conservation of artefacts is difficult. Finally, in other situations,
483 5, 2,4 | charity and they represent the dignity of the Church community; ~-
484 3, 2,2 | the personnel on duty are diligent and prudent in order to
485 1, 4 | regolamento per i Musei diocesani [G. Fallani, Tutela e conservazione
486 5, 2,2 | require a certificate or diploma of attendance at an ecclesiastical
487 1, 1 | belong to the Church be in direct contact with works still
488 1, 4 | sure that the expenditures directed to promote the Liberal Arts
489 3, 1,3 | artefacts one can refer to the directives issued by National Entities
490 3, 1,1 | entrance, in particular for disabled visitors, in conformity
491 2, 3,2 | museums, we can first of all discern those with a liturgical
492 3, 1,9 | art-historical patrimony. ~The discipline that should be followed
493 5, 1,1 | fulfilment; to overcome discriminations between rich and poor, different
494 5, 1,5 | that through round table discussions, conferences and debates,
495 3, 2,1 | assured regular hygiene and disinfecting maintenance of the premises;
496 Int | the case of a sometimes disintegrating culture, initiatives should
497 5, 1,2 | of emergency (structural disintegration, risks from dangers, detachment
498 3, 1,9 | deposit or temporary loan are dispersed and with them a useful tool
499 2, 4 | religious institution, the dispositions foreseen by can. 681 should
500 5, 1,2 | juridical-administrative disputes, etc). In these instances
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