1009-dispu | disse-out-o | outer-yours
bold = Main text
Chapter, Paragraph, Part grey = Comment text
501 1, 1 | art-historical patrimony disseminated around the world. It owes
502 4, 1 | intimately connected to, even if distinct from, the educational function
503 2, 4 | with due regard for their distinctive character". 2 - "He is to
504 4, 1 | the museum institution. To distinguish, in order to unite the educational
505 3, 1,4 | colours of the artefact or distort their view, is advisable. ~
506 3, 1,2 | to move from an exterior, distracting environment to one of personal
507 3, 5 | Statutes or Regulations to be distributed by diocesan information
508 3, 1,10| the bookshop or by simply distributing free brochures. Such material
509 5, 3 | work ~In regards to the distribution of Church tasks, it is important
510 2, 4 | or within its individual districts all the works of the apostolate
511 5, 2,4 | In addition, one should diversify the activities offered on
512 4, 3 | through their complexity and diversity. For its part, the museum
513 3, 2,1 | as for example, the Rom Dokument approved at the 44th Annual
514 4, 3 | their context within the domain of the ecclesiastical territory.
515 2, 2,2 | traces of the "transitus Domini" in human history. (See
516 1, 4 | 1269, 1270, 1292, 1377 [donations, acquisitions and alienations];
517 2, 3,2 | understand the will of the donor, the sensitivity of the
518 3, 2,1 | of all openings (bolted doors, screens at the windows
519 1, 4 | Camerlengo of S.R.C. Cardinal Doria Pamphilj [A. Emiliani, Leggi
520 4, 3 | to the faithful through a double itinerary of historical
521 3, 5 | Conferences, and Dioceses; ~- draft, if possible, Statutes or
522 2, 1,1 | illicit acts sometimes imposes drastic solutions because the risks
523 6 | museum should be organized by drawing up an inventory and cataloguing
524 2, 3,2 | fabrics; ecclesiastical dress; ~- musical instruments; ~-
525 4, 2,1 | Salomon in all his glory was dressed as one of them" (Mt 6,28-
526 3, 1,3 | Preventive Conservation, Dublin 2000]). The structure of
527 3, 1,9 | consultation by scholars, should be duly worked out by specific regulation. ~~
528 2, 3,1 | areas also the "Opera del Duomo" (workshop of the Cathedral)
529 3, 2,1 | environment; protection from dust, solar exposure, bacteria;
530 1, 4 | worship]; can. 1283 and 1284 [duties of the administrators; inventory]); (
531 4, 3 | network is thus woven that can dynamically connect the diocesan museum
532 6 | new heavens and the new earth"; they are signs of the
533 3, 1,3 | well-defined they are the easier it will be for the visitor
534 3, 1,1 | should be practical to allow easy circulation without causing
535 1, 4 | inventory]); (Codex Canonum Ecclesiarum Orientalium [1990] {CCEO},
536 1, 4 | arte di proprietá di Enti ecclesiastici [ibid., p. 232-235]). ~The
537 5, 2,1 | the relationship between ecclesiastics and lay people in order
538 Int | Church museums requires an ecclesiological foundation, a theological
539 4, 1 | mission of the Church. She educates to a sense of history, beauty
540 Int | fact, the originality and effectiveness of Church museums depends
541 3, 1,12| make the museum ever more efficient. ~In particular, it would
542 1, 2 | Sotere of Alexandria of Egypt; but it is always the building
543 3, 2,1 | national civil laws concerning electrical wiring, fire and other alarm
544 4, 2,1 | perceive the fundamental elements of Christianity to which
545 2, 1,1 | evangelization, of spiritual elevation, of dialogue with those "
546 2, 3,2 | importance. They thus avoid the elimination, putting aside, alienation,
547 2, 2,2 | for culture in order to embellish the greatness of creation;
548 2, 1,2 | 1.1.). ~Such memory is embodied in human treasures that
549 2, 3,2 | vestments, textiles, lace, embroidered fabrics; ecclesiastical
550 5, 2,4 | historical perspective, to make emerge the relationship between
551 1, 3 | result of the new regard that emerged in the 15th century for
552 Int | Introduction~Your Eminence (Excellency), ~After having
553 4, 1 | between the cognitive and the emotional aspects; especially with
554 3, 4 | above-mentioned criteria; ~- employ well-trained guides to accompany
555 4, 3 | discreet opportunities of employment. ~The typology of the wide-spread
556 3, 6 | co-operation must be planned and encouraged with other cultural institutions,
557 2, 2,2 | constant work of orientation, encouragement and exchange" (John Paul
558 Int | Pope John Paul II in the Encyclical Letter Slavorum Apostoli,
559 4, 3 | various expressions that endow the environment evoking
560 2, 1,1 | for inanimate finds, but enduring nurseries in which the genius
561 5, 3 | museum can make use of their energy and availability as it takes
562 2, 3,2 | sculptures, decorations, engravings, prints, works in wood or
563 2, 1,1 | because it protects and enhances that cultural patrimony
564 1, 1 | allow each individual to enjoy them as a legitimate user
565 6 | believer finds his own history, enjoys its artwork, lives in a
566 | enough
567 3, 1,5 | existing on the territory enriching it culturally, it would
568 3, 1,7 | dialogue, research and enrichment. ~Having such spaces at
569 4, 3 | her mission. Such goods enter into a unique dialogue by
570 2, 4 | to the cultural heritage enters into part of the apostolic
571 1, 4 | opere d'arte di proprietá di Enti ecclesiastici [ibid., p.
572 1, 3 | he published a catalogue entitled Musaeon but written in a
573 3, 1,2 | should prevail in order to envelop visitors in this specific
574 3, 3 | organizational procedures; ~- envision within a more global plan
575 1, 2 | Praesides Conferentiarum Episcopalium, April 11, 1971; AAS 63 [
576 3, 1,7 | students that is properly equipped. Such a room would render
577 6 | Holy Father: "We are in an era in which ruins and traditions
578 2, 4 | administration which has been erected on a stable basis", see
579 2, 2,2 | charity in order to show the essence of the Gospel message. It
580 4, 1 | exclusus, nemo longinquus est" (no one is extraneous,
581 3, 3 | annual budget with a detailed estimate and stock of specific sources
582 5, 1,1 | different cultural and ethnical backgrounds, different religious
583 1, 2 | temple of the Muses" in the etymological sense of the term, recalling
584 3, 2,2 | needs to be checked and evaluated according to its state. ~
585 2, 2,2 | a sense of wonder in the evangelical narration; for culture in
586 2, 1,2 | events in the context of the event of salvation and imposes
587 | ever
588 2, 2,2 | for worship in order to evoke the inexpressible divine "
589 4, 3 | that endow the environment evoking the memory of the benefactors
590 4, 2,1 | closely interwoven that evolve and develop in time. ~Their
591 2, 3,2 | furnishings; ~- reliquaries and ex voto; ~- liturgical vestments,
592 Int | Introduction~Your Eminence (Excellency), ~After having addressed
593 | except
594 3, 1,6 | innovative means. One should not exclude laboratory or research teaching
595 4, 1 | no one is extraneous, excluded or far from the Catholic
596 1, 1 | user without becoming an exclusive owner. ~The value that the
597 1, 4 | they do not address museums exclusively, but the museums are inserted
598 4, 1 | catholicae nemo extraneus, nemo exclusus, nemo longinquus est" (no
599 3, 1,12| that the presence of an executive employee is necessary and
600 5, 1,1 | she has seen in them an exemplary instrument to carry out
601 2, 2,2 | and throughout the time it exercised the pastoral mission of
602 1, 1 | artistic value witness to the exertion of the community that produced
603 1, 3 | these objects possessed an exhibitional value, especially in the
604 6 | all". ~We conclude with an exhortation of the Holy Father: "We
605 4, 2,1 | re-propose the remains of an existentialist system that finds in the
606 3, 2,1 | be avoided; all emergency exits along the route should be
607 2, 1,2 | her first Fathers, of the expansion of Christianity in the world,
608 4, 3 | public use). Thus a complex explanation of the inculturation work
609 3, 2,1 | protection from dust, solar exposure, bacteria; assured regular
610 2, 1,2 | cultivate their memory, expresses the uniqueness and unity
611 1, 1 | interest of the Church in expressing in a variety of styles her
612 2, 4 | which, among other things, expressly and accurately defines what
613 6 | regulations they suggest, I extend my prayerful good wishes
614 1, 3 | protection and conservation. (An extensive summary of the principal
615 4, 2,1 | unlike that of artefacts from extinct civilizations since much
616 3, 2,2 | insurance coverage) and extra care when arranging the
617 4, 1 | Ecclesiae catholicae nemo extraneus, nemo exclusus, nemo longinquus
618 2, 3,1 | officials who showed an extraordinary spirit of initiative. Nevertheless,
619 2, 3,2 | textiles, lace, embroidered fabrics; ecclesiastical dress; ~-
620 3, 1,3 | themes proposed by the museum facility. ~The display of the objects
621 1, 3 | 1.3. Some Historical Facts regarding the Conservation
622 5, 2,3 | universities, academies, pontifical faculties; higher institutes or institutes
623 6 | teacher of life, cannot fail to carry out the ministry
624 Int | every generation, and by faithfulness to the Tradition. The Church
625 5, 2,4 | even the use of museums may fall into the area of the ecclesial
626 1, 4 | per i Musei diocesani [G. Fallani, Tutela e conservazione
627 1, 1 | richness. Even when pieces have fallen into disuse, for example,
628 4, 2,2 | re-evocation of a memory that is familiar also, and so much more felt.
629 4, 3 | promote awareness-raising in families as a place of education
630 5, 2,4 | activity of a religious Family. ~One should make sure that
631 6 | exhortation of the Holy Father: "We are in an era in which
632 2, 1,2 | of martyrs and her first Fathers, of the expansion of Christianity
633 2, 2,2 | Paul VI, Address for the Feast of the Dedication of the
634 3, 1,5 | periods, patronal or titular feasts, civil circumstances, conventions,
635 1, 3 | cite one example, Cardinal Federigo Borromeo, Archbishop of
636 3, 3 | sources of income (entrance fee, occasional sponsorships,
637 2, 2,1 | the "sensus ecclesiae" (feeling for the church) which sees
638 4, 2,2 | familiar also, and so much more felt. In addition, it represents
639 | few
640 2, 2,2 | the participants of the Fifth Congress of Church Archivists,
641 5, 2,1 | accompanying the mailing of the Final Report on the replies of
642 2, 1,2 | ecclesial territory; - they are finalized according to the current
643 5, 3 | organization, management, finance raising, and education. ~ ~
644 5, 2,2 | With the aid of special financing one should be able to intervene
645 3, 2,1 | concerning electrical wiring, fire and other alarm systems,
646 4, 2,3 | traditions, rites; ~- lectures in fixed periods of the year according
647 3, 3 | adequate guidelines and proper flexibility; ~- promote the image of
648 Int | the Church now wants to focus its attention on Church
649 4, 3 | between the various cultural forces present within the territory.
650 3, 5 | carefully regulated with legal formality. ~
651 4, 2,3 | life to a communicative and formative circuit in order to make
652 6 | routes, and by calling forth collaboration between museums. ~
653 6 | to be found by bringing forward the places and events that
654 2, 4 | 394 1 - "The Bishop is to foster the various aspects of the
655 Int | heritage in the hope of fostering a new humanism as part of
656 | found
657 1, 4 | April 1923 that suggests "founding, where it still does not
658 1, 3 | the Sanctuary of Saint Foy at Conques, the Cathedral
659 2, 2,2 | and mind towards God. The fragility of materials, natural disasters
660 6 | Vatican City, 15 August 2001, ~Francesco Marchisano~President ~~Carlo
661 5, 1,2 | from dangers, detachment of frescoes, alienation of artefacts,
662 3, 1,3 | exhibited, especially in front of those that are most significant. ~
663 5, 2,2 | heritage they have at hand fruitfully by way of many kinds of
664 3, 3 | other entities); promptly fulfil fiscal responsibilities;
665 5, 1,1 | of the Gospel and human fulfilment; to overcome discriminations
666 3, 1,8 | the museum. ~The library fulfils the task of gathering and
667 4, 2,3 | documentary richness of a museum fully. Therefore it would seem
668 Int | vision, as well as a real functional role for these treasures
669 1, 4 | the decision to use public funds is taken - even during times
670 1, 4 | regolamento per i Musei diocesani [G. Fallani, Tutela e conservazione
671 1, 4 | sent by Cardinal Pietro Gasparri of 1 September 1924. This
672 Int | Council, Pastoral Constitution Gaudium et spes, December 7, 1965,
673 3, 1,3 | present to the visitor's gaze the multi-faceted history
674 3, 1,2 | above all the mind that has generated the museum and characterizes
675 5, 3 | such a service - beyond its generous availability - be carried
676 Int | also in other passages, [Ad Gentes, n. 21] has also been referred
677 2, 3,1 | present the historical and geographical features of the presence
678 1, 3 | Cathedral of Verdun in Metz; in Germany those pertaining to: the
679 3, 1,6 | Project [MESL] promoted by the Getty Information Institute in
680 5, 1,2 | 27, 1981 [Insegnamenti di Giovanni Paolo II, IV/1, Vatican
681 1, 2 | and curiosities", as Paolo Giovio and Alberto Lollio intended
682 1, 3 | statues with the intention of giving back to the Roman people
683 6 | work to lead people to "go-towards" the ecclesiastical museum
684 2, 2,2 | activity that had as its goal the inculturation of the
685 1, 3 | serve the function of a gold reserve in case of necessity.
686 2, 4 | superiors are those who govern a whole institute, a province
687 2, 4 | 1983], can. 734 - "The governance of a society is determined
688 2, 2,2 | worship that become "signs of grace" and assume a "sacramental"
689 5, 2,4 | history, but also in the gradual discovery of the territory
690 1, 3 | 1600's new types of museums gradually appear with primarily pedagogical
691 5, 1,2 | lack of information about grant procedures. In this context
692 5, 3 | training courses and be granted the proper conditions, when
693 2, 4 | power which universal law grants major superiors", see CCEO,
694 3, 1,9 | administrative acts, photographic and graphic material, etc. ~It would
695 3, 1,6 | be given with the aid of graphics, audiovisual material, illustrations,
696 2, 2,2 | in order to embellish the greatness of creation; for charity
697 4, 2,3 | itself as an authentic "greenhouse", a living centre for cultural
698 4, 1 | splendour of the Immaculate. Greeting and Wishes of Peter to all
699 5, 2,1 | this end the Pontifical Gregorian University in Rome since
700 2, 1,2 | order that one can come to grips with their authentic, original
701 5, 3 | represent a possible training ground for future professional
702 2, 3,2 | para-liturgical use that can be grouped in several major categories
703 3, 2,2 | transportation (with specific guaranteed insurance coverage) and
704 3, 6 | collaboration must be carried out by guaranteeing the autonomy of the individual
705 3, 4 | management, etc.; ~- choose guards answering the above-mentioned
706 5, 2,2 | museum employee in charge of guiding the public is called to
707 1, 1 | artists, craftsmen and local guild traditions that have been
708 4, 3 | necessities tied to the habitat in which the Christian community
709 2, 3,2 | those traditions, customs, habits, characteristic of the Church
710 3, 1,4 | iconographical explanations, hagiographical notes and brief bibliographical
711 1, 4 | Papal States of the first half of the 1800's, regarding
712 1, 1 | considers as crucial the handing down of her own patrimony
713 5, 3 | available. They can be asked to handle tasks from time to time
714 3, 2,2 | stage, assuring careful handling during transportation (with
715 6 | treasures of the Church. I am happy to take this opportunity
716 2, 4 | of the law, persons who head the other communities of
717 5, 1,2 | artists of all kinds into the heart of Christian spirituality.
718 6 | artistic beauty "the new heavens and the new earth"; they
719 5, 2,4 | individual communities or held in specific places can also
720 4, 3 | collectivity through the heredity handed down by individual
721 Int | announcement of the Gospel in the "hic et nunc" (here and now)
722 Int | present in its best and often hidden aspects. ~Moreover, it is
723 5, 2,3 | academies, pontifical faculties; higher institutes or institutes
724 1, 3 | Musaeon but written in a highly illustrative way. Through
725 3, 3 | responsibilities; before hiring specialized personnel for
726 4, 2,3 | with artists, restorers, historians and critics; - presentations
727 3, 1,3 | through the display of the historical-artistic-social-religious message offered by the original
728 1, 2 | Artis de cura patrimonii historico-artistici Ecclesiae, ad Praesides
729 4, 1 | Catholic Church) (Paul VI, Homily - In the light of the splendour
730 5, 2,2 | subjects, individual objects, homogenous groups of masterpieces. ~-
731 6 | regards, as ~I have the honor to be~Sincerely Yours in
732 4, 3 | destruction of the structures housing these items converge in
733 Int | hope of fostering a new humanism as part of the new evangelization.
734 6 | collection allows viewers to grow humanly and spiritually, and so
735 3, 2,1 | alarm systems, climate and humidity control must be observed. ~
736 5, 1,1 | professional capacity, deep humility, careful dialogue, openness
737 3, 2,1 | bacteria; assured regular hygiene and disinfecting maintenance
738 3, 5 | mentioned guidelines issued by ICCROM, ICOM, ICOMOS, Council of
739 3, 1,4 | to more famous objects, iconographical explanations, hagiographical
740 5, 1,4 | architecture; iconography and iconology; aghiography and spirituality;
741 1, 4 | contains modern and innovative ideas regarding museums. The famous
742 3, 1,13| well arranged and easily identifiable. For this reason they must
743 3, 1,4 | objects need to be clearly identified since this aspect assumes
744 5, 1,4 | gather people of different ideological backgrounds with whom one
745 2, 2,2 | to allow people to become illuminated by the splendour of beauty
746 3, 1,6 | graphics, audiovisual material, illustrations, other innovative means.
747 3, 3 | flexibility; ~- promote the image of the museum through the
748 1, 4 | can. 1189 [restoration of images]; can. 1220 2 and 1234 2 [
749 4, 1 | of the splendour of the Immaculate. Greeting and Wishes of
750 2, 4 | the ordinary, proper and immediate power which is required
751 1, 4 | principle of inalienability and immovability of archeological finds from
752 1, 2 | situations, safekeeping implies remaking the artefacts while
753 5, 3 | observe the general criteria imposed by the norms, organization,
754 5, 1,1 | sacred and the resulting impoverishment of cultual expressions,
755 4, 1 | facilitate the visitor's first impression and understanding of the
756 5, 1,2 | necessary to bring about major improvements, often results in serious
757 1, 4 | basis of the principle of inalienability and immovability of archeological
758 2, 1,1 | are "not storehouses for inanimate finds, but enduring nurseries
759 2, 2,2 | the splendour of beauty incarnate in sensible works and to
760 2, 2,2 | accord with the logic of the incarnation, it is the impact left by
761 5, 1,5 | territory, one should create an incentive for the establishment of
762 1, 4 | into a broader context that includes archives, libraries and
763 3, 1,1 | circulation without causing inconvenience to the public or employees.
764 4, 3 | territorial place" because faith inculturates itself in specific environments.
765 1, 1 | highlighting the activity of inculturating the faith. ~In fact, since
766 Int | John Paul II, Motu Proprio Inde a Pontificatus Nostri initio,
767 2, 4 | museum is founded. The norms indicated for the coordination, organization,
768 3, 1,4 | of the individual works indicating the liturgical or para-liturgical
769 2, 4 | and Regulations one can indicatively keep in mind some aspects
770 2, 1,1 | are increasing even in an indirect way. Likewise the urgency
771 3, 1,2 | that sacred space that it indirectly reflects. Its layout, whenever
772 4, 2,1 | aspects. In addition, the indissoluble tie between the patrimony
773 2, 2,2 | worship in order to evoke the inexpressible divine "glory"; for catechesis
774 5, 1,1 | great events; to show the influence of Christianity throughout
775 2, 1,2 | human treasures that have influenced the environment in order
776 5, 2,2 | that civil authorities be informed of a similar perspective,
777 1, 4 | drawn by the State and the inhabitants" (ibid., n. 10. The principles
778 4, 2,1 | art. ~Through the cultural inheritance passed on to us up until
779 4, 2,1 | sacraments of Christian initiation. With such an unusual instrument,
780 Int | Inde a Pontificatus Nostri initio, March 25, 1993, Proemio [
781 6 | of artists of the past. Innumerable marvels will come to light
782 2, 1,1 | make visible the unity and inseparability of its entire art-historical
783 1, 4 | exclusively, but the museums are inserted into a broader context that
784 2, 1,2 | asset to memory", means inserting this sector among the means
785 Int | genius, but also offers an insight into the cultural and religious
786 2, 2,2 | through scanty remains or even insignificant works, past epochs, while
787 5, 1,2 | disputes, etc). In these instances often clear decisions are
788 | instead
789 2, 2,2 | for catechesis in order to instill a sense of wonder in the
790 1, 1 | civil, and private) by instituting, when necessary, her own "
791 3, 1,13| available to scholars and those institutionally responsible. ~Some works
792 6 | prepare the personnel to instruct and guide visitors; ~- it
793 1, 4 | cultural heritage). ~The instructions issued by the Holy See in
794 5, 1,5 | teachers, involving all the intellectual, human, spiritual resources
795 4, 1 | neighbour that necessitate intelligence, sentiment and will. ~All
796 5, 3 | activities in museums and intend to dedicate some of their
797 3, 1,2 | required by what he/she intends to admire. An inspiring,
798 5, 2,3 | advisable to plan special intense and specialized courses
799 6 | the Church at present is intent on finding her roots, one
800 1, 3 | bronze statues with the intention of giving back to the Roman
801 3, 1,3 | situation and particular intentions. It is then wise to include
802 5, 1,2 | may increase through an inter-disciplinary effort whereby artists can
803 2, 3,1 | museums, such as parish and inter-parish ones, reflect the specific
804 Int | towards establishing an interaction between the treasures in
805 3, 1,5 | cultural institution that interacts with other institutions
806 1, 2 | Codice dei Beni Culturali di interesse religioso. I. Normativa
807 4, 1 | employees those who are interested in religious memory, because "
808 1, 4 | the acquisition of more interesting things to place in our Museums;
809 5, 2,4 | religious, social, cultural interests; ~- make the entire community
810 2, 1,2 | ecclesiastical museum requires an interior attitude, because in such
811 5, 1,6 | ecclesiastical, nationally and internationally. Educational programmes
812 2, 1,2 | community. Such works should be interpreted, understood, used according
813 5, 2,2 | financing one should be able to intervene also on the external guides
814 5, 2,3 | formation made available by intervening on existing programs. In
815 3, 3 | personnel for various needs, interview them carefully; the volunteer
816 4, 2,1 | sensible signs are closely interwoven that evolve and develop
817 1, 4 | Sacred Art in Italy has been introduced, recommends the establishment
818 5, 1,2 | enlightened patron of the arts by introducing artists of all kinds into
819 4, 2,1 | ecclesiastical museums, can intuitively understand how much the
820 5, 1,5 | for cultural heritage are invited to function so that through
821 5, 1,3 | to be co-responsibile by inviting them to participate in the
822 2, 2,2 | message. It belongs to the irreducible complexity of the action
823 5, 2,1 | Commission thought advisable issuing a first Circular letter [
824 1, 4 | artistico della Chiesa in Italia, Brescia 1974, p. 225-229];
825 1, 4 | culturali negli antichi stati italiani, 1571-1860, Bologna 1978,
826 1, 3 | the Society of Jesus, the Jesuits. ~In more recent times besides "
827 5, 2,1 | dedicate an issue of the Journal Seminarium on the theme
828 3, 3 | regulation; ~- clearly define the judicical status of personnel, both
829 2, 4 | Apostolic See, or other public juridic persons within the Church
830 5, 1,2 | organization of security, juridical-administrative disputes, etc). In these
831 5, 3 | special attention to the juridical-fiscal aspects foreseen by civil
832 6 | materially, to be protected juridically, and to be integrated pastorally
833 2, 3,1 | well defined ecclesiastical jurisdictions and settings. Missionary
834 6 | to light every time the keystone of comparison will be religion
835 3, 2,1 | the Arbeitsgemeinschaft Kirchlicher Museen und Schatzkammern,
836 5, 2,2 | workers so that they may know how to use the art-historical
837 2, 1,2 | must develop a plan for knowing the past in order to lead
838 1, 4 | bandi e provvedimenti per la tutela dei beni artistici
839 4, 3 | circumstances). Even restoration laboratories and technical offices must
840 2, 3,2 | liturgical vestments, textiles, lace, embroidered fabrics; ecclesiastical
841 4, 3 | one museum, they would be lacking the sees of provenance and
842 5, 1,1 | As an artistic-historical landmark the museum can assume a
843 5, 2,2 | instrument through the universal language of Christian art. ~- Internal
844 3, 1,4 | translated into two or three languages and written with characters
845 1, 4 | confines of the State and of a large part of other artworks,
846 1, 4 | promote the Liberal Arts are largely compensated by the immense
847 | last
848 | later
849 Int | has the principal task of leading God's people, and especially
850 6 | would create new ways of learning about these treasures and
851 5, 2,2 | local communities, without leaving behind those that practice
852 3, 5 | carefully regulated with legal formality. ~
853 3, 1,4 | characters that are easily legible and placed well in view. ~
854 1, 4 | 1.4. Legislative Measures issued by the Church
855 1, 1 | individual to enjoy them as a legitimate user without becoming an
856 2, 3,2 | material considered to be of lesser importance. They thus avoid
857 6 | contemplating artwork, the lesson of history takes a prophetic
858 1, 4 | directed to promote the Liberal Arts are largely compensated
859 3, 1,6 | Museum Educational Side Licensing Project [MESL] promoted
860 3, 1,4 | pieces on full view. Good lighting, that does not damage the
861 2, 4 | unless otherwise evident are likened a territorial prelature,
862 2, 1,1 | even in an indirect way. Likewise the urgency of constituting
863 4, 2,1 | words: ~"Look how the lilies of the field grow: they
864 1, 4 | century that were intended to limit the destruction of ancient
865 4, 2,1 | beautiful things always show the limitation of human creativity and
866 4, 2,1 | visitor sees is strictly linked to today's ecclesial reality. ~
867 5, 2,1 | programs instituted in Paris, Lisbon, Mexico and Brescia [Italy],
868 2, 3,1 | a complete typological list of ecclesiastical museums
869 2, 3,2 | now no longer in use for liturgical-pastoral services. They allow this
870 4, 2,1 | faith its prime reason to live, experience and hope. The
871 3, 1,7 | would render the museum a livelier place and it would demonstrate
872 3, 1,9 | of deposit or temporary loan are dispersed and with them
873 3, 2,2 | to avoid accidents. When loaning works, special attention
874 1, 3 | scientific museums, that were located in seminaries, colleges
875 1, 2 | Paolo Giovio and Alberto Lollio intended back in the Renaissance,
876 3, 3 | of income) that allow for long-term planning of the activities
877 4, 1 | extraneus, nemo exclusus, nemo longinquus est" (no one is extraneous,
878 5, 3 | are retired, those who are looking for their first job; those
879 2, 1,2 | reason to give praise to the Lord and to thank Him for the "
880 2, 1,1 | its content should not lose its intrinsic aim and destination
881 4, 3 | liturgical furnishings in disuse, lying around in churches, could
882 1, 2 | 15, 1923, Prot. N. 16605 [M. Vismara Missiroli, Codice
883 5, 2,1 | Universities accompanying the mailing of the Final Report on the
884 3, 1,1 | museums, must be able to maintain their identity and, at the
885 5, 2,1 | have the responsibility of maintaining the physical church building,
886 4, 2,1 | Christianity to which the majority of them have personal knowledge
887 2, 1,2 | cultural, social, and religious make-up. Thus, the protection and
888 | makes
889 3, 2,1 | Archeological Heritage, Malta 1992; ICOMOS [International
890 5, 3 | people and a decent way to manage the art-historical patrimony
891 5, 3 | small in size, are normally managed by individuals who carry
892 5, 2,1 | importance of organizing and managing ecclesiastical museums and
893 3, 1,3 | Caring for Collections. ~A Manual of Preventive Conservation,
894 2, 3,2 | musical instruments; ~- manuscripts and liturgical books, choral
895 2, 3,2 | drawings, models, sketches, maps, etc.); ~- documentary material
896 6 | August 2001, ~Francesco Marchisano~President ~~Carlo Chenis,
897 1, 3 | Rome, the Basilica of Saint Mark in Venice, and Saint Ambrose
898 3, 2,1 | route should be clearly marked; all facilities and structures
899 2, 1,2 | community, of the Church of martyrs and her first Fathers, of
900 2, 2,2 | man rediscover religious marvel before the fascination of
901 6 | of the past. Innumerable marvels will come to light every
902 5, 2,2 | educators who may be able to match the works on exhibit in
903 6 | patrimony to be conserved materially, to be protected juridically,
904 Int | Church is called to pay her maximum attention" (John Paul II,
905 3, 1,2 | the entrance hall must be meaningful to the visitor who must
906 5, 1,2 | Art: The artist is the mediator between the Gospel and life,
907 3, 3 | multi-annual budget that besides a medium and short term period can
908 5, 2,2 | fact it creates a mature meeting point between individuals
909 Int | contributions ~In the Christian mentality, Church museums belong entirely
910 4, 2,1 | of spiritual and material mercy. ~Around each of these aims
911 4, 2,1 | concept, one goes beyond the mere aesthetic and historic aspect
912 3, 1,6 | Side Licensing Project [MESL] promoted by the Getty Information
913 2, 3,1 | hand, reflect the cultures met through the work of evangelization
914 4, 1 | suggest the diversified methodologies intended to facilitate the
915 1, 3 | the Cathedral of Verdun in Metz; in Germany those pertaining
916 5, 2,1 | instituted in Paris, Lisbon, Mexico and Brescia [Italy], etc.
917 4, 2,2 | one can reconstruct the micro-history of the individual realities
918 | might
919 1, 2 | I. Normativa Canonica, Milano 1993, p. 188-196]. Ibid.,
920 1, 3 | the Church in the cultural milieu was considerable, to cite
921 5, 1,1 | work carried out in the two millennia of history and developing
922 5, 1,3 | according to an ecclesial mindset and in ways adapted to different
923 4, 3 | suitable structures are missing or can not be established,
924 1, 2 | Prot. N. 16605 [M. Vismara Missiroli, Codice dei Beni Culturali
925 3, 1,13| this concept should not be misunderstood. This space is not a place
926 2, 3,1 | collections" usually of a monographic nature (artistic, archeological,
927 2, 3,1 | refer to a single religious monument, a particular ecclesiastical
928 1, 4 | sulla conservazione dei monumenti e sulla produzione di belle
929 1, 3 | treasure of the Cathedral of Monza in Italy both dating back
930 | Moreover
931 Int | sculpture, architecture, mosaics and music, put at the service
932 4, 3 | the territory is set in motion; that unites the entire
933 Int | attention" (John Paul II, Motu Proprio Inde a Pontificatus
934 1, 2 | Church museum is neither a Mouseion, nor the "temple of the
935 3, 1,2 | prepares the visitor to move from an exterior, distracting
936 6 | administration, by regulating the movement of the artworks, by planning
937 5, 1,4 | confraternities, charitable movements and cultural institutions.
938 4, 2,1 | dressed as one of them" (Mt 6,28-29). ~The ecclesiastical
939 3, 3 | essential; ~- prepare a multi-annual budget that besides a medium
940 3, 1,3 | to the visitor's gaze the multi-faceted history of a particular
941 2, 2,2 | the different rites, the multiple forms of piety, the different
942 1, 3 | published a catalogue entitled Musaeon but written in a highly
943 3, 1,6 | in the United States the MUSE Educational Media program
944 3, 2,1 | Arbeitsgemeinschaft Kirchlicher Museen und Schatzkammern, Rome,
945 1, 2 | nor the "temple of the Muses" in the etymological sense
946 4, 3 | that has in its complex a museum-treasury, structures and works that
947 5, 1,1 | for personnel besides a mutual collaboration between those
948 3, 1,4 | the significance of the name, the original spatial-temporal
949 2, 2,2 | inculturation of the faith. It narrates the history of the Christian
950 2, 2,2 | wonder in the evangelical narration; for culture in order to
951 5, 3 | civil legislation in each nation. One should therefore look
952 5, 1,6 | civil and ecclesiastical, nationally and internationally. Educational
953 4, 2,1 | art-historical patrimony, leads naturally to a knowledge of the great
954 3, 2,1 | possibly connected to the nearby police station, is advisable.
955 4, 2,1 | and the world today should necessarily be made apparent. In fact,
956 2, 2,2 | down to us. Such a task necessitates a daily and constant work
957 4, 3 | inspired and respond to the necessities tied to the habitat in which
958 1, 4 | beni artistici e culturali negli antichi stati italiani,
959 4, 1 | expressions of love for God and neighbour that necessitate intelligence,
960 3, 1,6 | Museums, the Coalition for Networked Information). In it, visitors
961 | never
962 3, 1,6 | and receive more detailed news regarding the history of
963 4, 3 | meetings between believers and non-believers, faithful and pastors, visitors
964 | nonetheless
965 1, 2 | interesse religioso. I. Normativa Canonica, Milano 1993, p.
966 3, 3 | environment) and a detailed normative regulation; ~- clearly define
967 1, 4 | ibid., p. 230-232]; ibid., Norme relative al prestito di
968 Int | Proprio Inde a Pontificatus Nostri initio, March 25, 1993,
969 3, 1,4 | explanations, hagiographical notes and brief bibliographical
970 2, 3,1 | collections), some containing noteworthy antique artefacts, others
971 5, 1,2 | acclaimed, we sometimes notice a certain carelessness and
972 5, 1,1 | centuries she has traditionally noticed "as an integral part of
973 1, 4 | 1924. This letter, while notifying Italian Bishops that the
974 4, 3 | present in the territory. ~The notion of an integrated museum
975 5, 1,1 | 1992, Prot. N. 121/90/18 [Notitiae 28 {1992} p. 714-731] n.
976 1, 2 | the memory of the past is nourished by conserving artefacts
977 2, 2,2 | of the Vatican Basilica, November 17, 1965, [Insegnamenti
978 Int | the Gospel in the "hic et nunc" (here and now) of every
979 2, 1,1 | inanimate finds, but enduring nurseries in which the genius and
980 2, 1,2 | of conversion in order to obtain that they may be one". (
981 3, 1,9 | fact, all too often, even official acts of deposit or temporary
982 2, 3,1 | often thanks to Church officials who showed an extraordinary
983 1, 3 | public function. Among the oldest treasuries in Europe, we
984 1, 3 | already from the 14th century onwards and was carried out privately
985 5, 1,1 | humility, careful dialogue, openness and respect for local traditions. ~
986 3, 1,3 | artworks. (In regard to the operative criteria for exhibition
987 1, 4 | relative al prestito di opere d'arte di proprietá di Enti
988 4, 3 | utility and opens discreet opportunities of employment. ~The typology
989 4, 3 | overcrowded by material. Such an option would devaluate these same
990 1, 2 | takes place through the oral tradition of past events
991 1, 4 | works of art, confirmed the orders given earlier by the Pontiffs,
992 2, 1,1 | be able to read once more organically and relive spiritually the
993 1, 4 | particular churches and episcopal organisms in order to establish properly
994 1, 4 | not even the Canons of the Oriental Churches mention museums,
995 1, 4 | Codex Canonum Ecclesiarum Orientalium [1990] {CCEO}, can. 278 [
996 2, 4 | follow the regulations and orientations issued by the diocesan Bishop. ~
997 5, 1,1 | The formation policy is oriented towards the presentation
998 Int | ecclesial life. In fact, the originality and effectiveness of Church
999 3, 3 | administrative management ought to be well-structured. ~
1000 3, 5 | of works: unprotected, out-of-date, in danger of deteriorating
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