5.1.2. Urgent
guidelines for formation
As a whole it becomes
urgent to overcome a certain lack of ecclesiastical interest in the
conservation and presentation of cultural assets; to combat the lack of
preparation in administrative and juridical areas; to avoid the detachment of
museums from pastoral plans; to overcome the lack of well formed clients.
- In order to overcome
the ecclesiastical lack of interest towards cultural assets. While
today, interest in the art-historical patrimony on a social level has been
widely acclaimed, we sometimes notice a certain carelessness and lack of
attachment to art-historical patrimony within the ecclesiastical world. As
other pastoral needs come first, the lack of personnel and, presumably, an
inadequate formation of those responsible, has rendered uncertain the
protection of this patrimony.
In particular,
inadequate formation of employees leads to poor quality management which
becomes more evident especially in times of emergency (structural
disintegration, risks from dangers, detachment of frescoes, alienation of
artefacts, organization of security, juridical-administrative disputes, etc).
In these instances often clear decisions are not taken because there is a lack
of organic vision and preventive strategy.
- In order to combat the
lack of preparation in administrative and juridical areas. The great
expenditure of economic resources, often necessary to bring about major
improvements, often results in serious overall deficiencies. Accordingly, it
becomes necessary to develop a capacity for planning as well as administrative
and juridical competence, and an inter-institutional collaboration (both in the
ecclesiastical as well as civil environments). In many cases, in fact, one is
not able to retrieve specific funding of a public nature (on regional, national
or international levels) due to lack of information about grant procedures. In
this context one should point out the urgency of making employees aware of both
general and particular legislation on the civil and ecclesial place.
- In order to overcome
the lack of adequately formed clients devoted to promoting
cultural assets. The Church in the past has been in many cases an enlightened
patron of the arts by introducing artists of all kinds into the heart of
Christian spirituality. The witness of the past preserved in ecclesiastical
institutions must inspire current patrons in order that the cultural assets may
increase through an inter-disciplinary effort whereby artists can understand the
ecclesial background for the greater success of their work. It is important to
deal with individuals prepared for team work and ready to meet with
contemporary artists (John Paul II, Address to the participants of the
Italian National Congress of Sacred Art: The artist is the mediator
between the Gospel and life, April 27, 1981 [Insegnamenti di Giovanni
Paolo II, IV/1, Vatican City 1981, p. 1052-1056]; ibid., Letter to Artists, April 4, 1999 [pamphlet,
Vatican City, 1999]). In this effort the museum can carry out the function of
catalyst for the inspiration of artists, in helping them to deal with religious
subjects.
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